Aggiungi una trama nella tua linguaSwans swim by; a peacock displays its plumage in glorious black-and-white while a passing duck jeers; assorted songbirds chirp; a woodpecker chases a caterpillar; a chorus of owls croons. A ... Leggi tuttoSwans swim by; a peacock displays its plumage in glorious black-and-white while a passing duck jeers; assorted songbirds chirp; a woodpecker chases a caterpillar; a chorus of owls croons. A chicken goes after worms while ignoring her brood until a hawk circles. When the hawk capt... Leggi tuttoSwans swim by; a peacock displays its plumage in glorious black-and-white while a passing duck jeers; assorted songbirds chirp; a woodpecker chases a caterpillar; a chorus of owls croons. A chicken goes after worms while ignoring her brood until a hawk circles. When the hawk captures one chick, the crows form an attack squadron.
- Hummingbird
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- Hummingbird
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- Birds
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- Birds
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- Birds
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- Mother Hen
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Recensioni in evidenza
It is a beautiful day, and the BIRDS OF A FEATHER of the forest & farmyard are romancing their mates and tending to their young. That is, until a rapacious raptor comes on the scene & carries off a baby chick...
This black & white cartoon is another example of how important music (often classical) was to the Symphonies.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
By the way, I noticed a score of 10 for this cartoon. While I totally respect the other reviewer's right to score it this high, they give 10s to all Disney cartoons. I, on the other hand, am more demanding and grouchy when it comes to these shorts. I've given a few 10s and 9s to some Silly Symphonies--so I am not impossible to please!
One of the baby ducks even says "meep meep", long before Warner created the famous Roadrunner. A hawk (or vulture or something) swoops down to steal a chick for dinner, but as usual cartoons never portray the bloody carnage of real life so the bird eventually flies off with an empty tummy.
The sound design and music give the short a little extra dimension, though other than that it is way to primitive to have any sort of lasting appeal.
Lo sapevi?
- QuizSergei Eisenstein in his book The Film Sense, mentions this cartoon as a good example of image and sound coordination, mainly in the pawn scene.
- ConnessioniFeatured in The Mickey Mouse Club: Talent Roundup Day - Joy Johnson (1955)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Silly Symphonies (1930-1931 Season): Birds of a Feather
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 8min
- Colore
- Mix di suoni