Il dottor X

Not wholly creak-free (Lee tracy's performance is notably of it's time), but still with some marvellous moments. The legendary "synthetic flesh" scene is still totally shocking and bizarre, worth the price of admission alone. Definitely one for the collection.

When you think of it, everything about this film is strictly synthetic...the plot, the hokey comic relief, the occasional ham acting--but the atmosphere photographed in crisp looking two-strip Technicolor is fully charged and the taut direction of Michael Curtiz (long before he did another more polished noir called THE UNSUSPECTED), makes this a very watchable early horror film from Warner Bros.

The Anton Grot sets in early color will keep the viewer totally enhanced even when the plot holes become too obvious. The annoying comic relief supplied by Lee Tracy as a fast-talking newspaperman (was there any other kind?), is fortunately not much of a handicap when the cast includes an assortment of richly eccentric characters.

I have to confess I guessed who the murderer was from the start--but it didn't dampen my enjoyment of the melodramatic and very creepy events. The storyline concerns a killer known for striking when there's a full moon and Lionel Atwill is the doctor who thinks he can solve the crime by some scientific detective work of his own.

It's the sort of film that became a staple of the "old dark house" mysteries audiences loved in the '20s and '30s--and even into the '40s with films like THE CAT AND THE CANARY. None of it seems quite as compelling as some of the better known fright films (including MURDER IN THE WAX MUSEUM), but we do get a chance to hear some first rate screams from Fay Wray (who looks very attractive in close-ups even though the Max Factor make-up is a little too extreme), and the capable cast includes such sturdy performers as Lionel Atwill and Preston Foster.

Trivia note: The killer's synthetic flesh make-up is very effective when he's in full mode on the kill. Kudos to Michael Curtiz for a fun-filled fright film.

Wow, what a shock - a 1932 color movie! Well, sort of......only two colors, but they look great.

I only got this because I saw it at the library as part of a two-pack with "The Return Of Dr. X." It is part of a Hollywood "Legends Of Horror" package that includes several other films I am familiar with and think highly of, so I can see a possible future purchase.

Anyway, the first thing that struck me watching this was that fantastic two-strip Technicolor. Immediately there is a street scene of green and brown that looks tremendous....and eerie. You would think that only black-and-white might make this look eerie, but not so - that combination of green and brown was very effective and made this a fascinating visual film. Hats off to the UCLA film restoration team, which made this 75-year-old film look really good.

As for the story, well, let's just say it doesn't measure up to the visuals. It starts off looking like a fun movie, even - surprise - a comedy as the newsman "Lee Taylor" (Lee Tracy) cracks a few corny jokes. However, it settles down into a crime story (more than horror) and we wind up with a whodunit and a room full of suspects, a la Charlie Chan or Sherlock Holmes. The suspects are all scientists working in the Academy of Surgical Research. A bunch of recent hideous crimes by the "Moon Killer" were all done in the vicinity of the academy, so they're the prime suspects. Even the head man at the academy, "Dr. Xavier," looks a bit suspicious. He is played well by Lionel Atwill.

The police give "Dr. X" 48 hours to find out if any of his employees are the killer before they totally take over the investigation and ruin the reputation of the scientific institution. All of the scientists, by the way, look and act creepy which adds to the mystery. Heck, they all could be serial killers.

The film drags during much of that period - except for a short testing session that Dr. X sets up to see if any of his subordinates are, indeed, the killer. Apparently, it's true because someone kills one of the suspects during the experiment! Then there is another long lull and the cops are getting impatient with the good doctor. They give him another ultimate so he "tests" his employees again, this time using his daughter "Joanne" (Fay Wray) as a guinea pig, so to speak.

Then, we finally see who the real killer is and that part is fun to watch and he transforms into a hideous monster-like man. I guess this why the film is called a horror film instead of a crime movie. I won't give the ending away but I admit, it's pretty good.

If that long middle part had been spiced up a bit, this would have super, but it was too talky for too long. Still, this isn't bad and I love those two colors. I wish more movies looked like that.

As a collector of old mystery-horror-comedy films (over 700 in my collection!), "Dr. X" (& "Night Monster") rank as my Top Two Films of All-Time! And, that's quite a statement!

Why? The marvellously spooky sets by Anton Grot, the superstitious antics of the maid, plus the ad-libbing of Lee Tracey make this film a gem! The entire film is extremely "atmospheric" and the effects of the "monster" shadows on the walls, clutching hands, wind (machines!), and all the rest really add to it!

Sometimes I watch this film just to observe the SETS!

(If you see it, watch the scene where Lee Tracey is trying to get into the house on Blackstone Shoals....the "wind" is howling like crazy, but not many of the trees are moving! I LOVE it!)

If possible, try to watch this film in the original tri-color technicolor version, as it's a lot better!

A wonderfully creepy film!

DOCTOR X is one of those heartbreaking films to watch for a fan of old horror movies, because it has so many wonderful things going for it yet just narrowly misses the mark of being really good due to a liability or two which could have been avoided. As is so often the case with early '30s fright films like this, the need was felt to add a "funnyman" to the proceedings to perhaps give audiences of the day a chance to laugh along with being scared. The culprit in this case is Lee Tracy, who plays a typical golden age newspaper reporter who snoops around and gets his nose tangled into everyone's business.

The "business" at hand is a string of killings in New York regarding a fiend who strangles people and then apparently cannibalizes them. Dr. Xavier (the always enjoyable Lionel Atwill) heads a group of doctors who are all suspects up for scrutiny, and though we have to deal with the frequent lapses into silliness from Mr. Tracy, this old chestnut is interesting and gripping a fair amount of its running time. Director Michael Curtiz does a fine job of visually entertaining us with strange angles, quick closeups and flashy set designs. An added delight is the early use of two-strip color that gives the film a rather eerie dimension with its muted greens. Fay Wray (KING KONG) steps into another early horror picture here, but really doesn't have much to do and isn't of much use to the story. There's a completely out of place beach scene with Wray and Tracy that will leave you wondering who thought it shouldn't be left on the cutting room floor (perhaps it was an excuse to get a pantie shot of Fay as she sunbathes under her big beach umbrella).

The film's strongest moment comes in a revelation sequence late in the movie where we finally get to see who the crazed murderer is, and it's still chilling even now to watch him go through his insane routine. You're bound to have the words "synthetic flesh" etched into your subconscious for a long time after seeing DOCTOR X, and if there's one thing you'll remember, this will be it. **1/2 out of ****