La bionda e l'avventuriero

"Blonde Crazy" was one of the first films James Cagney made after becoming a big star. The plot is pretty straightforward but Cagney and Joan Blondell push this film well above being average with their on-screen chemistry. They play a couple of hustlers who circulate amongst the more wealthy clientèle in various hotels. At one stage, both the leads are on the receiving end of a notorious card shark who steals their ill gotten gains. The way Cagney and Blondell exact their revenge is brilliant! Things get a bit more complicated between the two leads in the latter half of the film. Very entertaining.

"Ho-nee! " That's crazy Jimmy Cagney calling to his partner Joan Blondell in this wacky early-30s comedy-drama which reminded a bit, attitude-wise, with a film he did the following year called "Lady Killer."

It also was typical Cagney: a very cocky con man (as a bellhop!) and fun-to- watch character who will do and say about anything. The dialog between he and Blondell in this film is a real hoot. It features a lot of the expressions of this time period.

Louis Calhern plays a competing con man who swindles Cagney, but then gets taken himself. A very young Ray Milland, in one of his first credited appearances, is so young I didn't know it was him, but recognized the voice. He looked a lot like Bob Cummings.

Not a great film but entertaining for the part, as Cagney films usually were. Every time he yells "Ho-nee!" I laugh out loud. Ya gotta love him!

Pre-Coder starring James Cagney as a hotel bellboy with a knack for conning people who falls for Joan Blondell and gets more than his fair share of trouble for it. Mixed bag but enjoyable enough. Jimmy's the main reason to recommend this one. He's delightfully cocky and energizes every scene. The way he moves and talks throughout the picture is fascinating to watch. He was still relatively new to movies but you would never know it by how confident his performance is here. Starts out like a comedy but turns more serious when Louis Calhern and Ray Milland enter the picture. It's not quite as enjoyable from that point on.

Aside from an ending that just seemed too vague and too abrupt, this is a very little enjoyable film from Warner Brothers. In some ways, it's very much a Pre-Code style film but it's not as salacious as some of the more extreme films during the era. Sure, there is a some sexual innuendo and the main characters are awfully amoral, but it other ways things are bizarrely chaste--and it's something you really need to see to appreciate.

The film begins with Ann (Joan Blondell) looking for a job at a hotel. A slick bellboy, Bert (James Cagney) helps her get a job and almost immediately begins pawing at her. He's also a guy who is a bit of a huckster--and he schemes and pulls off petty grifter schemes for extra money. Want an example of the sort of dialog in this part of the film?

Bert Harris: Now, you play ball with me... and your worrying days will be over.

Ann Roberts: Yeah? How about the nights?

Bert Harris: (smirks) Well, I'll see what I can do about those too, honey!

As I said, there is a lot of innuendo. However, unlike films like "Red- Headed Woman" and "Platinum Blonde", the leading lady in this one seems to have her virtue intact throughout the film. Ann is willing to go along with some of Bert's schemes but keeps him at a distance throughout the film.

Eventually, the pair get tired of penny ante stakes and quite their jobs to travel the country cheating boobs here and there. The trouble is that in the process, the pair obviously become quite fond of each other. But Ann doesn't want this sort of life forever and eventually falls for a stockbroker (Ray Milland). What's in store for Bert? Well, watch the film for the super-bizarro ending to see for yourself. I don't want to give it away but suffice to say it seems to come from out of no where and the ending of the film is incredibly vague and a bit unsatisfying-- hence my score of only 7 when it easily could have earned a higher rating up until then.

The overall moral of the film seems to be EVERYONE is corrupt and what you get out of life is what you can take--a thoroughly Pre-Code moral in every way! Still, despite its dubious life lesson, the film is well acted and paced, quite enjoyable to watch and offers Cagney a part to play one of his strangest characters. This isn't the nasty criminal sort he played in "Public Enemy" nor the heroic sort he played in Post- Code films, that's for sure.

Bert Harris (James Cagney) is a bellhop at a small town hotel. When a looker (Joan Blondell as Anne Roberts) arrives, he arranges for her employment in the housekeeping department.

Bert is a schemer who is loose with the truth and has a love of the ladies. He says, "The world owes me a living." Despite the fact Bert is "not a collar ad", Anne is intrigued by his persona. But she is a good girl, immune to his advances. Still, they become partners and use a small-time frame to finance their move to a larger city.

Being a fan of films about grifting, I really enjoy this film, which includes multiple examples of the con. The stakes get higher as the story continues. One con is reminiscent of "The Sting".

It is also fun to watch pre-Code films, with their peculiar characteristics and their vernacular. Bert, though a criminal, displays an odd code of ethics that is central to the story, though unacceptable by Hays' standards.

Cagney displays his usual bluster and bravado. Blondell is charming. Watch for the very young Ray Milland.