Mary
- 1931
- 1h 18min
VALUTAZIONE IMDb
5,7/10
1076
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.
- Regia
- Sceneggiatura
- Star
John Mylong
- John Stuart
- (as Jack Mylong-Münz)
Recensioni in evidenza
Is it merely a German version of Hitchcock's "Murder!"? True both films are based on the same source-material. Yet the outcome is different. There is more emphasis on choice of camera and shots and editing in the German film than in the British one. The underlying cross dressing and gay aspects are more obvious in the German film. Yes "Mary'' can be considerably compared to Lumet's "12 Angry Men" made decades
later. Here the juror becomes the detective, while in Lumet's film the juror never really leaves the jury room. The relationship between juror and the accused is explored midway--a rare aspect in any jury-oriented tale. It is therefore goes one up on "Murder!" Further, Alfred Abel (a German actor) is superior to Herbert Marshall both playing the same character of the same tale, that of Sir John Menier. So is Olga Tschechowa playing the role of the accused actress, facing death sentence.
This is the only time in Alfred Hitchcock's career that he remade one of his own films in another language; just like in "Murder" (1930), there is one piece of brilliant filmmaking (the entire jury sequence), but the rest of the film is dull, primitive and plodding - strictly for Hitchcock completists. Mary (Olga Tschechowa) is very beautiful. ** out of 4.
For Hitchcock completists only, this German-language version of the same director's Murder! tells the same story on the same sets, but with different cast, as a juror questions the guilty verdict he helped come to.
A few mildly amusing visual flairs are present here: jurors seated around a circular table. The camera pans along and we see a first juror held deep in thought; the next several are listening with rapt attention; until we arrive at one man who is clearly bored to tears with it all; a mild joke which was thrown in to the German version, not in the UK version. Brief glimpses (again) of cross-dressing, which Hitch later went back to, in a big way, with Psycho.
Some early quick cuts are surprising, eleven cuts in a three seconds-long scene at the twenty three minute mark. Most unconventional at the time.
Overall the movie is watchable, but not very involving, partly at least due to its lax pacing, and a verbose screenplay. Like its UK counterpart, however, it does pick up for its memorable climax.
A few mildly amusing visual flairs are present here: jurors seated around a circular table. The camera pans along and we see a first juror held deep in thought; the next several are listening with rapt attention; until we arrive at one man who is clearly bored to tears with it all; a mild joke which was thrown in to the German version, not in the UK version. Brief glimpses (again) of cross-dressing, which Hitch later went back to, in a big way, with Psycho.
Some early quick cuts are surprising, eleven cuts in a three seconds-long scene at the twenty three minute mark. Most unconventional at the time.
Overall the movie is watchable, but not very involving, partly at least due to its lax pacing, and a verbose screenplay. Like its UK counterpart, however, it does pick up for its memorable climax.
This perfunctory German version of MURDER, filmed at the same time on the same sets but with a mostly different cast, is 28 minutes shorter than the English version! It leaves out all of the touches that make the English version enjoyable, and also leaves out some of the clues that lead to the murderer. Some of the things left out are: the jury member who hasn't a clue; the jury foreman having difficulty getting the ballots in the right piles; the jury filing out from the jury room into the court and Sir John waiting before getting up and joining them; the servant bringing the radio into the bathroom, and the colloquy with the servant at that point; the interior monologue is much shorter; dialogue in the scene immediately after is shorter (also, the bathroom and subsequent scene are sequenced wrong so that it seems he's shaving again after he finished); the landlady isn't present when the couple get the call from Sir John, and so the byplay about them owing the rent is not there; their frantic dressing and spiffing up for the Sir John visit; the shot of the stage manager's feet in a super-soft carpet, showing what it feels like to him; the scene where they look at the parlor with landlady is much shorter (and comes after scene where they look at her bedroom); tricking the landlady by using a high-pitched voice; Hitchcock's appearance in the street; tipping the theatre manager after they inspect the theatre; the scene with all the kids is much shorter, with the cat under the covers eliminated (same kids, though); the kids don't sit on the trunk, so the dialogue about the policeman's uniform in the trunk must not be there; the striking overhead shot of Mary in her cell, and the shadow of the noose; Sir John's scene with Mary is shorter, colder, and they don't talk about the theatre at the end; the scene of Sir John and the stage manager in the circus audience, where they talk about trapping the murderer with a Hamlet-like play is much shorter; when the murderer hangs himself, there's a somewhat more dramatic sound editing, perhaps to cover up the fact that he doesn't make a very good noose; the murderer carried out on a stretcher; the sequence of Sir John and Mary in the train is shorter; and the shot of the characters on stage at the end. Some of the jokes are still there but presented in so rudimentary a fashion that one would hardly notice. For example, when Sir John notices that his guest is using a small spoon for the soup, he does the same, and when he puts his martini olive on the tray, the guests don't know what to do with theirs; both these incidents still occur but with no reactions from the actors to point up the gags. Abel looks a lot like Marshall, which is very disconcerting because that British upper-class attitude that informs every aspect of the English version is completely lacking. The stage manager is an expressionless nonentity in this version. It's a second-hand, second-rate copy all through. One can hardly believe Hitchcock himself directed this totally lacking, colorless run-through of his delightful MURDER. You may never get a chance to see this one, which may frustrate Hitchcock completists, but, really, there's absolutely no reason to see it, even if you only understand German! See MURDER a second time instead.
If you only speak German, you should watch this version. If you speak English, you should just watch Alfred Hitchcock's film Murder! (1930) because it's exact same movie, using the exact same sets and plot, just with different actors.
Lo sapevi?
- QuizA copy of the film is included as a bonus feature on the Kino Lorber Studio Classics DVD and German DVD releases of Omicidio! (1930) and the French DVD release of La taverna della Giamaica (1939).
- BlooperAs Sir John interviews Mary in jail, it is established in long-shot that both are sitting at opposite ends of a long table. During frontal closeups, the widths of the planks that make up the tabletop reveal that very randomly either the table is turning between shots or both persons repeatedly switch places.
The exact same continuity error also applies to the American version of the movie, Omicidio! (1930).
- ConnessioniAlternate-language version of Omicidio! (1930)
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- Tempo di esecuzione1 ora 18 minuti
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- 1.20 : 1
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