La stella della fortuna

"Lucky Star" boasts an exceptional performance by Charles Farrell as the handicapped Tim, who falls in love with a pathetic waif, "Baa-Baa", played by the sweet and petite Janet Gaynor. Whereas in "7th Heaven", Janet Gaynor gives the performance of a lifetime, here in this film it is Charlie Farrell who wows you with his believable, dynamic acting as Tim, a good man maimed in World War One, who comes home in a wheelchair and has to cope with being lame. One can easily see Charles was much more than your typical Hollywood "pretty boy", so it is kind of bizarre that the studios quickly forgot his excellent silent film performances, and put him in vehicles like musicals once sound came in, thereby destroying what should have been a continued dramatic career throughout the coming decades.

Frank Borzage was a sentimental director whose work I have always enjoyed. He continued to make some excellent sound films as the years went on, but his silent films are his most memorable, for he had a knack of drawing excellent and subtle pantomime performances from his actors which communicated emotions far more profoundly without words than with them. I would like to see this film restored and placed on DVD so that future generations can see it. Keeping it locked up - and forcing people to watch poor bootlegs - does not do honor to this film, or to Borzage, Farrell, and Gaynor. They deserve the best showcase for this moving film. I do feel the ending - which I won't reveal - is a cop-out, but other than that "Lucky Star" is a film well worth seeing.

I wholeheartedly concur with the first reviewer. This is one of the most perfectly crafted of all silent masterpieces, and a further evidence that sound was unnecessary to produce such poignant and moving images. I was amazed how extremely haunting and luminous this movie was. There is no greater degree of luminosity; each scene is a lush, radiant extension of a romantic painting. The brief war scenes alone surpass those in "7th Heaven" and the ethereal romantic moments between Charles Farrell and Janet Gaynor match theirs in "Street Angel". I love that scene in which Farrel tells Gaynor why he's on the wheelchair. The photography and story may owe a lot to Murnau's epochal "Sunrise" but most of the material is Borzage's own.

Don't miss it.

Another silent movie by Borzage and another winner ,with or without a lucky star!Frank Borzage is the poet of compassion ,of simple happiness, of the bright side of the human soul.Borzage's heroes ("seventh heaven" " street angel" "little man what now?" ) have got to fight against a hostile world .They have to give all they've got: Charles Farrell crawling in the snow would find an exact equivalent in the yet-to-come "the river " when Rosalee warms the lumberjack's naked body with her own body.

Timothy ,confined to a wheelchair ,has everybody against his : the mother who dreams of a rich wedding for her daughter and the buck who seduces all the girls around.Like the other Borzagesque heroes ,he never gives up,ready to sacrifice everything if the girl he loves (Janet Gaynor) finds true happiness.

Lucky Star begins in a small town and focuses on a small tomboy (Janet Gaynor). She spends her time carting various goods around town to make money for her family and brings some milk to a work site for sale. There she causes trouble between two of the men, one named Martin who believes she tried to cheat him out of his money (Guinn Williams) and the other, Tim, who defends her innocence (Charles Farrell). Suddenly, the quaint sentiment is broken by the announcement of WWI and then scatter off to enlist. A few years later, we see the town after the war. Tim has lost the ability to use his legs and is confined to a wheelchair. Martin is a man about town who uses his stint in the war for his own personal gain. The tomboy is a bit older now, but still as mischievous as before. She befriends Tim, who by this time is very lonely, and the two form a strong bond. However, Martin sees how beautiful the girl has become and goes about wooing her mother for her hand in marriage.

A heartfelt movie with a great cast, Lucky Star is one of those movies that should be released on DVD. It is talked about often among cinephiles but is rarely seen. The copy I saw was a terrible print with an ill-fitting soundtrack; if it was good in spite of those things, just think of how wonderful it could be with a clear print and a great soundtrack! Unfortunately, most of Frank Borzage's beautiful cinematography was lost in the haze of the damaged print, but it was no doubt an asset to the film. The outdoor scenes show a picturesque town with almost fantastical homes. It adds to the charm of the love story.

