Cortigiana

Although this film is often ignored in documentaries and facts about Greta Garbo, SUSAN LENOX foremost boasts of her magnificent, magical presence. While Garbo's filmography would surely be equally great without this film, SUSAN LENOX without Garbo would be forgotten now. Yet, it still remains one of the films of the silver screen worth viewing...in what way?

SUSAN LENOX based upon the novel by David Graham Phillips marks a significant aspect of cinematic history and of the old contract Greta Garbo had signed with MGM. Filmed in the period when the budget was considerably low, there is hardly any opulence nor grandeur. As a matter of fact, the story does not require lavishness which, meanwhile, appears more in MATA HARI (1931). Here, it seems to be enough we have Garbo...she speaks for all the merits of the film because...her performance becomes quite distinct and very genuine.

She is no longer any spy, vamp nor femme fatale but a peasant girl, Helga, a novel buff who flees from the monstrosity of hardship, from marrying a monstrous Mondstrum (Alan Hale) into the 'unknown' where she meets the love of her life, Rodney Spencer (Clark Gable). The servant Helga transforms into independent Susan. Their genuine feeling will, however, need to experience a harsh test before she will finally make him believe in her...

This is a film which, in a way, occurs to be similar to many other Garbo films because of the wonderful wardrobe by Adrian and subtle cinematography by William H. Daniels...old staff seemingly, many similarities, almost identical details. However, the major difference and a real revelation appears to be Garbo's leading man - a rising star of the time whose greatest roles were still ahead of him - Clark Gable. This is the first and the only movie where Ms Garbo plays opposite Mr Gable - what are the impressions?

According to the audience of the time and many critics, it was rather a successful pairing. MGM even prepared for the couple another project, RED DUST...yet, Garbo's answer was quite unpredictable...she refused and, as a result, she never again appeared with Mr Gable. The role was taken by Jean Harlow. And since then, the opinions have differed. People who have not been a particular fans of Greta Garbo tend to say that they are a very fine couple on screen. They even do not hesitate to say that there IS a chemistry between the 'Swedish Sphinx' and the 'King.' Garbo's fans see it a bit differently and tend to say that this pairing was not very successful. Why? Because truly the 'King' considered the 'SPHINX' a 'SNOB' while the 'Sphinx' considered the 'KING'---'WOODEN.' Anyway...

...there are some very nice moments they have together on the screen where there is wit, where there is tension and attention achieved. The scene of fishing is one of them when Rodney's lovely, charming dog called Boy comes in between them and 'a little fish'... Yet, what we find in many Garbo biographies, the two did not like each other very much...their pairing is a revelation as a fact; yet the mutual acting is flawed, in my opinion. While Ms Garbo holds a great power in MYSTERIOUS EXPRESSIVE FACE, Mr Gable holds a power of TALKATIVE LONGSTREAM CHAT. Quite diverse...

The film being not that long is a nice and a memorable cinema production thanks to some wonderful attention viewers pay to the character of Susan. The film is in no way any intense psychological insight where you would be left with many reflections (sometimes too many) but a pleasant linear story which, in the long run, becomes a nice thought provoking picture. The events of Susan, her final decision make us like her, sympathize with her and help us, unlike in Susan's cruel upbringing, get memorable notions in our heads - significant decisions, forgiveness, treatment of life as an ongoing process of changes.

Therefore, I rate this film 7/10 - despite some flaws, it is a nice choice for a calm afternoon to view once again after all these years, and let oneself be mesmerized by Greta Garbo whose screen presence is always breathtaking no matter what movie we view and what generation of movie buffs. Recommended from a Garbo fan as I am.

This was an interesting story. It was also very hard to swallow, almost as though it was edited beyond intelligibility. They fall in love too quickly, then later in the picture she tracks him down without any clue as to his whereabouts. She falls in with a circus troupe and writes him to meet her despite becoming the mistress of the circus owner - and she's shocked when Gable drops her on the spot. How could she not anticipate rejection in this circumstance?

