[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
IMDbPro

50 Million Frenchmen

  • 1931
  • Passed
  • 1h 14min
VALUTAZIONE IMDb
5,0/10
206
LA TUA VALUTAZIONE
50 Million Frenchmen (1931)
CommediaMusicaleRomanticismo

Aggiungi una trama nella tua linguaWealthy Jack bets friend Michael he can woo Lu Lu without money within 2 weeks. Michael hires inept detectives to stop Jack, leading to comedic misadventures as Jack pursues Lu Lu while hidi... Leggi tuttoWealthy Jack bets friend Michael he can woo Lu Lu without money within 2 weeks. Michael hires inept detectives to stop Jack, leading to comedic misadventures as Jack pursues Lu Lu while hiding his penniless state.Wealthy Jack bets friend Michael he can woo Lu Lu without money within 2 weeks. Michael hires inept detectives to stop Jack, leading to comedic misadventures as Jack pursues Lu Lu while hiding his penniless state.

  • Regia
    • Lloyd Bacon
  • Sceneggiatura
    • Herbert Fields
    • E. Ray Goetz
    • Cole Porter
  • Star
    • Ole Olsen
    • Chic Johnson
    • William Gaxton
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,0/10
    206
    LA TUA VALUTAZIONE
    • Regia
      • Lloyd Bacon
    • Sceneggiatura
      • Herbert Fields
      • E. Ray Goetz
      • Cole Porter
    • Star
      • Ole Olsen
      • Chic Johnson
      • William Gaxton
    • 7Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto5

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali23

    Modifica
    Ole Olsen
    Ole Olsen
    • Simon Johanssen
    • (as Olsen)
    Chic Johnson
    Chic Johnson
    • Peter Swanson
    • (as Johnson)
    William Gaxton
    William Gaxton
    • Jack Forbes
    Helen Broderick
    Helen Broderick
    • Violet
    John Halliday
    John Halliday
    • Michael Cummins
    Claudia Dell
    Claudia Dell
    • Lu Lu Carroll
    Lester Crawford
    • Billy Baxter
    Evalyn Knapp
    Evalyn Knapp
    • Miss Wheeler-Smith
    Charles Judels
    Charles Judels
    • Pernasse - Hotel Manager
    Carmelita Geraghty
    Carmelita Geraghty
    • Marcelle Dubrey
    Vera Gordon
    Vera Gordon
    • Jewish Tourist's Wife
    Nat Carr
    Nat Carr
    • Jewish Tourist
    Daisy Belmore
    Daisy Belmore
    • Lu Lu's Mother
    • (non citato nei titoli originali)
    Diane Brent
    • Minor Role
    • (non citato nei titoli originali)
    Kernan Cripps
    Kernan Cripps
    • Jealous Husband
    • (non citato nei titoli originali)
    Jay Eaton
    Jay Eaton
    • Effete Bar Patron
    • (non citato nei titoli originali)
    Harry Fox
    Harry Fox
    • Minor Role
    • (non citato nei titoli originali)
    Bela Lugosi
    Bela Lugosi
    • Orizon - Magician
    • (non citato nei titoli originali)
    • Regia
      • Lloyd Bacon
    • Sceneggiatura
      • Herbert Fields
      • E. Ray Goetz
      • Cole Porter
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti7

    5,0206
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    1richardchatten

    Ghastly

    The title suggests a saucy, sophisticated pre-Code bonbon, but oh dear. Oh Dear, Oh Dear...

    Warner Bros. Had bankrolled the 1929 Broadway original of this production, but by the time it went before the cameras in August 1930 the public had had enough of musicals and the studio in desperation completely cut out the Cole Porter score (only 'You Do Something to Me' is heard on the soundtrack as incidental music) and instead tried to turn it into a vehicle for Olsen & Johnson. After pretending it might just all go away, Warner Bros. Eventually slipped it into cinemas in February 1931 where it swiftly died at the box office (although it was released abroad still with its songs intact, in a version now lost).

