Chandu the Magician

If you like old-fashioned cliffhanger thrills, you'll enjoy CHANDU THE MAGICIAN. It has everything you could want in a serial adventure- a dashing hero, a megalomaniacal villain, an exotic setting, and a series of hair-raising perils that keeps the scenario rolling until the end. CHANDU's plot which concerns the title character's supernatural efforts to prevent the fiendish Roxor from taking over the world is trite and simplistic. However, the story's very triteness and simplicity is part of CHANDU's corny charm.

CHANDU boasts dazzling set design and fluid cinematography that create a fascinating, mysterious Egyptian milieu with majestic temple sets and an atmospheric desert locale. CHANDU's sense of adventure and mystique is further enhanced by special effects illustrating the powers of both Chandu and a death ray Roxor plans to employ in his world-domination plot. Even by today's Industrial Light and Magic standards, these effects look impressive.

Edmund Lowe is acceptable in the title role of Chandu but Bela Lugosi in the role of Roxor steals the film. Lugosi tackles his part with a demonic zeal, displaying odious glee over his scheme in both his facial expressions and line deliveries. There is little restraint or subtlety in his performance, but Lugosi projects such persuasive charisma that one can forgive his indulgences. Overall, CHANDU is no classic, but it's fun escapist entertainment.

Willian Cameron Menzies does a more than adequate job creating suspense in this early serial-style thriller about a yogi mystic named Chandu protecting the world, his sister and her family, and his Egyptian princess love from the evil megalomaniacal ways of Roxor. Roxor has built a death ray to make himself master of the world. Only trouble is that the inventor will not give him the secret of the ray and Chandu is on to his dastardly scheme. Edmund Lowe makes a dashing, affable hero with his ready wit and his theatrical gestures conjuring magic. Roxor is played with aplomb by heavy Bela Lugosi. Lugosi steals all of his scenes and gives a first-rate performance. Irene Ware as the Princess Nadja makes an attractive, bright leading lady, and the rest of the cast fares well too. A thoroughly nice comedic turn is performed by Herbert Mundin as Mr. Miggles. He is a drunken friend/servant of Chandu and sees himself in miniature every time he takes a drink. The film boasts what must have been relatively high production values for the day. It plays well considering it was made in 1932. There are some great scenes in the film. Menzies, best known for directing Invaders From Mars, uses a very fluid camera. A scene where Chandu looks into a crystal is most impressive as the camera zigs and zags through a Egyptian tomb. Another memorable scene depicts the scientist's daughter, clad only in a tight slip, offered on the slave trading block. The scene was risque for its time to be sure. While Chandu is certainly not a great film, it is definitely a cut above many films made in its time.

Chandu the Magician (1932)

* 1/2 (out of 4)

Chandu (Edmund Lowe) must stop a madman (Bela Lugosi) from blowing up the world with his death ray. Action, horror and fantasy elements are scattered throughout this film but none of those elements ever come together to make a very interesting movie. There's non-stop action but it's all rather boring, although a few of the magic tricks are nice. Lugosi is good in his role but the character never really gets to do too much. Lowe is downright boring as Chandu and this hurts the film a lot. The serial/sequel The Return of Chandu has Lugosi playing Chandu and is a lot more entertaining.

Leave your brain at the door, because Chandu the Magician (utilizing his Powers from the Mysterious East) is about to enchant you into believing that trash is pure gold!

This pre-code potboiler from Fox Films introduces Edmund Lowe as Chandu the Magician, an American who has learned almost supernatural powers from the Yogi of the East. He can control men's minds, he possesses powerful protective powers of divination, he can walk on fire or astrally project or perform any number of other miraculous feats.

For reasons that defy logic, Chandu's brother(?) Robert, a Scientist, has been working on developing a Death Ray which can take out an entire city. Just as Robert has finally perfected this project, the evil Roxor (the fabulous Bela Lugosi as "That Monster in Human Form") and his Arabic henchmen kidnap Robert in an attempt to wrest the Secret of the Death Ray from its creator.

In the meantime, Chandu has fallen in with the beautiful Egyptian Princess Nadji, with whom he has been in love for 3 years... Princess Nadji is also in love with Chandu, but has been sacrificing herself Most Nobly for her People. Will these unusual interracial lovers find happiness at last? (Since miscegenation was illegal in many parts of the U.S. during this period in history, this is actually a genuine question!)

Of course, Princess Nadji falls into the clutches of the evil Roxor, and a great deal of deranged soliloquizing follows in the villain's Super-Scientific Laboratory (filled with the requisite Bride of Frankenstein-like crackling electrical apparatus). Will Robert have the strength to keep his Secret of the Death Ray before Roxor has tortured or destroyed all of his loved ones? Will Chandu be able to find Roxor's secret lair in time to Save the World and rescue Robert and the Princess?

In the directorial hands of Marcel Varnel and the brilliant William Cameron Menzies, this unpromising material becomes a stylish-looking, stunningly photographed and beautifully paced bonbon of pulp-y goodness.

If you are in the mood for a campy, beautifully designed, fast-moving melodramatic kiddie-matinée "thriller", I highly recommend this movie. Yummy, stupid, enchanting... and surprisingly progressive about miscegenation for a 1930's film that otherwise wallows in racial stereotypes!

Okay, I'll admit that technically speaking, this film isn't what you'd expect for a score of 8. After all, this was a very low-budget production and occasionally it really shows it--though most of the time, they do make the most of their limited resources. The film does earn super-high marks, though, for its ability to entertain, as there is one thrill after another after another--just like a Saturday morning movie serial condensed into one great package. In fact, it isn't all that surprising that just two years later they DID make a serial version of the Chandu character and a couple more movies--though oddly, he was played by Bela Lugosi in them, while in CHANDU THE MAGICIAN, he actually played the evil villain!!

Edmund Lowe stars here as Chandu--a Westerner who has "learned the psychic powers of the East". In other words, he spent years with gifted Hindu holy men and learned to use their great powers to control mens' minds. Using hypnosis, Chandu can make just about anyone do or see anything!! This makes him one heck of an amazing super-hero. Some of his tricks involved making men think their guns had turned to snakes, the ability to make doubles of himself to lure away the bad guys and his funny ability to mess with his man servant whenever he tries to take a drink!! Aside from comic heroes such as Mandrake, this is a truly unique character--and a very, very unique one for film. The closest I can think of are films such as THE COBRA WOMAN and ALI BABA, but they really aren't the same. Considering how exciting and fun this film was, I really wished they had made more of them--especially since the writing was so "seat of your pants" good.

In addition to these cool psychic powers, the film features a death ray, kidnappings and an evil cult of followers for Lugosi--what more could you possibly want in an old-time action-suspense film?! This is really great and exciting stuff--much better than the usual film for Lugosi or Lowe--who both do an exceptional job in this film. Too bad they just don't make 'em like they used to.