Il dottor X

As a collector of old mystery-horror-comedy films (over 700 in my collection!), "Dr. X" (& "Night Monster") rank as my Top Two Films of All-Time! And, that's quite a statement!

Why? The marvellously spooky sets by Anton Grot, the superstitious antics of the maid, plus the ad-libbing of Lee Tracey make this film a gem! The entire film is extremely "atmospheric" and the effects of the "monster" shadows on the walls, clutching hands, wind (machines!), and all the rest really add to it!

Sometimes I watch this film just to observe the SETS!

(If you see it, watch the scene where Lee Tracey is trying to get into the house on Blackstone Shoals....the "wind" is howling like crazy, but not many of the trees are moving! I LOVE it!)

If possible, try to watch this film in the original tri-color technicolor version, as it's a lot better!

A wonderfully creepy film!

The fact that Doctor X was shot in color was pretty rare in 1932 with most of the studios existing from day to day during the Depression. Very few had money to splurge on something like this. Knowing that I'm surprised Warner Brothers didn't bother to use it on one of their Busby Berkeley spectaculars.

There have been a string of mutilation killings in New York, really horrible stuff and forensics has determined the weapon used was a special kind of surgical scalpel only in use at a particular scientific institute. The one headed by Doctor Xavier the Doctor X of the movie title.

Atwill's got some pull with the cops because they allow him 48 hours to find who the killer is and save his institute some scandalous press. The press is in the form of Lee Tracy a determined reporter who sneaks into the institute looking for the inside scoop. He meets up with Fay Wray who is Atwill's daughter, but even she doesn't deter him from his mission.

Horror stories were not the Warner Brothers specialty and when you consider what was coming out of Universal at the time, Dracula, Frankenstein, and The Mummy, Doctor X looks pretty second rate besides them. No monsters in this film except the truly monstrous human being who is doing all the homicides.

Warner Brothers seven years later did The Return Of Doctor X which has absolutely nothing to do with this film and provided Humphrey Bogart with one of the worst roles in his career. Next to that one, Doctor X is like Citizen Kane.

DOCTOR X is one of those heartbreaking films to watch for a fan of old horror movies, because it has so many wonderful things going for it yet just narrowly misses the mark of being really good due to a liability or two which could have been avoided. As is so often the case with early '30s fright films like this, the need was felt to add a "funnyman" to the proceedings to perhaps give audiences of the day a chance to laugh along with being scared. The culprit in this case is Lee Tracy, who plays a typical golden age newspaper reporter who snoops around and gets his nose tangled into everyone's business.

The "business" at hand is a string of killings in New York regarding a fiend who strangles people and then apparently cannibalizes them. Dr. Xavier (the always enjoyable Lionel Atwill) heads a group of doctors who are all suspects up for scrutiny, and though we have to deal with the frequent lapses into silliness from Mr. Tracy, this old chestnut is interesting and gripping a fair amount of its running time. Director Michael Curtiz does a fine job of visually entertaining us with strange angles, quick closeups and flashy set designs. An added delight is the early use of two-strip color that gives the film a rather eerie dimension with its muted greens. Fay Wray (KING KONG) steps into another early horror picture here, but really doesn't have much to do and isn't of much use to the story. There's a completely out of place beach scene with Wray and Tracy that will leave you wondering who thought it shouldn't be left on the cutting room floor (perhaps it was an excuse to get a pantie shot of Fay as she sunbathes under her big beach umbrella).

The film's strongest moment comes in a revelation sequence late in the movie where we finally get to see who the crazed murderer is, and it's still chilling even now to watch him go through his insane routine. You're bound to have the words "synthetic flesh" etched into your subconscious for a long time after seeing DOCTOR X, and if there's one thing you'll remember, this will be it. **1/2 out of ****

Don't even try to compare this wonderful old WArner Brothers thriller from l934 with today's thrillers. It was made at a time long gone when atmosphere, sets, lighting and camerawork were king. I adore getting this movie out at least once a month along with "Mystery of the Wax Museum" and "Night Monster" (another reviewer has also cited "Night Monster" as the classic it is)turn out the lights and lose myself in the early Technicolor two-strip photographey which is beautifully pastel and atmospheric in its eerie greens, pinks, crimson and gold. The Anton Grot sets are unforgettable. The cast of Hollywood's greatest character actors throw themselves into their roles (I doubt they had any other choice. After all, the demonic Michael Curtiz was cracking the whip as director). Fay Wray is pretty and screams now and then. Most irritating of all is Lee Tracey as the relentlessly wise-cracking reporter. Glenda Farrell had the same role in "Mystery of the Wax Museum" also filmed in early color and she was fantastic. A great old thriller, set in a remote mansion by the sea. The monster is terrifying. Ironically, you never see any carnage, blood or torture. Hats off to those long-ago film masters who knew how to do things right.

The police are investigating a series of murders where victims have been cut up by scalpel and cannibalized. The murders always take place on a night with a full moon. They trace the scalpels to a nearby surgical academy. The head of the academy, Dr. Xavier (Lionel Atwill), doesn't believe someone at the academy is the killer and asks police for a chance to prove this using his own scientific methods. Also on the trail of the killer is reporter Lee Taylor (Lee Tracy). Taylor is suspicious of Doctor Xavier but when he meets the doctor's daughter (Fay Wray) he becomes smitten. Allowed only 48 hours to prove his case, Xavier gathers all the suspects at his mansion to perform his experiment. But things don't go as planned and another murder is committed.

Doctor X is a classic horror-mystery that has many points of interest for film fans. For starters, the two-color Technicolor process it was filmed in was new for the time. It also has great Max Factor makeup that looks especially nice in the early Technicolor. Another thing, it's a pre-Code film. Cannibalism, a major part of the plot, wouldn't have been allowed just a short time later. Lastly it's the horror debut of one of the greats of the genre, Lionel Atwill. Atwill would go on to a great career making many horror films, including two more with Wray the following year. He always brought class and dignity to his usually villainous roles. He's great here as well.

The major complaint about the film seems to be directed at Lee Tracy's comic character. He is probably the worst part of the movie, but not because his performance is bad. He does fine with what he's supposed to do. It's just that comedy in horror films is usually best left to minor supporting roles not for the male lead in the film. However, I personally feel he's not obnoxious enough to hurt the film significantly. It's still very fun and very interesting, both from a film history perspective as well as sheer entertainment value. I would recommend all fans of classic horror films check it out.