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Westfront

Titolo originale: Westfront 1918: Vier von der Infanterie
  • 1930
  • Not Rated
  • 1h 15min
VALUTAZIONE IMDb
7,3/10
2643
LA TUA VALUTAZIONE
Westfront (1930)
DramaRomanceWar

Aggiungi una trama nella tua linguaA group of German solders fight on the front line in France at the end of World War I.A group of German solders fight on the front line in France at the end of World War I.A group of German solders fight on the front line in France at the end of World War I.

  • Regia
    • Georg Wilhelm Pabst
  • Sceneggiatura
    • Ernst Johannsen
    • Ladislaus Vajda
    • Peter Martin Lampel
  • Star
    • Fritz Kampers
    • Gustav Diessl
    • Hans-Joachim Möbis
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    2643
    LA TUA VALUTAZIONE
    • Regia
      • Georg Wilhelm Pabst
    • Sceneggiatura
      • Ernst Johannsen
      • Ladislaus Vajda
      • Peter Martin Lampel
    • Star
      • Fritz Kampers
      • Gustav Diessl
      • Hans-Joachim Möbis
    • 33Recensioni degli utenti
    • 40Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto30

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    Interpreti principali13

    Modifica
    Fritz Kampers
    Fritz Kampers
    • Der Bayer - The Bavarian
    Gustav Diessl
    Gustav Diessl
    • Karl
    Hans-Joachim Möbis
    Hans-Joachim Möbis
    • Der Student
    • (as H.J. Moebis)
    Claus Clausen
    Claus Clausen
    • Der Leutnant - The Lieutenant
    Jackie Monnier
    Jackie Monnier
    • Yvette - Die Französin
    Hanna Hoessrich
    • Karl's Frau - Karl's Wife
    Else Heller
    • Karl's Mutter - Karl's Mother
    Aribert Mog
    Aribert Mog
    • Undetermined Secdondary Role
    • (non citato nei titoli originali)
    Gustav Püttjer
    • Hamburger
    • (non citato nei titoli originali)
    André Saint-Germain
    • Undetermined Secondary Role
    • (non citato nei titoli originali)
    Vladimir Sokoloff
    Vladimir Sokoloff
    • Meal Orderly
    • (non citato nei titoli originali)
    Ilse Trautschold
    • Undetermined Secondary Role
    • (non citato nei titoli originali)
    Emil Wabschke
    • Undetermined Secondary Role
    • (non citato nei titoli originali)
    • Regia
      • Georg Wilhelm Pabst
    • Sceneggiatura
      • Ernst Johannsen
      • Ladislaus Vajda
      • Peter Martin Lampel
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti33

    7,32.6K
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    Recensioni in evidenza

    9planktonrules

    An amazingly realistic war film--among the best I have seen

    This movie has an awful lot in common with another film that also debuted in 1930. Both this film and ALL QUIET ON THE WESTERN FRONT are terrific World War I films that give an awful and realistic view of the war from the perspectives of ordinary German soldiers. As a result, both are also profoundly anti-war films that were later banned by the Nazi government that took power just a few years later. Of the two, ALL QUIET ON THE WESTERN FRONT is a slightly better film because it has an excellent back story (in other words, setting up the characters and giving them some depth). Instead, WESTFRONT 1918 is more like a hidden camera that just shows parts of the war--only towards the very end of WWI. Also, unlike ALL QUIET, this film only once follows one soldier home and shows life outside the battlefield. Mostly, the film is just one battle scene after another after another. Despite seeming a tiny bit out of context because of this, it is still a super effective and moving piece of film. A truly well-made and exceptional film with ultra-gritty realism. It is occasionally tough to watch, as there are corpses everywhere and the action is often up close and very personal.

    As I said, this film isn't quite as perfect and profound as ALL QUIET ON THE WESTERN FRONT, though it actually is better than the exceptional French film, J'Accuse or THE EAGLE AND THE HAWK--two other terrific WWI films that emphasize the futility and waste of this stupid war.
    7gbill-74877

    Good early anti-war cinema

    Invariably any piece of art banned by the Nazis as degenerate or in this case "cowardly defeatism" has something to offer. G.W Pabst crafts a powerful antiwar film by simply showing so many of its truisms - the senseless, horrific death of course, but also many other subversive elements, e.g. the possibility of friendly fire, the idiotic decisions made by leaders who are out of harm's way being served posh courses of food, one's wife or girlfriend being unfaithful, and the psychological trauma. At his best he simply leaves the camera stationary in longshot while men scurry about and kill one another for no good reason, letting the viewer draw their own conclusion about the madness they're witnessing.

