L'ultima carovana

In Missouri, during the Civil War, "high, wide, and handsome" Gary Cooper (as Clint Belmet) gets a little jail cell shut-eye. Awakening, he moseys over to the local saloon, where he is held at gunpoint by the town's drunken sheriff. Mr. Cooper's guardians, Ernest Torrence (as Bill Jackson) and Tully Marshall (as Jim Bridger), secure his release by convincing French lass Lili Damita (as Felice) to pretend she is Cooper's wife. Then, the quartet join a caravan to California. A real romance begins to bloom between Ms. Damita; but, Mr. Torrence and Mr. Tully want Cooper's bachelorhood preserved. Along the way, Indians (Native Americans) lurk…

Old pros Torrence and Marshall are "Fighting Caravans" main attraction. They were responsible for many memorable character roles (mostly) in silent films (mostly); and they are in excellent form, reprising their "Covered Wagon" roles. Cooper obviously enjoys working with them. Ms. Damita is cute and effective. The production levels are relatively high, leading to the obligatory ending battle; but, the performances make it entertaining. Unnecessarily re-made as "Wagon Wheels" (1934), with stock footage and Randolph Scott.

******* Fighting Caravans (2/1/31) Otto Brower, David Burton ~ Gary Cooper, Ernest Torrence, Tully Marshall

"The old time west is passing," says one of the characters in "Fighting Caravans." This early 'talkie' is also one of the earliest 'big budget' westerns from what I read. Unfortunately, this is a B Movie all the way, and not that entertaining either. A young Gary Cooper plays a scout of some sort who is working for a wagon train caravan carrying freight from Missouri to Sacramento, California in the 1860's during the civil war and right before the railroads had been built throughout the west. There is hardship, danger, Indians, romance and cornball humor in this vintage western. Somehow, when you mix them all up together, the recipe isn't all that tasty. The humor is obnoxious at times and the acting, even Gary Cooper's, is noticeably weak during some scenes. This movie tries to be several different types of movies all rolled in to one and it doesn't pull it off. Interestingly enough, there are moments in the film where it is evident that the style of acting and camera work from silent films is still being used. It is a bit fascinating to see how an early 1930's filmmaker portrayed the 1860's. I'd say pass on this movie unless you are a Gary Cooper fan or a hard core fan of early westerns. 61/100.

..and directors Otto Brower and David Burton, very loosely based on a Zane Grey novel. Gary Cooper stars as scout Clint Belmet, a hard-drinking troublemaker who nonetheless gets hired to escort a large wagon train west to California. Along with his crusty pals Bill (Ernest Torrence) and Jim (Tully Marshall), he finds the safest path through the hills, and away from "wild Injuns". He also makes time with solo pioneer woman Felice (Lili Damita).

Paramount hoped to make this a real epic, but it gets bogged down in cliches, pointless character digressions, and some miscasting. Damita has trouble with her English, while Cooper looks too clean and neat to be hanging around with the sloppy likes of Torrence and Marshall: where does he keep getting his clothes laundered, and why aren't his pals using the same service? There's a big barroom brawl scene played for laughs, and the inevitable Indian attack, but the outcome of this is obvious from the opening credits. Speaking of which, one of the few stylistic touches I liked was having Native Americans in costume walking toward the camera during the credits, obscuring words and even blacking out the screen.

This was a pretty boring very old movie with some odd comic relief characters who are like drunk hillbillies. Interesting for big fans of Gary Cooper but ultimately a pretty forgettable movie. Better than some, worse than some.

This film, Originally titled BLAZING ARROWS, is the first of several based upon a Zane Grey novel published only two years prior, and the version that is most faithful to the book, while being one of the largest budgeted Westerns of the early sound era, with the viewer advised to remember that the period of the narrative (1862) antedated its audience only to the extent that the Great Depression does to spectators today. The story tells of a caravan of freight wagons journeying from Independence, Missouri, to the West Coast during a pre-railroad time, with settlers accompanying, and the procession's four month struggle with hostile Indians, very harsh winter weather, forbidding terrain and renegade betrayal, and is particularly full of interesting detail as to the methods of the freightmen and their metier. Gary Cooper portrays Clint Belmet, a Missouri guide who has been reared and trained as a member of a successive generation of scouts and trappers by two veterans of the breed, Bill Jackson (Ernest Torrence) and Jim Bridger (Tully Marshall), who are unaware that their way of life is to be ended by an advancing intracontinental rail system, only temporarily slowed by the War Between the States. Because of plot circumstances, Belmet must pretend to be married to a lone traveller, Felice (Lily Damita), and their seesaw relationship provides one of the main themes of a wideranging scenario, with Belmet and his mentors trumpeting of the glories of their fading way of life while Felice seeks to inculcate within her swain a sense of domestic virtue. The cinematography of Lee Garmes is very effective with its images of the travails of the wagon train and his work is not compromised by the editing which is crisp and appropriate for a film as episodic as is this one. The work's most serious failing is a lack of a consistent point of view, as it is essentially a comedy, due largely to a highly effectual performance from Torrence, here permitted to utilize his native Scottish burr to its fullest, and is somewhat reduced in impact during scenes of action and romance as a result of only cursory emphasis upon each.