    At least in 1931 the thing was in Technicolor, but now lacking even that embellishment it just looks cheap and tawdry and the hotel setting stagey and drab. (The most obvious remaining evidence that it was ever in colour is a joke by Johnson about a parrot blushing, and the heavy makeup worn by leading man William Gaxton). Gaxton has been saddled with playing that tired old cliché, a millionaire playboy talked into temporarily giving up his millionaire lifestyle for a wager; not that the film does much with the idea.

    For anybody hoping for pre-Code raciness, the humour is just coarse, with a creepy amount of lingering on ladies' underwear; and the gruesome sight of Olsen & Johnson modelling a pair of nighties. Several other reviewers have already commented on Johnson's laugh; which grows on you like fingernails down a blackboard. Bela Lugosi makes a fleeting appearance as a magician; but if you blinked you'd miss him.
    2planktonrules

    Flat....

    "50 Million Frenchman" was originally a stage musical. And, apart from completely missing the songs*, it plays exactly like a stage production. It's very episodic with lots of Vaudeville-style humor. While it nominally stars the comedy team of Olsen and Johnson, they really are relegated to supporting roles where they walk on and do tiny comedy bits--bits that often seem to have NOTHING to do with the film's plot. As for the plot, it's about an American who meets a nice girl in France and falls for her BUT he accidentally loses his money and is forced to get a job. However, he IS rich and has bet another man that he can win the woman's heart without spending a fortune on her. Will she love him for who he is or will the man's friend win her, as he ISN'T pretending to be poor?

    Back to Olsen and Johnson. Although this team is practically unknown today, they were quite successful on stage and made a few movies. Most of the ones I've seen were only fair, but their film "Hellzapoppin" is a terrific comedy. "50 Million Frenchmen" is NOT brilliant--mostly because Olsen and Johnson's material is pretty bad. Too often they weren't very funny and were quite corny--and the team laughed uproariously like every line was hilarious...which only reinforced how unfunny they were. In fact, the entire film is flat and unfunny and has not aged well. My feeling is that the film would have been much better without the comedy OR if they gave up entirely on the plot and just had a lot of zaniness (which is exactly why "Hellzapoppin" was such a good film). The other problem is that the film is simply too talky--as if the folks making the film didn't really understand the new medium of talking pictures.

    Look carefully at Orizon the Magician. Underneath the beard and the costume, that's Bela Lugosi! He made this bit appearance before making his breakout film, "Dracula". However, as "50 Million Frenchmen" was held about a year before it was released, it turned out both films were released the same day back in 1931!

    *While musicals were THE rage in the very early days of talking pictures, within only a couple years, the genre was pretty stale and box office receipts for these films dropped. So, while the Best Picture Oscar went to "Broadway Melody" in 1930, but around 1931 the films appeared to be passé. Because of this, studio execs ordered all the songs removed from "50 Million Frenchmen" before it was released. By about 1933-34, musicals were suddenly popular once again. Why the change? I have always assumed it's because the sound technology improvements enabled the musicals to sound a lot better and weren't inhibited by primitive microphones and flat sound. Additionally, the studios simply refined their style and plots enough that they once again were appealing to Depression-era audiences.
    7thor-28

    A zany madcap farce with the boys on the loose in France.

    Fifty Million Frenchmen is a zany madcap farce with the boys on the loose in France. This Pre-Code comedy has some daring moments (Olsen & Johnson wickedly rummaging through lady's lingerie) and a real vaudeville feel to the humor. Olsen & Johnson are one of the most underrated and little known comedy teams of the 1930's and 1940's and this is a darn shame. Personally, I think their best work, in films like HELLZAPOPPIN' and CRAZY HOUSE, are far funnier than better known comedy duos like Abbott & Costello. Look for Bela Lugosi in a small cameo as a sinister swami who falls afoul of the boy's slapstick antics.
    4JohnSeal

