Aggiungi una trama nella tua linguaWild-raised heiress Bingo inherits oil company after father's death. During NY-bound civilizing mission, she loves Andy, who chooses another due to her wealth. After she shoots him, he accep... Leggi tuttoWild-raised heiress Bingo inherits oil company after father's death. During NY-bound civilizing mission, she loves Andy, who chooses another due to her wealth. After she shoots him, he accepts marriage.Wild-raised heiress Bingo inherits oil company after father's death. During NY-bound civilizing mission, she loves Andy, who chooses another due to her wealth. After she shoots him, he accepts marriage.
- Regia
- Sceneggiatura
- Star
- Paul
- (as Edward Nugent)
- Jollop
- (as Milton Farney)
- Dowling
- (as Lloyd Ingram)
- Clubman in Locker Room
- (non citato nei titoli originali)
- Manicurist
- (non citato nei titoli originali)
- Party Girl
- (non citato nei titoli originali)
Recensioni in evidenza
Not a bad way to spend 90 minutes. Interesting to note the use of card titles in this movie, and also Joan's rather stilted emoting, both holdovers from the silent days which really were just days behind at that point. Such a curiosity in this day and age...
Crawford plays "Bingo," an untamed girl from the jungles of South America whose father dies, leaving her with a large oil inheritance. Some old friends of the family escort her to New York where she is to live in luxury, but they are startled when she abruptly falls in love with Robert Montgomery. They convince her that there are hundred of men like him in New York; she goes there to find that she yearns for him more than ever. She finds that he misses her too and the two plan to get married, until Crawford's uncle meddles again. The end of this film is quite shocking, and there are plenty of moments to entertain throughout.
Unlike her later 1930s films, Crawford is wild and free here, sort of like a Trilby yet to find her Svengali. Her personality is radiant and she acts much more like a savage than a society girl. This pre-code film has her kicking her legs up to throw up her skirt, sleeping in a man's room, seeing him before he is dressed, drinking large quantities of alcohol during Prohibition, and condoning violence, an unladylike characteristic. Montgomery is terribly handsome in this film, a great romantic lead for Crawford. Perhaps this is the reason they starred in several other films together. The two sing several times here; neither has an outstanding voice, but the music helps add some realism and entertainment to the screen.
Overall, this is not only a curiosity, but a great early film. It does not suffer from the slow pacing, static camera, wordy dialogue, and loud silences that other early talkies did. Be sure to give it a proper chance.
** (out of 4)
After her father is murdered, Bingo (Joan Crawford) gets taken away from the South American jungles and heads to New York City. Even though she pretty much grew up as a wild child, her father's friend (Ernest Torrence) is given control of her and he objects when she falls in love with a poor boy (Robert Montgomery) so the two kids must prove that they're right for one another. This early talkie from MGM is about as predictable as it can get and it's highly doubtful that the viewer isn't going to know what's coming from around each corner so this film is pretty much just for Crawford fans who must see everything the actress did in her career. The entire film has a pretty strange vibe to it because when we first meet the Bingo character she's doing some crazy tribal dance and you really think that she's some wild child that you'd expect to see in a Lon Chaney film. After no time she settles down to be quite normal and this here is never really explained but Crawford's performance was pretty interesting. She was somewhat over-the-top in a good way while playing the wild child but she settled down during the section portion of the film and in the end she's the only reason to watch this thing. It's rather amazing to see how well she transformed into a sound star and you have to think that she was among the best to do so. Montgomery isn't too bad in his part but the screenplay does him no favors. Torrence is a tad bit all over the place but I still enjoyed watching him. At just 85-minutes the film is a little creaky in spots and there's no doubt that the pacing is a bit off. Still, Crawford fans might want to check it out but others should stay clear.
In her early, very pretty days, Joan eats up her scenes with energy and hilarious melodrama. The film itself is very dated, so I can't imagine anyone wanting to watch it unless they're a fan of the cast. Nowadays, it's looked at as misogynistic to try and tame a woman's wild impulses and get her to act like a "lady". But in 1929, it was very funny to watch the glamorous Joan Crawford embarrass herself in polite society. Give this movie a watch if you like her early days, and you'll be rewarded with a couple of dance numbers, as well as a song from Robert Montgomery!
Lo sapevi?
- QuizJoan Crawford's first lead in a "talking picture".
- BlooperJust as Bingo's being told her father is dead, slight breathing motions are seen from the body of her father.
- Citazioni
Howard Presley: [Looking at a sleeping Bingo] She's lovely. Fascinating.
Ben Murchison: Aye, just confirms what I've always said: the sweetest flowers grow in the mud.
- Versioni alternativeMGM also released this movie in a silent version with film length of 1,630 m.
- ConnessioniFeatured in Joan Crawford: The Ultimate Movie Star (2002)
- Colonne sonoreChant of the Jungle
(1929) (uncredited)
Written by Nacio Herb Brown and Arthur Freed
Sung and danced by Joan Crawford
I più visti
Dettagli
Botteghino
- Budget
- 229.000 USD (previsto)
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Proporzioni
- 1.20 : 1