Depraved convicts ! Crazy Manhattan gin parties! Society dames poaching other women's husbands! A flimflam artist scamming the uptown sophisticates! All these forbidden attractions are here and more -- including Bette Davis's epochal seduction line about impulsive kissing versus good hair care. It's a 9th collection of racy pre-Code wonders. Forbidden Hollywood Volume 9 Big City Blues, Hell's Highway, The Cabin in the Cotton, When Ladies Meet, I Sell Anything DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Joan Blondell, Eric Linden, Humphrey Bogart; Richard Dix, Tom Brown; Richard Barthelmess, Bette Davis, Dorothy Jordan, Berton Churchill; Ann Harding, Robert Montgomery, Myrna Loy, Alice Brady, Frank Morgan; Pat O' Brien, Ann Dvorak, Claire Dodd, Roscoe Karns. Cinematography James Van Trees; Edward Cronjager; Barney McGill; Ray June Written by Lillie Hayward, Ward Morehouse, from his play; Samuel Ornitz, Robert Tasker, Rowland Brown...
- 24/11/2015
- di Glenn Erickson
- Trailers from Hell
Above: Richard Dix in Hell's Highway.
Rowland Brown (born with the appealing first name of Chauncey), was an interesting, almost unique filmmaker of the early thirties, who made three films. In those days, when it was a matter of principle that directors should not write, nor writers direct, and that writers, in Preston Sturges' words, "should work in teams, like piano movers," Brown was an honest-to-God hyphenate, writing and directing three two-fisted pre-code thrillers, Quick Millions, Hell's Highwayand Blood Money.
There was Chaplin, of course, a living exception to nearly every industrial practice of the age, but Brown's entire directing career occurred during the lull between City Lights and Modern Times. Brown wrote (albeit sometimes with collaborators) and directed, and his films have a strong sense of their maker's personality: tough, even brutish, with a hard-bitten and cynical sense of humor, and a frankness about human nature and sexual foibles,...
Rowland Brown (born with the appealing first name of Chauncey), was an interesting, almost unique filmmaker of the early thirties, who made three films. In those days, when it was a matter of principle that directors should not write, nor writers direct, and that writers, in Preston Sturges' words, "should work in teams, like piano movers," Brown was an honest-to-God hyphenate, writing and directing three two-fisted pre-code thrillers, Quick Millions, Hell's Highwayand Blood Money.
There was Chaplin, of course, a living exception to nearly every industrial practice of the age, but Brown's entire directing career occurred during the lull between City Lights and Modern Times. Brown wrote (albeit sometimes with collaborators) and directed, and his films have a strong sense of their maker's personality: tough, even brutish, with a hard-bitten and cynical sense of humor, and a frankness about human nature and sexual foibles,...
- 14/10/2010
- MUBI
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