LUCKY STAR (Fox, 1929), directed by Frank Borzage, follows the familiar pattern of sentimental love stories most associated with director and his young romantic team of Janet Gaynor and Charles Farrell. For their third screen venture together, following the success of SEVENTH HEAVEN (1927) and STREET ANGEL (1928), Borzage works wonders with them again in the story based on Tristram Tupper's "Three Episodes in the Life of Timothy Osborn" by which Farrell's character dominates the screen, but whenever together with Gaynor, they're quite equivalent. LUCKY STAR seems to be an odd title for the selected story in question since it's not one that takes place in Hollywood as did Gaynor's much latter success of A STAR IS BORN (1937). Regardless of what it's titled, as Gaynor's character would frequently say, "that's gran."

The scenario takes place in a rural setting on a farm where the widowed "Ma" Tucker (Hedwig Reicher)raises her four yungins, the eldest being Mary (Janet Gaynor). After driving her horse and buggy to town selling drinking items to electrical linemen for a nickel, she attracts the attention of Timothy Osborn (Charles Farrell) working on top of the telephone pole. Trying to cheat Martin Wrenn (Guinn Williams), the foreman, by acquiring an extra nickel from him with the indication she wasn't paid, Timothy comes to the girl's defense which starts a fight between him and Wrenn on top of the pole. The fight is interrupted with the news that war has been declared. Before Timothy enlists with Wrenn, he gives Mary a spanking for hiding the nickel thrown to her by his foreman. After two years in France at the war front, Wrenn returns home from the Army still retaining his sergeant's uniform while Timothy, having met with serious accident, is wheelchair bound, living alone in his cottage fixing broken things to keep busy. Still remembering the spanking, Mary (now 18) throws a stone through Timothy's window, but after meeting again, they soon become the best of friends, with Timothy affectionately giving Mary the pet name of "Baa Baa." When forbidden by her mother to have anything to do with the crippled Timothy, Mary passes Wrenn off as the escort who walked her home from the barn dance. Taking an immediate liking to Wrenn, Mrs. Tucker sees a great opportunity for a better lifestyle for all by arranging for Mary to marry Wrenn, regardless of her true love for Timothy.

With all the elements of an early D.W. Griffith rural melodrama, LUCKY STAR rightfully belongs to Borzage, through fine visuals and the re-inventing of certain aspects that played so well with SEVENTH HEAVEN. The World War is worked into the plot once again, but to a limited degree. However, poor Gaynor plays an abused urchin, substituting the whipping from her older sister to facial slaps from her oppressed mother. The one who gathers more sympathy turns out to be Timothy (Farrell), especially during the film's second portion as a handicapped war veteran rather. As much as Gaynor gathers much attention with her sympathetic charm and fragile round face, this time Borzage gives Farrell the opportunity with crucial scenes where, after hugging Mary, his facial expression, telling more than actual words, who, at that very moment, comes to realize how much he loves her; along with Timothy's struggling attempt to walk again by holding on to his crutches and falling off from them. Another scene worth mentioning, played more for laughs than tears, has Timothy washings Mary's hair with a dozen eggs, resulting to Mary's hair resembling that of Little Orphan Annie's. Scenes involving Farrell and Williams starts off in humorous fashion between two men as friends one moment and fist fighting the next. Their sort of friendship comes to a halt as Wrenn interferes with Timothy's romance. Other members of the cast include Paul Fix (Joe); Gloria Grey (Flora Smith); and Hector V. Sarno ("Pop" Fry).

Released at a time when talkies were dominant over silents, a few lines of spoken dialog were inserted into the story between the two lucky stars during its initial theatrical run. LUCKY STAR, which had been out of circulation since its initial release, was thought to be among the many missing from the silent era. However, the film was finally discovered, with talking sequences no longer available, restored by the Netherlands Film Museum, and unveiled in 1991, notably at the Telluride Film Festival and the Museum of Fine Arts with piano accompaniment by Bob Winter, and other revival movie houses before cable television broadcast on Turner Classic Movies (TCM premiere: October 9, 2012).

Never distributed on home video, a long awaited release onto DVD became a reality in 2008 as part of the Frank Borzage collection for 20th Century Fox Home Entertainment. The print not only contains newly inserted inter-titles, but a new but somewhat unsatisfactory musical score composed and conduced by Christopher Caliendo, making one long for recovery of the lost Movietone soundtrack that accompanied the film back in 1929. The rediscovery of LUCKY STAR, overall, gives film scholars and historians a rare opportunity viewing Gaynor and Farrell at their prime, thanks to the fine direction of Frank Borzage. (***)