The Millionaire

George Arliss does it again! I recently saw "The Working Man (1933)" and loved it because the audience is let in on a deception that few of the cast know about. This is another film in the same vein. It makes for some very funny situations. The funniest scene happens when Arliss' wife, Florence Arliss (his real-life wife too), also comes around for some gas, but you have to see the film for that. By the way, the remake "That Way with Women (1947)" is pretty much a turkey; Arliss makes all the difference.

The supporting cast includes James Cagney (a standout) in his fourth film as an insurance agent convincing Arliss to get some work because retired men are poor life insurance risks. Also good is Noah Beery as the owner of the gas station.

The gentle humor of this film is balanced by a certain amount of social conscience, making it even as a dated story something moderately charming. Set in California during the Great Depression, it is pure fantasy of the kind much needed in movie-houses during those dark days. Although it is now rare in our decadent corporate epoch to find a happy and generous -- not to say intelligent -- millionaire free of the desire to line his own pockets at the expense of his employees, the character as played by George Arliss transcends mere capitalism and inspires us to higher purposes.

Cameos by James Cagney and Wallace Beery provide some historical flavor for film buffs, as do some truly grand vintage automobiles going in and out of the service stations central to the story. Though that story remains thin and improbable, it is fast-paced and directed with élan. My own appreciation was enhanced by noting at the outset the name of Booth Tarkington as one of the writers. He was without a doubt one of the finest popular novelists of the early twentieth century, now largely forgotten. The playful tone he employed in the "Penrod" stories is much evident here.

A very fine production for 1931.

1930s pictures were awash with sexy young ladies so when wondering what to watch, you might trawl through everything with Joan Blondell, Loretta Young or Alice White. You've gone through all the Cagneys and Gables but a picture with some old guy might not seem that enticing. Wrong, wrong, wrong!

If you watch this, it will completely change your perceptions of what you want to see.

George Arliss is absolutely wonderful - he'll be your new favourite. You don't need Joan Blondell in a bathtub to make an early thirties movie wonderful, you just need talent and Mr Arliss is so talented that were I around back then I'd probably be sending him fan mail!

It takes a lot to make me laugh out loud but this film's perfect blend of witty writing, warm and believable characters with perfectly paced direction did it for me. This is not just a comedy, not just a clever, witty and genuinely entertaining comedy, it's a superb moving and uplifting feel-good drama. Everyone is excellent in this which is not always the case in early thirties movies. You often see those supporting actors just standing around at the back but John Adolfi makes everyone real. And there's of course three magic phrenetic minutes of Cagney.

You will feel like standing up and applauding at the end of this.

If you see "The Millionaire" come on TV, check it out. Record it if you can't watch it 'live'. This is a wonderful and funny movie. In brief, the owner of an automobile manufacturing company - apparently patterned on Henry Ford - is told by his doctor that he must retire or the stress may kill him. He turns over his company to underlings and soon we see him out west in California, sitting in a chair at a lawn party, blanket over his legs, and a young woman asks him if he wants a piece of buttered toast. Telling her he's not allowed - his 'sulfurated wafer' is waiting for him - he tells her he can only have toast on his birthday next April. "You'll call again in the Spring..." he suggests.

There is a wonderful appearance by a very young Jimmy Cagney as an insurance salesman who refuses to sell him life insurance after learning that he is retired. Cagney tells him that once men retire to the sidelines they just fall apart. He suggests that the older man buy a business and run it 'as a toy' to give himself something to do.

The old guy does just that - he and a younger man buy a service station but it turns out they've been swindled; they weren't told by the seller that the road where it's located is about to be bypassed, and with it, almost all of the customer traffic. The old guy sets about evening up the score.

You can't help but like the main character, and his dry wit is such a difference from the punch-you-in-the-stomach "humor" of today's comedy, much of which depends on precocious kids and sexual innuendo and poddy-mouth comments. No sir, this old film has some genuine humor, if you are mature and intelligent enough to appreciate it.

I snagged this film and burned it to a DVD, and am glad I did. It's a great old movie - if you can see it, I promise you'll enjoy it.

Health problems force an elderly auto tycoon into retirement. Refusing to stay idle, he buys half ownership into a service station & gleefully begins to work there, incognito. The old man is now able to help his young partner in matters of business & romance. But what will happen if he's discovered to be, in reality, THE MILLIONAIRE?

George Arliss was a wonderful actor, now sadly neglected. The merest glance, the smallest movement of his hands, the raised eyebrow or vocal inflection, these all spoke volumes. Here, he has a fine outlet for his artistry. The film moves right along, without any dull moments, fueled by the fun of watching Arliss act.

He is given good support by David Manners (a fine leading man of the 1930's) as his partner; Noah Beery as a beefy business rival; and real-life wife Florence Arliss. James Cagney, not quite yet a star, breezes in for a few moments as an insurance agent who gives Arliss some good advice. Effortlessly, he steals the scene from Arliss (the old man seems amused), a very rare event, indeed.