Uragano express

Ther is a car chase on train tracks, this is way before Bond films. A bike stunt, this is way before McQueen. Another car chase, this is way before Bullit n French Connection. I saw this for the first time recently n quite enjoyed it. The car chases are excitingly shot on the steep, twisting roads of the Bronson Canyon area, the movie has plenty of action around trains, planes, and cars. Wayne's motorcycle pursuit is adrenaline filled.

I watched the eighty minute condensed version of this show and actually enjoyed it quite a bit. Unfortunately, the DVD i bought wasn't made from a great print(i would certainly buy a better one if could). Anyhow, it was a very fun trip back in time to the days when John Wayne was a young pup and Hollywood was becoming, well, Hollywood.

As you might expect the condensed version was very fast moving and there were lots of stunts, some really scary, like when Wayne or a double jumps from a moving car onto a moving train. Yikes!!! You had to be crazy to be a stuntman back in those days.

The story isn't really that much by todays standards but it makes for a pretty good little action film. The girl is cute and yeah I'm sure she and Duke probably saw some action between takes. Ha, why not? I'm sure that the entire serial would prob get boring so don't waste your time with that, the short version works really well. Hopefully you can get a better transfer though. Overall, this is a nice time capsule that takes you back to a earlier and more innocent America and Hollywood. If nothing else you might enjoy the vintage trains, planes, and automobiles. The DVD i bought included this movie and three more and i paid fifty cents for it at kroger. This movie was the second best behind Paradise Canyon which was a great movie and was made from a great print.

In a random moment to homage a few actor's who attended the 'Save the Rose Theatre' spectacular street event in1989, I watched a classic from the '40's featuring Roy Roger's, upon same compilation DVD, there's an R. Scott feature but also the trimmed serial of Hurricane Express.

If there's a mystery worth pursuing purely for cultural nostalgia it has to be how the many earliest B & W serial westerns, turned a completely average actor, into the phenomenon that was 'John Wayne'. Something that even the many tribute documentarys have barely scratched the surface.

This serial has strong historical aspects in many of its vehicular scenes that rivals the 'Keystone Cops' or 'Charlie Chaplin' features, its weakness is from the mutilation that condensed editting of 12 episodes does to create a re-releasable movie.

Production values of the original are clearly shown to emphasise the stock single placement of camera with minimal focus or extra lighting. Giving the film, more a variety of grey hues to give sense of depth, completely inadequate to enable more emotive range for the cast.

Fortunately, what remains of its convoluted plot is more that enough to pursue 'Action', and this has more old-style brawls and chase scenes than you'll find in any modern feature.

In relative comparison, the closest series in modern terms of storyline and effects to this would be 'Mission Impossible' in either '60's or Cruise control era's.

As for resolving the two mysteries?

Well there's the Mascott, itself in one scene only, sadly the Wayne factor appear to have been removed in the trimming, as dramatically even the heroine gets enough involvement to be strongly regarded a bonus for actress Shirley Grey, who survived the switch to colour features extending career in acting by 30+ roles.

"The Hurricane Express" was one of three serials that John Wayne made for Nat Levine and Mascot Pictures after leaving Columbia Pictures following a run-in with mogul Harry Cohn over the affections of a young starlet.

The Mascot serials were always fast paced and full of action and this one is no exception. The story revolves around a mysterious character named "The Wrecker" who is bent on destroying the L & R Railroad. He causes the wreck of the Hurricane Express in which engineer Jim Baker (J. Farrell MacDonald) is killed. His son Larry (Wayne), an airline pilot vows to avenge his father's death. And that's basically it.

Wayne goes through the rest of the serial trying to identify "The Wrecker" and bring him to justice. Is the villain Edwards (Tully Marshall), the General Manager of the railroad; Stevens (Conway Tearle) the railroad attorney; Walter Grey (Lloyd Whitlock) the head of the airline; Stratton (Edmund Breese) an escaped convict who claims to have been set up by the railroad; Jordan (Matthew Betz) an engineer who was fired and has vowed revenge or is it Carlson (Alan Bridge) a station agent?

Aiding Baker is the lovely Gloria Martin (Shirley Grey) who turns out to be Stratton's daughter. Appearing as "The Wrecker's" henchmen are Ernie Adams, Charlie King, Glenn Strange and Al Ferguson. Complicating matters is the fact that "The Wrecker" can impersonate anybody by donning a life like mask of that person. Never mind that he can also apparently assume their physical characteristics and clothing as well.

After 12 chapters, a number of false leads and red herrings "The Wrecker" turns out to be.......wait, no, no...Bam! Bam!..aaaargh!

John Wayne was quite young and very athletic at the time this serial was made and can be seen clearly performing many of his own stunts. The winsome Grey was also at Columbia at the same time as Wayne and even appeared in a picture or two with him. I wonder..hmmmm.

These old serials also provide a snapshot of the times. I particularly enjoyed seeing the old cars, trains and planes. A bit dated but a nevertheless enjoyable piece of nostalgia.

The full length version runs about 227 minutes. "Gone With the Wind",long known for its length, has a run time of about 222 minutes. To experience the full historic flavor of an old time serial, I suggest trying the full length version, but try it as it was originally viewed. (An episode at a time!) Lots of thrills, chills, and spills, and a mystery that can't be solved until the very last episode in which the murderer turns out to be XXXXX. Bit of trivia: The plane used in the movie is a Ford Tri-Motor. (Old Henry built about 200 of them, largely at the instigation of his son Edsel.)In some scenes, its identification has been painted over. In other scenes it can be read. The plane is model 5-AT-49 registration number NC-8411, built in 1929 and destroyed in a crash in the mountains of Columbia in 1939. The "TAT" (Transcontinental Air Transport) logo is visible on the plane. (The fore-runner of Howard Hughes' TWA.)All interior scenes were shot in a prop department mock up with increased height and width. Of especial note is the single throttle. The Ford Tri-Motor had three! Dean Jacksonville, FL (Where Shirley Gray died in obscurity.)