The Millionaire

It's a shame that George Arliss was already an old man by the time the talking picture era arrived. Had he been younger, he would have been an even bigger star as he was simply a terrific actor--the best of his era. He's so good that every film he's in has a lot of charm simply because of his presence. Because I have loved so many of his pictures, that's why I made sure to watch "The Millionaire" when it came on TCM.

The story is about James Alden, a rich man who owns a prosperous car manufacturing company. One day his doctor tells him he's got to quit work and retire to a quiet life...or his days are numbered. So naturally he retires...and soon is bored to death! When he meets a fast-talking insurance salesman (James Cagney), he realizes that it's better to die happy...and that means going back to work. However, his wife (played by Arliss' real life wife) isn't about to stand for him go to work...so he decides to do it on the sly.

Alden decides to buy himself something small...a job he can own and work at his own pace. He buys a half interest in a gas station and is shocked to learn that he's been cheated--as the man selling it knew that a new road was going in and it would bypass the station! He and his new partner are angry...and both vow to give that jerk a run for him money, as the nasty guy (Noah Beery) has used the money from the sale to open a new station on the new road.

In the meantime, Alden likes his new partner, Bill...but he doesn't reveal that he's Alden. Instead, he pretends that Alden gave him money for the station and Bill that Alden is a real jerk! This is a problem...as in the meantime Bill's fallen in love with Alden's daughter. Alden is happy, as her old boyfriend is a real putz! But instead of giving them his blessing, he decides to have a little joke! And, this leads to a very delightful finale.

Overall, this is yet another great Arliss film...and much of it is clearly due to Arliss. He was simply marvelous in the film and with most other actors it simply couldn't have been this good...and it is amazingly good and well worth your time. A cute and enjoyable little comedy.

1930s pictures were awash with sexy young ladies so when wondering what to watch, you might trawl through everything with Joan Blondell, Loretta Young or Alice White. You've gone through all the Cagneys and Gables but a picture with some old guy might not seem that enticing. Wrong, wrong, wrong!

If you watch this, it will completely change your perceptions of what you want to see.

George Arliss is absolutely wonderful - he'll be your new favourite. You don't need Joan Blondell in a bathtub to make an early thirties movie wonderful, you just need talent and Mr Arliss is so talented that were I around back then I'd probably be sending him fan mail!

It takes a lot to make me laugh out loud but this film's perfect blend of witty writing, warm and believable characters with perfectly paced direction did it for me. This is not just a comedy, not just a clever, witty and genuinely entertaining comedy, it's a superb moving and uplifting feel-good drama. Everyone is excellent in this which is not always the case in early thirties movies. You often see those supporting actors just standing around at the back but John Adolfi makes everyone real. And there's of course three magic phrenetic minutes of Cagney.

You will feel like standing up and applauding at the end of this.

The gentle humor of this film is balanced by a certain amount of social conscience, making it even as a dated story something moderately charming. Set in California during the Great Depression, it is pure fantasy of the kind much needed in movie-houses during those dark days. Although it is now rare in our decadent corporate epoch to find a happy and generous -- not to say intelligent -- millionaire free of the desire to line his own pockets at the expense of his employees, the character as played by George Arliss transcends mere capitalism and inspires us to higher purposes.

Cameos by James Cagney and Wallace Beery provide some historical flavor for film buffs, as do some truly grand vintage automobiles going in and out of the service stations central to the story. Though that story remains thin and improbable, it is fast-paced and directed with élan. My own appreciation was enhanced by noting at the outset the name of Booth Tarkington as one of the writers. He was without a doubt one of the finest popular novelists of the early twentieth century, now largely forgotten. The playful tone he employed in the "Penrod" stories is much evident here.

A very fine production for 1931.

... and it's a shame that he is largely forgotten to film history. He was in Warner Brothers' earliest talking films, and even scored a Best Actor Oscar for his performance in Disraeli in 1929. He was later lured to Fox, and I think that was a mistake since his best film work was at Warner Brothers. He was largely known for his stage work.

Here Arliss plays James Alden, owner and founder of an automobile company. When his doctor tells him he must stop work at age 60 and take a prolonged rest or die, at first he wants to ignore the warnings, but then thinks of his wife and daughter (played by Arliss' actual wife and Evalyn Knapp, respectively).

So off the trio goes to California, and the next we see of Alden he is sitting at a table in a garden wrapped in a blanket surrounded by prescription bottles, looking entirely unhappy about his situation. He is visited by an insurance agent, Scofield (James Cagney) who wants no part of selling him life insurance once he finds out Alden is retired, because he says the retired tend to die quickly. Scofield says if he had Alden's money what he would do is find one of the small business opportunities in the newspaper, and take an interest in running some small place so that he has a sense of purpose.

Alden takes Scofield's advice, but in the meantime he must fool his wife and daughter so that they don't worry or put a stop to his plans, and he must also fool his new business partner (David Manners) because he doesn't want him to think/know that they can just go to James Alden for any money they need. He wants to live by his wits, like he did when he started out, because he thinks the challenge might refresh and thus cure him. Things get complex when Manners' character gets interested in Alden's daughter, independent of the business venture. Noah Beery plays the villain here, trying to thwart the plans of Alden and his partner. It is rather refreshing here to see him play a normal kind of villain for a change.

I can't help but believe that Arliss might have been, in real life, the same kind of person he played on the screen - mischievous, impish, energetic, and always trying to help out the younger crowd. He gave Bette Davis her start at Warner Brothers, and I wonder if this cameo role for James Cagney wasn't his doing too.

At any rate, this film is a light hearted delight and I'd recommend it.

Health problems force an elderly auto tycoon into retirement. Refusing to stay idle, he buys half ownership into a service station & gleefully begins to work there, incognito. The old man is now able to help his young partner in matters of business & romance. But what will happen if he's discovered to be, in reality, THE MILLIONAIRE?

George Arliss was a wonderful actor, now sadly neglected. The merest glance, the smallest movement of his hands, the raised eyebrow or vocal inflection, these all spoke volumes. Here, he has a fine outlet for his artistry. The film moves right along, without any dull moments, fueled by the fun of watching Arliss act.

He is given good support by David Manners (a fine leading man of the 1930's) as his partner; Noah Beery as a beefy business rival; and real-life wife Florence Arliss. James Cagney, not quite yet a star, breezes in for a few moments as an insurance agent who gives Arliss some good advice. Effortlessly, he steals the scene from Arliss (the old man seems amused), a very rare event, indeed.