L'indomabile

One of the first MGM soundies full of music, dance, drama and Joan Crawford! The early Crawford personality emerges as a feisty, likable, love-of-life character and she is wonderful! She is so different from her later 50's and 60's roles. If you have not viewed any of Crawford's silent movies or the early soundies, you should consider it. You can see the emergence of her acting abilities and even peg some of her acting characteristics that she carried with her throughout her entire 50 year career. Ernest Torrence is an engaging father figure, a marvelous character actor. Robert Montgomery (who appeared with JC six times) is the love interest torn between culture and animal. Lloyd Ingraham appears as the Crawford character's father early on. A must-see for film lovers interested in viewing early sound films.

Untamed is famous for being Joan Crawford's first talkie, a curiosity. I had heard it was only a mediocre film by both fans of Crawford and those who really do not care for her. I was surprised that I liked it so much considering these reviews; Untamed is a good quality early talkie and a bright spot in Crawford's early career.

Crawford plays "Bingo," an untamed girl from the jungles of South America whose father dies, leaving her with a large oil inheritance. Some old friends of the family escort her to New York where she is to live in luxury, but they are startled when she abruptly falls in love with Robert Montgomery. They convince her that there are hundred of men like him in New York; she goes there to find that she yearns for him more than ever. She finds that he misses her too and the two plan to get married, until Crawford's uncle meddles again. The end of this film is quite shocking, and there are plenty of moments to entertain throughout.

Unlike her later 1930s films, Crawford is wild and free here, sort of like a Trilby yet to find her Svengali. Her personality is radiant and she acts much more like a savage than a society girl. This pre-code film has her kicking her legs up to throw up her skirt, sleeping in a man's room, seeing him before he is dressed, drinking large quantities of alcohol during Prohibition, and condoning violence, an unladylike characteristic. Montgomery is terribly handsome in this film, a great romantic lead for Crawford. Perhaps this is the reason they starred in several other films together. The two sing several times here; neither has an outstanding voice, but the music helps add some realism and entertainment to the screen.

Overall, this is not only a curiosity, but a great early film. It does not suffer from the slow pacing, static camera, wordy dialogue, and loud silences that other early talkies did. Be sure to give it a proper chance.

From her first scenes looking bronzed as a Tahitian as she sings and dances on the beach at night, to the porcelain aristocratic beauty she presents later in the film, Joan Crawford shines in a role that she seems born to play. The film combines melodrama and comedy to bizarre contrast, and features a number of choice supporting performances (and accents!) Young and handsome Robert Montgomery plays the object of Crawford's affection, and such is the level of her love that when she is told that "the woods are full of men like him", she replies, "take me to the woods." This film also might show her earliest use of a Crawford trademark prop, the revolver.

"Bingo" is exactly the word! This film hits all the right spots and its not all about Joan Crawford, who simply sparkles. I fell totally in love with her character!

It is not by accident that IMDb lists 107 films by Director Jack Conway between 1912 and 1948. This was his 72nd film according to that chronology and his expertise shows. I found it thoroughly engrossing and continuously entertaining. I laughed aloud often -- some really great gags and a fine early sit-com.

I don't know much about the writer Charles E. Scoggins, but co-writer Sivia Thalberg is credited with 15 films and is the sister of Irving Thalberg. That ought to tell you this film deserves close attention. Don't allow yourself to think of it as "cornball" and just engross yourself in it. You won't be disappointed.

But not too bad, with some comedic moments, my favorite unintentional one being when Montgomery knocks back a shot and the liquid dribbles down the shoulder of his tuxedo!! Cut! Wait, just leave it in, who will notice. This is an early talkie, anyhow. Next scene! Joan is lovably fresh in her first talkie as the improbably nick-named Bingo, falling head over heels in love with poor but noble Andy McAllister. When she gets the monkey off her back (literally; she's grown up in the jungle), she moves to the city with her "uncles" (really her father's friends who are charged with her care) and enters society, with a little help from the MGM make-up, hair, and deportment departments. Can Bingo and Andy make a go of it? Will Andy go back to his girlfriend? Will Bingo realize one of her "uncles" likes her in that special way? As others have said, it's a wildly improbable tale but it is fun to watch such an early talkie, when everything was so awkward and painful, like adolescence. Montgomery in the fight scenes was indeed pale and slender; in fact, a muscular double had to be used for him during the strip-search scene in "The Big House." Oh, well. Men were littler then. Some of us like the suave, intellectual type.

Not a bad way to spend 90 minutes. Interesting to note the use of card titles in this movie, and also Joan's rather stilted emoting, both holdovers from the silent days which really were just days behind at that point. Such a curiosity in this day and age...