Cracked Nuts

Mild-mannered millionaire Bert Wheeler sails for the fictional kingdom of El Dorania. On the ship over, he romances fellow American traveler Dorothy Lee, and while Lee reciprocates, her aunt Edna May Oliver most decidedly does not approve. Wheeler hopes to find a way to win the aunt's approval.

Meanwhile, fast talking con man Robert Woolsey unexpectedly finds himself crowned king of El Dorania. When Wheeler and company arrive in port, the plot thickens:

Wheeler is approached by some revolutionaries who would like to make him king; Woolsey discovers that the average life span of a king in these parts is very short; and Wheeler and Woolsey bump into each other down on the docks and it turns out that they are old buddies from back in the States.

The plot is kind of wild and of course completely fantastic. The romantic subplot between Wheeler and Dorothy Lee is silly but cute. The cast includes Boris Karloff as a henchman named Boris.

The best bits are a couple of extended scenes in which Wheeler and Woolsey engage in the sort of rapid-fire pun-filled banter that they clearly perfected back in their vaudeville days. The jokes are not that fresh, even for 1931, but the delivery is perfect.

Lots of fun even if it leaves you wondering what you just saw.

Getting there first, exploring grounds that the Marx Brothers covered so thoroughly in Duck Soup are the RKO team of Wheeler&Woolsey who get themselves mixed up in the politics of some backwater country in South America in Cracked Nuts. Bob Woolsey wins the throne of El Dorania in a crap game and spends the rest of the film trying to avoid assassination plots cooked up by disgruntled general Stanley Fields.

Woolsey's partner Bert Wheeler has his own problems in the romance area. He's in love with Dorothy Lee, but he's got to deal with her formidable aunt, Edna May Oliver. Wheeler is the schnook of the team, playing parts that Eddie Cantor and later Danny Kaye would do with far more acclaim.

Cracked Nuts might not be all its cracked up to be. I'd certainly rate Duck Soup over it. Yet it does have its moments, particularly the last attempt at Woolsey's life by Ben Turpin, dropping bombs during a ceremony.

It's a film that can stand on its own merits. But I wish Edna May Oliver had more screen time. She's a favorite of mine and I've never been disappointed with her in any performance. She's reason enough to see Cracked Nuts.

This Wheeler & Woolsey comedy smacks of both The Marx Brothers and Abbott & Costello since it takes place in a mythical country that always has conflict and has a routine reminiscent of "Who's on First?" (though it may also resemble the "Why a Duck?" routine from the Marxes' The Coconuts). Wheeler has bought the country to finance a revolution and Woolsey has bought the previous king's crown. Among the supporting players-usual leading lady Dorothy Lee as Wheeler's love interest and once again they do a romantic song, Edna May Oliver as her mother who doesn't approve of the union, Ben Turpin as cross-eyed as ever, and Boris Karloff as one of Wheeler's butlers though his voice sounded different from what I'm used to when I first heard him here. This might have been before his break-out turn as The Monster in Frankenstein since both this and that are from the same year. In summary, I laughed plenty at Cracked Nuts so that's a recommendation.

Wheeler and Woolsey were a first-rate comic team, now forgotten by most, who churned out a great number of money-making comedies for RKO in a brief period from 1930-1937. Until Fred and Ginger came along, they were the top earners for the studio. Sadly, they were often saddled (as they are here) with second-rate material. In this one, they don't get together until almost half an hour into the story, and even when they do, the jokes are pretty bad. They are surrounded with a top cast of players who would go on to better things-Boris Karloff and Edna Mae Oliver, as well as excellent comic support from Stanley Fields as the heavy and Leni Stengel as the vamp. Bert Wheeler's partner here, as she was to be in many of their films to come is the adorable ingenue Dorothy Lee, who doesn't get much to do. The only song she and Wheeler do is badly staged. There are some excellent Ruritanian sets by the studio's art director Max Rée, and a few spirited marches by Max Steiner in his pre-Warner Bros. days. Most of the fault beyond the script belongs to one of the Keystone Cops, Eddie Klein, who directed with a heavy hand. W&W would get better direction and better scripts in the years to come.

A couple of CRACKED NUTS find themselves mixed-up in a Latin American revolution.

Wheeler & Woolsey, America's greatest forgotten comedy team - Burt Wheeler was the short guy with curly hair, Robert Woolsey had the spectacles & cigar - find themselves in a film with as inane a plot as any they ever made. Which is all to the good as far as the Boys are concerned, as it gives them ample opportunity to sling the dialogue at each other, fast & furious. They are never boring & always funny (their El Dorinda map routine, with fierce general & villain Stanley Fields, will remind viewers of the Brothers Marx).

Unfortunately, their co-stars are given few lines with any life. Dorothy Lee is, appropriately, Wheeler's love interest, but she gets little to do except look kewpie-doll-cute. The formidable Edna May Oliver does what she can in the role of Miss Lee's dragon aunt, but she deserves much better dialogue to be really effective. Interestingly, there is no interaction between her character & Woolsey, as might be expected. Far better roles would await Miss Oliver in years to come & she would not disappoint.

Boris Karloff appears as a financier trying to foment revolution. Once again, his lines let him down & give him very little to work with; he gives no hints in this RKO film as to the legend he would very shortly become at Universal Studios. Movie mavens will recognize Silent Cinema comic Ben Turpin as the cross-eyed bombardier.

Wheeler & Miss Lee sing ‘Dance And The World Dances With You.'