Aggiungi una trama nella tua linguaFormer millionaire B.J. Nolan is useless with money, having lost most of his fortune on crazy schemes. His son, Kenneth, has the opposite problem thanks to good sense and a large inheritance... Leggi tuttoFormer millionaire B.J. Nolan is useless with money, having lost most of his fortune on crazy schemes. His son, Kenneth, has the opposite problem thanks to good sense and a large inheritance bequeathed by his mother. In order to raise the cash for a housing project, B.J. enlists ... Leggi tuttoFormer millionaire B.J. Nolan is useless with money, having lost most of his fortune on crazy schemes. His son, Kenneth, has the opposite problem thanks to good sense and a large inheritance bequeathed by his mother. In order to raise the cash for a housing project, B.J. enlists the help of young architect Virginia Travis to con the money out of Kenneth. At the same t... Leggi tutto
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- 2 vittorie totali
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- Policeman
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- Taxi Driver
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- Second Subway Man
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- First Subway Man
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- Elevator Operator
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- Woman
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Recensioni in evidenza
Fast talking Hopkins is an architect (c'mon, that's what it says) full of pep talk when she schemes her way into CHARLES WINNINGER's office to sell him on her wonderful housing designs. (How many times has Winninger played a daffy millionaire in '30s endless parade of screwball comedies???).
He admits the plans look great--but the hitch is he's no longer a millionaire having lost all his money on crazy schemes. But wait. He's got a son (JOEL McCREA), more sensible than him who's got lots of money. All it's going to take is for someone (like Miriam maybe?) to separate him from it so they can go ahead with her plans to make Hopkins and Winninger rich.
That's about it for starters. But it gets even sillier once Winninger takes her to his home (after she's fainted a couple of times because the poor thing hasn't eaten in 49 hours). And once ERIC RHODES, BRODERICK CRAWFORD and ELLA LOGAN enter the scene, it gets sillier and more improbable with each dubious remark.
Hopkins is photographed attractively and puts a lot of spirit into playing a ditsy architect, but it's obvious from the start that this is not going to go down as one of the best screwball comedies of the '30s--not by a long stretch.
Winninger seems to be doing a warm-up for his other millionaire role in HARD TO GET ('38), again involved with an architect (DICK POWELL) and the scatterbrained daughter (OLIVIA DE HAVILLAND) who wants to get revenge on Powell for his mistreatment of her. He spent a lot of time in the '30s and '40s playing daffy millionaires who ruled over nutsy, filthy rich households.
Summing up: Not worth a peek.
Where does it go wrong? I'm not quite as knocked out by Preston Sturges as the rest of the world because I think he's too prone to pointlessly noisy madcap chase scenes, and more often that not his endings suck a lot, but Preston Sturges' screwballs really work (apart from the chases and the endings) and this film doesn't. The difference, then, must be script. Sturges' scripts are superb, glittering things, that you just want to eat with a spoon, and Woman Chases Man is a fairly charming film with a lifeless script.
The production looks engaging, but the story fails to engage. The players don't play drunk well. Notable as Broderick Crawford's first appearance - as gopher "Hunk"; other than running errands, Mr. Crawford gets pinned to the floor by Mr. McCrea.
*** Woman Chases Man (4/28/37) John G. Blystone ~ Miriam Hopkins, Joel McCrea, Charles Winninger, Broderick Crawford
Lo sapevi?
- QuizBroderick Crawford's feature-film debut, son of character actress Helen Broderick.
- BlooperWhen Virginia is sitting down and talking to B.J. about Nolan Heights; her hands are resting on the table. However on the next cut when she asks B.J. about Nolan Heights being safe, her hands are further up above the table. Additionally, in the next cuts, the orientation of her hands keeps changing,
- Citazioni
Virginia Travis: I know what you're thinking. That I'm a girl. Yes, Mr Nolan, but I've a man's courage, a man's vision, a man's attack.
B.J. Nolan: Well, don't attack me.
Virginia Travis: For seven years I've studied like a man, researched like a man. There's nothing feminine about my mind. Seven years ago I gave up a perfectly nice engagement with a charming, wealthy old man because I chose a practical career. I left him at the church to become an architect. Now, I'm ready and he's dead.
- ConnessioniReferenced in Via col vento (1939)
- Colonne sonoreTrees
(1922) (uncredited)
Music by Oscar Rasbach (1922)
Poem by Joyce Kilmer (1914)
Sung a cappella by Joel McCrea
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Dettagli
- Tempo di esecuzione
- 1h 11min(71 min)
- Colore
- Proporzioni
- 1.37 : 1