Though it borders on fantasy it works due to the efforts of the two stars. There was good chemistry between Garbo and Gable, and she is chiefly responsible for it. I am in a minority here, but I always fail to see Garbo's 'indescribable charm and allure'. I guess I am too young. Nevertheless, it is she who makes the film work, and raises a poorly written and ultimately inferior movie to my rating of six.

Maybe the novel had substance, but as boiled down by a team of MGM hacks the script comes off as silly women's-magazine stuff. Garbo escapes an arranged marriage to a brute, meets Gable, is forced to run away and join the circus (!), is spurned by Gable through a misunderstanding, swears revenge on him but still loves him, just happens to run into him again in a hard-drinking south-of-the-border backwater... you get the idea. There's never any doubt as to the outcome, but surely they could have come up with more of an ending than the one here, where both characters give in to each other more out of exhaustion than anything else.

Garbo is, as expected, faultless -- intuitive, honest, and at the peak of her beauty. Lovingly lit by her favorite cameraman, William Daniels, she's magnetic even when forced into hackneyed situations and purple dialogue. The director, Robert Z. Leonard, plays some interesting Freudian tricks -- the shadows are deep and symbolic, and most of the male characters seem to be carrying sticks of one sort or another. Without Garbo it would be typical early-talkie MGM junk, but she lends dignity and distinctiveness even to boilerplate stuff like this.

GRETA GARBO fans will undoubtedly forgive the screenplay which has Greta and CLARK GABLE romantically involved in an on again/off again relationship that is the basis for the whole movie. And, of course, Garbo's favorite cinematographer, William Daniels, is behind the camera making sure that she gets her fair share of lush close-ups.

It starts out promisingly enough as a Gothic melodrama with Garbo fleeing the advances of a drunken fiancé ALAN HALE and rushing out into the storm. She seeks shelter in a barn but is discovered by CLARK GABLE who promptly takes a shine to her and invites her to take shelter under his roof. The opening scenes with Garbo and Gable have an innocent charm that makes them delightful to watch, with Gable giving a more natural performance than Garbo who already has a bag of transparent acting tricks.

The plot thickens when Susan Lenox is forced to flee Gable's residence when her strict father and fiancé show up to bring her home. She ends up taking refuge on a circus train and ends up being "kept" by one of the managers. When she's reunited with Gable, it begins a series of misunderstandings. Garbo plays her role like the real diva she was, even pronouncing Gable's name--"Rodney"--in a melodramatic way.

It's strictly downhill into pulp romance territory for the rest of the way. It's Gable who gives one of his most likable performances and sustains interest in the story's development--not Garbo.

Summing up: Only for die-hard Garbo fans. Noteworthy for a very fine beginning which soon lapses into mediocrity.

The first twenty or so minutes of this film is about as good as you can find for Greta Garbo and Clark Gable. When poor little Greta is forced to run from her abusive and cold home, the movie really becomes marvelous as the relationship between Garbo and Gable begins. During all this time, the cinematography is tops, with wonderful camera-work, lighting and composition. And, the romance between the leads is really compelling and beautiful. However, after this wonderful start, the film quickly falls apart. Through a series of misunderstandings, the lovers inexplicably become cold and angry towards each other--and after such a great start, this really makes no sense at all! Then, for the rest of the film, we see Clark and Greta periodically "stumbling upon each other" and then mistreating each other even though EVERYONE watching the film knows they really love each other and KNOWS they will ultimately admit this to each other. So, you KNOW what will happen and there is no suspense at all--NONE! It's really sad when a film starts off so well and then fizzles into a dull and predictable mess that could have simply been handled if either Garbo or Gable had just said "let's stop the bickering and marry--after all, YOU know and I know that it's meant to be!". But, for some odd reason, the writers want us to just assume the leads are too stupid and too proud to admit it. Gimme a break!