Ladroni

Police Chief Anders Randulf is upset with beat cop Edgar Kennedy because of the burglars he hasn't caught. Kennedy has a brainstorm: he offers not to run in a couple of tramps if they'll burgle the chief's house so he can catch them. It's a brilliant plan, with one small flaw: his stooges are Laurel and Hardy.

Edgar Kennedy was a brilliant comic himself, who had been one of the Keystone Kops. He had directed a couple of the Boy's silent shorts, but he was largely a supporting comic at the Roach lot. He gets a couple of good gags here, although Stan and Ollie, of course, are the main show.

Night Owls (1930)

** (out of 4)

A policeman is on the down and outs with the captain so he has L&H to pretend to be robbers so that he can arrest them. The boys think the policeman will then get them off the hook but breaking into a house is harder than they thought. This is a pretty lifeless short with only a few chuckles and mostly dead jokes. The scene where the boys pretend to be cats is certainly the highlight.

Ladrones (1930)

** (out of 4)

Spanish version of Night Owls has the exact same story, although there's an added third reel, which is a different ending. Like other Spanish versions, the alternate ending here is actually a lot funnier than the American one so you've gotta wonder why it was cut. Some of the physical gags also work better here but it's still not one of the duo's best.

Laurel and Hardy make incompetent burglars in this fairly good entry. James Finlayson was so talented and his facial expressions are timeless and add to Stan and Olivers' genius. The slapstick comedy is well-staged, and competently done.

"Night Owls" was one of the last Laurel and Hardy films for comic foil, Edgar Kennedy. He was soon to be replaced by Billy Gilbert. Released in 1930, Stan and Ollie are playing their vagrant characters who are offered the change of avoiding jail by carrying out a burglary for corrupt cop, Kennedy (who is on the verge of being fired from the force). The house in question, is none other than that of the police chief! Although this comedy short was all filmed in the "Hal Roach" studios, this doesn't affect the comedy in any way. James Finlayson is great as the put-upon butler of the said household. At one point, he takes a leaf out of Hardy's book by addressing the camera. I loved it! Stan and Ollie's attempts at burglary are like everything else they put their hand to - the final results being a disappointment. They both really squabble with each other during "Night Owls" but they always remain united against any adversity. One of their very best.

By no means this is the best short Laurel & Hardy film but it still one that offers some decent entertainment, which is thanks to the stupidity and clumsiness of the boys, especially Laurel's.

The movie and its story are rather simple. It relies on simple one comical premise; The boys trying to break in at the police chief's house, at the request of Officer Kennedy, so he can capture the boys later on and impress his chief, who is not very pleased with the 42 unsolved robberies committed on Officer Kennedy's watch. If the boys don't help Officer Kennedy out, they'll go to jail for 90 days for sleeping in a public park. Sometimes one simple comical premise is enough to fill an entire entertaining and hilarious movie with but the slapstick and moments in this movie begin to get rather tiresome after a while, since it's mostly more of the same, when the boys begin to try and break-in. The movie is perhaps lacking in great true comical originality but yet it's perfectly executed in the movie, which still makes sure that this movie is a very good and fun one to watch.

The Laurel & Hardy regulars also make sure that this movie provides some great entertainment, such as James Finlayson as Meadows, the police chief's aid and Edgar Kennedy. Kennedy's role is rather limited down, almost to an non-comical one. Baldwin Cooke also shows up in a small part as one of the police officers.

The comical situations and slapstick in the movie works out well, though it's never anything too original. It's one of the reasons why this movie is not really more than a slightly above average Laurel & Hardy short, that is perhaps a bit disappointing, despite its entertainment value.

7/10

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