The Front Page

Way ahead of its time in both style and substance. The Front Page is a comic look at the underbelly of the newspaper business as well as a tough commentary on the times. In a press room outside the city jail, a group of newspaper reporters idly await the execution of a communist sympathizer accused of murder. Once the story heats up though, the press room becomes an absolute madhouse. The hilariously cynical script adapted from the play by Ben Hecht pulls no punches. Politics, the justice system, communist hysteria, love and marriage are all targets for the biting wit of the author. The script is complemented by a good ensemble cast. Pat O'Brien gives a good performance as Hildy Johnson, the star reporter for The Post, who is leaving his job for marriage. Adolphe Menjou steals the show, however, as Walter Burns, the conniving editor who will do anything to keep Johnson on the job. The rest of the news hounds are all expertly played, striking us as fun loving jokers one minute, but becoming downright violent the moment they smell a story. The movie also has a rare artistic style unequaled in most films. Though most of the movie takes place in the same location, the cinematography is done so well that we never feel we are watching a stage play. The cameras constantly move around the room, effectively putting us in the middle of the action. Pretty much everything about this film is done well. It is funny, edgy, artistic and thought provoking. Movies that can do all of that are few and far in between.

If it weren't for the even better Howard Hawks remake, "The Front Page" would probably be much more well-remembered today. It's entertaining in its own right, with a slightly different feel from the remake, and it is better than most movies of its own era in at least a couple of important respects. While you can still tell at times that it is from the very early sound era, it does use sound and dialogue more smoothly and constructively (that is, rather than as a mere novelty) than do most early 30's movies.

Adolphe Menjou has the role of Walter Burns, and he is a good fit, giving the character just a slightly different turn from the way that Cary Grant would later play it. The role of Hildy Johnson is somewhat bland in this one - it was the genius of Hawks in changing this role into a more worthy foil for Burns that made "His Girl Friday" so outstanding - but in compensation, some of the other reporters get more to do here. The supporting cast has a number of good character actors, especially Edward Everett Horton as the fussy Bensinger, and it's good that they were given some worthwhile moments of their own. Certainly the great remake deserves its own reputation, but this version deserves to be remembered as well.

A bustling Chicago press-room is about to lose top "Examiner" writer Pat O'Brien (as Hildy Johnson), who wants to quit reporting after fifteen years, to marry Mary Brian (as Peggy Grant). But, managing editor Adolphe Menjou (as Walter Burns) wants Mr. O'Brien to stay, and cover stories like the execution by hanging of George E. Stone (as Earl Williams). The plot thickens when Mr. Williams escapes from jail, and tightens when O'Brien meets the convicted killer.

"The Front Page" was held in high regard for the way director Lewis Milestone made a staid, one-room stage play really MOVE on the big screen. There were "Academy Award" nominations for "Best Picture", "Best Director", and "Best Actor". The later went to Mr. Menjou, although O'Brien is arguably the film's leading actor. Menjou had taken over the role when Louis Wolheim died; either man would have been up for a "Supporting Actor" award, had they been given.

"This story is laid in a mythical kingdom," by Ben Hecht and Charles MacArthur, the writers who deserved "The Front Page" award.

******* The Front Page (3/19/31) Lewis Milestone ~ Pat O'Brien, Adolphe Menjou, Mary Brian, Edward Everett Horton

Newspaperman Hildy Johnson (Pat O'Brien) is quitting the business and getting married to Peggy (Mary Brian). But his unscrupulous boss Walter Burns(Adolphe Menjou) doesn't want him to quit. Also an innocent man is about to be hanged and Burns will do anything to make sure Johnson works on that story.

Fast and funny--the first cinematic version of this story. It shows its age at times and some of it is wildly overacted but O'Brien and Menjou are both just great in their roles. Also director Lewis Milestone uses some very unusual camera tricks to keep the story moving and there's lots of action and running around which is unusual for an early talkie.

This was remade in 1940 with a sex change making Johnson a woman. That was "His Girl Friday" with Rosalind Russell and Cary Grant. That one is better than this but this is better than the 1974 version (that had Jack Lemmon and Walter Matthau) and 1988 remake called "Switching Channels" (with Kathleen Turner and Burt Reynolds). They're all good to varying degrees but this one came first. Worth seeing.

While the staging was limited, the acting was believable and the camera work was great for the technology available. After watching "Front Page" again after watching "Girl Friday", I was struck by the original's emphasis on the role of the newspaper in revealing political corruption. But, the question remains, who's the girl? Not the actress but the girl in the picture hanging on the wall in back of Adolph Menjou's head during the final scenes... Since the movie was released in 1931, it can't be Jane Russell. She's to busty to be Katherine Hepburn (Howard Hughes' friend). The only reason I noticed it was that she appears nude and Howard Hughes probably put it there to see if the 'censors' would notice.