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Honor Among Lovers

  • 1931
  • 1h 15min
VALUTAZIONE IMDb
6,4/10
660
LA TUA VALUTAZIONE
Claudette Colbert and Fredric March in Honor Among Lovers (1931)
DrammaRomanticismo

Aggiungi una trama nella tua linguaJerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in... Leggi tuttoJerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.

  • Regia
    • Dorothy Arzner
  • Sceneggiatura
    • Austin Parker
    • Gertrude Purcell
  • Star
    • Claudette Colbert
    • Fredric March
    • Monroe Owsley
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    660
    LA TUA VALUTAZIONE
    • Regia
      • Dorothy Arzner
    • Sceneggiatura
      • Austin Parker
      • Gertrude Purcell
    • Star
      • Claudette Colbert
      • Fredric March
      • Monroe Owsley
    • 18Recensioni degli utenti
    • 11Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto53

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    Interpreti principali23

    Modifica
    Claudette Colbert
    Claudette Colbert
    • Julia Traynor
    Fredric March
    Fredric March
    • Jerry Stafford
    Monroe Owsley
    Monroe Owsley
    • Philip Craig
    Charles Ruggles
    Charles Ruggles
    • Monty Dunn
    Ginger Rogers
    Ginger Rogers
    • Doris Brown
    Avonne Taylor
    Avonne Taylor
    • Maybelle Worthington
    Pat O'Brien
    Pat O'Brien
    • Conroy
    Janet McLeary
    • Margaret Newton
    John Kearney
    • Inspector
    Ralph Morgan
    Ralph Morgan
    • Riggs
    Jules Epailly
    Jules Epailly
    • Louis, Headwaiter
    Leonard Carey
    Leonard Carey
    • Forbes, Butler
    Grace Kern
    • Party Guest
    Winifred Harris
    Winifred Harris
    • Party Guest
    Roberta Beatty
    • Mrs. Fleming, Party Guest
    Charles Halton
    Charles Halton
    • Wilkes
    Granville Bates
    Granville Bates
    • Clark
    Si Wills
    Si Wills
    • Club Waiter
    • Regia
      • Dorothy Arzner
    • Sceneggiatura
      • Austin Parker
      • Gertrude Purcell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    6,4660
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    10

    Recensioni in evidenza

    7steiner-sam

    Unpolished, but Colbert and March make the best of a thin story

    It's a pre-code romantic drama in New York City in 1930-1931. Being pre-code allows the characters' morals to be more suspect than in later films. Wealthy Wall Street tycoon Jerry Stafford (Fredric March) is in love with his highly efficient secretary, Julia Traynor (Claudette Colbert). However, he's not the marrying kind, so he invites her to accompany him on an around-the-world trip. She has a young boyfriend, Philip Craig (Monroe Owsley), near the beginning of his Wall Street career. Philip and Julia plan to marry when they have enough money, but Jerry's aggressive pressure on Julia prompts them to marry immediately. Jerry is not impressed and fires Julia.

    The film follows Philip's efforts to build his business as a broker for Jerry and Monty Dunn (Charles Ruggles), one of Jerry's friends. Things have appeared well on the surface for a year, but Philip is encountering serious financial trouble. Jerry re-enters their lives, which ends in a highly conflicted climax.

    "Honor Among Lovers" is early filmmaking by Dorothy Arzner, the only woman who directed sound films in those years. By modern standards, it's unpolished, but Colbert and March make the best of a thin story. The studio cinematography features long shots, and the pacing is quite pedestrian. It's interesting, mainly as a period piece.
    5richardchatten

    Craig's Wife

    Easily the least of the early Dorothy Arzner's I have so far seen, 'Honor Among Lovers' doesn't begin to deliver the saucy preCode frolics promised by the title, and the presence early on of a pert young Ginger Rogers raises expectations soon dashed.

    Claudette Colbert gets top billing but bears little resemblance to the sleek screen goddess she would soon become. Typically of Ms Arzner the men are a sorry lot - Monroe Owsley in particular being an absolutely charmless creep as Claudette's lawful wedded (heaven knows what she ever saw in him in the first place) - while Fredric March - who sports a distracting moustache - despite playing a hot shot investment broker shows far more interest in courting the married Colbert than in his job.
    6blanche-2

    okay precode

    Directed by Dorothy Arzner, Honor Among Lovers concerns a smart and efficient secretary, Julia (Claudette Colbert) to mogul Jeffy Stafford (Fredric March) who is in love with her.

    Knowing that she can't fit in with Stafford's wealthy friends, Julia marries Philip Craig (Monroe Owsley), who turns to be a weak loser and winds up putting both of them in a terrible situation.