    I have to say though, the impact of it all was a little lessened because the images and concepts weren't as novel for me 90 years later, as unfair to the film as that might be. It lags as well when it's off the battlefield, showing among other things an uninteresting (and long) performance at a canteen, and the confrontation with the wife in bed with another man. I think it was trying to balance out the warfare and build up characters so that we were invested in them, but I struggled to stay interested (this and the bleakness of the thing make it one I wouldn't reach for again). Kudos to Pabst for making it, and I loved the way he closes it with "The End?!", certainly well aware of growing militarism and possibility for another devastating war.
    8aandmbird

    View it as a film in its own right

    Although this covers the same broad subject matter as "All Quiet", there is a different and welcome perspective and the film making is very definitely more European in style, harder edged and more matter of fact, which I have to say I prefer. For the English speaking audience it does suffer in that it has not been cared for and restored in the same way as "All Quiet". The version I saw had some rather jarring (at least to my English ears) subtitles, which showed that the UK and the USA are indeed two countries divided by a common language. I'm not sure what German words translate as "What in tarnation". Having said that the film was powerful, innovative and quite startling in its use of sound, which we should bear in mind had only been in use for 3 years or so. If someone knows where there is a restored version for the English speaking audience (preferably on DVD) I will be first in the queue
    6AAdaSC

    Trench warfare

    This is the story of life in the trenches during World War 1 from the perspective of 4 German soldiers, one of them a Lieutenant. The fact that they are on the 'other' side makes no difference to the feel of the story or the film's message. War is bad.

    There is no particular story to focus on. The film is a sequence of events during wartime and it just carries on after the film has ended, just like it was already in existence once the film had started. It does have dramatic segments, eg, the home visit granted to Gustav Diessl (Karl), the exploits involving Hans-Joachim Mobis (the student) and various battlefield situations, confrontations and realizations.

    The film occasionally has slow segments but it is interesting from a social history perspective. What was the point of it all?
    8to_tiger

    Can there be a civilized war?

    My husband and I just finished seeing this movie. We hadn't heard of it before. We were quite impressed. It's an old movie. It was made just at that time when overacted stage conventions were being abandoned for the more subtle gestures of film. Taking that into account, this movie for us packed quite a wallop.

    This is a movie about people attempting to fight a war as a group of small-towners who get to know each other and build a society as they go. Although they don't like the war, they are willing to go and do their part. But can these deep relationships endure in the face of an impersonal war machine? And whose fault is it if they can't? Who is responsible for the situation?

    There's a fairly slow start, during which the movie establishes relationships, etc. Then there is a decisive battle. Somehow there isn't another trench warfare movie I can think of which really gets the nuances and habits of the people who were in the trenches in World War I, on either side. We don't have anything like it now. And yet it's not gruesome, so don't be worried about that. I'd definitely recommend this movie, especially in mid-2006 in the U.S. This movie asks all the right questions, subtly but effectively.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This film was banned by the Nazis after they came into power in Germany in 1933.
    • Blooper
      The depth of the trenches is inaccurate. In several scenes where the soldiers are standing up, their heads are higher than the top of the trench, making them easy targets for snipers and also allowing the French to monitor troop movements.
    • Citazioni

      Woman in rationed food line: What are you doing? Back of the line!

      Another Woman in rationed food line: What's wrong with the old cow? Cutting in line!

      Man in rationed food line: Leave the woman alone.

      Woman cutting in rationed food line: My Adolf is dead.

      Woman in rationed food line: Think you're the only one? That's no reason to cut in line. Go to the back!

    • Connessioni
      Edited into A Hellish Chaos (2017)

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    Domande frequenti15

    • How long is Westfront 1918?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 23 maggio 1930 (Germania)
    • Paese di origine
      • Germania
    • Lingue
      • Tedesco
      • Francese
    • Celebre anche come
      • Westfront 1918
    • Luoghi delle riprese
      • Bavaria Studios, Bavariafilmplatz 7, Geiselgasteig, Grünwald, Bavaria, Germania
    • Aziende produttrici
      • Bavaria Film
      • Nero-Film AG
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 15 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.20 : 1

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