Aggiungi una trama nella tua linguaPeggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister... Leggi tuttoPeggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister Janet. Mama and Papa are set to rights fairly quickly, but Janet's the one with real prob... Leggi tuttoPeggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister Janet. Mama and Papa are set to rights fairly quickly, but Janet's the one with real problems. It seems she sent some compromising love letters to a worthless cad, and now the bou... Leggi tutto
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Recensioni in evidenza
This early all-talking musical play lives up to the title "Tanned Legs" -- partly. There are several dance numbers, and director Marshall Neilan gives us a good look at the legs of many attractive young women. Legs go way up. On occasion, dresses do, too. It's difficult to tell in black and white, but the gams do not look especially tanned. Direction is otherwise not notable. As the portly father and matronly mother, Albert Gran and Nella Walker are perhaps most memorable. Broadway favorites Allen Kearns and Ann Pennington give it some authentic musical appeal. Best song "With You, With Me" (by Sidney Clare & Oscar Levant) lingers awhile.
**** Tanned Legs (11/10/29) Marshall Neilan ~ June Clyde, Arthur Lake, Sally Blane, Albert Gran
Even if the movie is uninteresting in a conventional sense, it has interest. Each of these early movies and there weren't that many was a firework shot into a sky, defining it.
This one is a rather crude imposition of a show onto several slightly related stories of romantic situations, and some sexual intrigue.
The show has the legs of the title rather overtly displayed in an obvious attempt to add spice to the stiff staging of the romantic episodes. Some of these involve the participants bursting into song, so its a strange amalgam of a musical on the story and one in the story. The stories are trite, as one would expect, but the women in the stories, even the vamps, are amazingly prim, especially when compared to the show girls.
These show girls, by the way, were selected for a different body type than usual for the period and more in line with modern trends: low body fat, muscle tone. As much is made of the Florida locale, that must have applied.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
The plot involves a family that is on vacation. However, Peggy (June Clyde) isn't about to pitch woo with Bill (Arthur Lake) because she's too worried about her family. After all, her daddy is out chasing a younger woman and mom isn't any better. As for her sister, there are some incriminating letters...and Peggy is determined to get them.
The film has a few cute songs, though the singing varies tremendously. A few of the actors (such as Lake) should NOT be singing! Interestingly enough, one of the co-writers of the songs was the very clever raconteur, Oscar Levant. Overall, it's harmless fluff. Folks that love older talking pictures will enjoy it...others might find it a bit tough to finish. The film also has one of the most abrupt and unsatisfying endings...it makes we wonder if the whole ending might actually be missing.
Lo sapevi?
- QuizThe denouement of the story, along with June Clyde's inevitable reconciliation with Arthur Lake, is missing from the TCM print, along with the original end title, which has been replaced by a more modern generic one.
- BlooperIn the scene after the bridge game, when the girls run onto the beach in long shot, the microphone is seen coming down over the two girls speaking. It's a flash of a couple of seconds, but quite visible.
- Citazioni
Bill: What is this mission you're talking about?
Peggy Reynolds: My father and mother.
Bill: Well, what's the matter with them?
Peggy Reynolds: Oh, Bill, they're playing with fire.
Bill: Who doesn't now days? They're just havin' some harmless fun.
Peggy Reynolds: Harmless for us maybe, because we're young enough to know better.
Bill: I wouldn't worry about it. They're mature!
Peggy Reynolds: I know it. But, that's the trouble. They're too old to understand the present day technique.
Bill: I'll say you understand it, all right.
- ConnessioniFeatured in Jazz Heaven (1929)
- Colonne sonoreWith You, With Me
(1929) (uncredited)
Music by Oscar Levant
Lyrics by Sidney Clare
Played during the opening credits
Sung by June Clyde and Arthur Lake
Reprised by Allen Kearns
Reprised again by June Clyde at the benefit
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Dettagli
- Tempo di esecuzione
- 1h 11min(71 min)
- Colore
- Proporzioni
- 1.20 : 1