    Colbert is absolutely wonderful in this -- natural, charming, and relaxed. Charlie Ruggles is a riot as a stockbroker, and watch for Ginger Rogers in a small role.

    Nothing special except for the performances. And, we get a chance to see Claudette Colbert's right side.
    6malvernp

    Who Was Monroe Owsley?

    Owsley, who was the second male lead in Honor Among Lovers (HAL), is little known and seldom remembered today. Too bad, because he had a special acting talent that enabled him (like in HAL) to convincingly play both straight "good guys" and edgy "bad guys" at one and the same time. In the 1940s, that skill was also represented by several roles created by the young Vincent Price. Owsley could project menace quite easily, and you were never sure exactly what he was going to do next. The famous film historian Lawrence J. Quirk best described Owsley as " a brilliant actor who died early in life (and) had in common with another goose-pimply-grater, Dwight Frye, an ability to make the collective audience's hair stand on end. He came on with a sandpaper-oozy-with-glue repellence that perfectly contrasted with the handsome profiles and bejeweled shapelies around him." In HAL, Owsley certainly provided a clear distinction to the matinee-idol like appearance of stalwart Fredric March in one of his entertaining early leading man roles. And strange as it may now seem, Owsley gave us a performance in HAL that made it seem plausible to believe that he and Claudette Colbert (in only her eighth movie) could end up as a real married couple in the film!

    HAL's dense plot and curious title are pretty much irrelevant when considered by today's audiences. However, contemporary viewers of HAL will be almost immediately struck by its pre-code references to pre-marital sex, workplace sexual harassment, marital physical violence and adultery that were made without batting an eyelash! The early feminist director Dorothy Arzner kept the proceeding moving at a brisk pace, and enabled March and Colbert to look quite handsome, beautiful, and charming.

    While HAL is not a particularly memorable film, it does stand out as a cinematic record that captures March, Colbert, Owsley and director Arzner at the dawn of their noteworthy movie careers. While Owsley and Arzner soon faded into obscurity, March and Colbert would shortly become very significant in Hollywood and emerge as film stars of the very first rank for many years to come.

    One last word about the long forgotten Monroe Owsley. Quirk in his illustrated biography of Claudette Colbert stated that Owsley was given a rather unflattering nickname by his fellow colleagues "because his sadistic treatment of the fair sex on screen .....came off as serpentinely evil.". While that may be a harsh way to refer to a fine actor's rather unique talents, it does remind us of just how remarkable and varied the roster of performers was during the Golden Age of Hollywood.
    6gbill-74877

    Colbert shines, but it's a film that's hard to like

    "I've been taking care of myself. Trying to recapture my lost youth. Exercise, you know? Seven beautiful thoughts before breakfast, bursting into song at unexpected moments. I'm a changed man."

    Claudette Colbert is absolutely gorgeous and she plays her scenes of emotional conflict well, but the story has too many unpleasant aspects to truly like this film. Frederic March is an alpha businessman carrying on with a lot of women with no intentions of marrying (he calls the institution "bunk"). He puts the moves on his secretary (Colbert) and when she resists, he goes off to screw someone else for hours, missing an entire football game in the process. He can't stop thinking about his secretary, however, so Monday morning he says he'll marry her if it means that much to her, but when she informs him that she just got married (to a stock broker played by Monroe Owsley), he fires her on the spot despite her stellar performance in the office. And this, naturally, is ultimately going go to be the protagonist, helped along by his impossible-to-believe transformation and an all-too-convenient implosion from the stock broker.

    Had it gone in a different direction at a few moments in the story, including late when a somewhat surprising event occurs, it could have been brilliant, but the film plays it safe, and didn't really feel pre-Code. The virtuous woman never gives in to premarital sex, the womanizing alpha male should have been her choice all along because he's successful and can be trusted to do the right thing (ha!), and divorce is justified by an avalanche of reprehensible things the husband does. These are cartoon characters. On top of it, the small part of a dimwitted woman (Ginger Rogers, argh) is spoken to like a child each time she's on the screen. But hey, it's worth seeing for Colbert.

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    • Quiz
      Final film of Avonne Taylor.
    • Connessioni
      Version of Paid in Full (1914)

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    Dettagli

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    • Data di uscita
      • 21 marzo 1931 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Another Man's Wife
    • Luoghi delle riprese
      • Kaufman Astoria Studios - 3412 36th Street, Astoria, Queens, New York, New York, Stati Uniti(Studio)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 15min(75 min)
    • Colore
      • Black and White

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