    Sometimes funny, sometimes painful

    Hardcore fans of Olsen and Johnson and/or Bela Lugosi will need no persuading, but others may find Fifty Million Frenchmen a pretty heavy slog. It's one of those early talkies where the actors hadn't quite figured out how to adjust their body language or their vocal intonations to suit the new medium, and it's at times awkwardly paced and badly shot. Nonetheless there are some inspired moments of Olson and Johnson lunacy, especially when the boys disguise themselves as the assistants of a stage magician and end up on stage performing a deadly sword trick. The romantic subplots are unnecessary and uninteresting and Johnson's maniacal laughter soon gets irksome.
    3AlsExGal

    An object lesson in what killed vaudeville

    "Fifty Million Frenchmen" was a musical comedy play that Warner Brothers backed with the plan of turning it into a film. But by the time that it came for filming in 1930, musical films were landing with a thud as far as movie going audiences were concerned. So plans were made to strip out all of the songs and just add more Olsen and Johnson where the music had been. It was still filmed in Technicolor though, which has been lost. All that's left are the black and white copies, which explains its blurry appearance.

    The basic thread of the story is not a bad one. A rich ne'er do well American playboy in Paris, Jack Forbes (William Gaxton) well financed by his industrialist father to stay as far away from the family business as possible, sees Lu Lu Carroll (Claudia Dell) and falls instantly in love. Michael Cummins (John Halliday) says that he is also interested in her. He bets Forbes that he cannot win the girl's heart without any of his money as a means to impress her and take her places. If Forbes wins, Cummins will pay him 50 thousand dollars. If Cummins wins the bet, Forbes will pay him 50 thousand dollars. In the meantime, Forbes must make his living any way that he can, starting with no money or letters of credit in his pocket.

    Warner Brothers, in just another year or two with better performers, could have made this work as a pretty decent precode. The main problem is the large part that Olsen and Johnson have in this film. Their part is that Cummins hires them to make sure that Forbes doesn't cheat and borrow money off of anyone. They're just not funny and Johnson's incessant hyena-like laughter gets old in a hurry. Show me you're funny, don't TELL me you're funny! Make this about Forbes and his creative attempts to survive and impress the girl given that he has no money and no contacts in a country that is foreign to him, and this could have been interesting. Instead the focus is Olsen and Johnson and their juvenile and archaic attempts at humor.

    The few interesting spots include Helen Broderick as someone who hires Forbes as a guide and Bela Lugosi as a mystic.

    Altri elementi simili

    Night After Night
    6,7
    Night After Night
    Nebbia a San Francisco
    6,5
    Nebbia a San Francisco
    You and Me
    6,8
    You and Me
    Mancia competente
    7,9
    Mancia competente
    Sangue ribelle
    7,0
    Sangue ribelle
    Paree, Paree
    6,2
    Paree, Paree
    Ingratitudine
    7,0
    Ingratitudine
    The Case of the Curious Bride
    6,6
    The Case of the Curious Bride
    The Strange Love of Molly Louvain
    6,4
    The Strange Love of Molly Louvain
    L'impronta dell'assassino
    6,5
    L'impronta dell'assassino
    They Call It Sin
    6,3
    They Call It Sin
    Il vestito strappato
    6,5
    Il vestito strappato

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This was originally a Cole Porter musical, but the songs were omitted from the film because box-office receipts for musical films at that time were down.
    • Blooper
      When Jack realizes he lost Lu Lu's phone number, she had just gone into her hotel a few seconds earlier. Considering how very anxious he was to connect with her, Jack should've had no qualms about simply following Lu Lu inside and asking for a replacement card, especially since the film later implies that Jack was also staying at that hotel.
    • Citazioni

      Jewish Tourist's Wife: Mister, will you kindly tell us where is the house of Victor Hugo?

      Jack Forbes: Victor Hugo, the man who wrote the movie "The Man Who Laughs"?

      Jewish Tourist: Yes.

      Jack Forbes: I never heard of him.

    • Connessioni
      References L'uomo che ride (1928)
    • Colonne sonore
      You Do Something to Me
      (1929) (uncredited)

      Written by Cole Porter

      Played often in the score

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Dettagli

    Modifica
    • Data di uscita
      • 14 febbraio 1931 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
      • Tedesco
    • Celebre anche come
      • Fifty Million Frenchmen
    • Luoghi delle riprese
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 484.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 14min(74 min)

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.