Sangue gitano

Forget the plot, which is silly, but bask in the glorious 3-strip Technicolor-the first British colour film-which is very fine indeed, natural and delicate and not at all garish. I assume that the use of many different coloured props (dresses, fruits etc.) was deliberate to show off the process, but the result is beautiful; it must have been something of a sensation for the 1937 audiences.

Add to this cameos by the famous (ageing here) jockey Steve Donoghue; songs by the much-loved singer Count John McCormack; cameos by two well-known (in their day) racing commentators; and extremely rare footage in colour of Derby Day, and you have quite a valuable historical record of the times.

A young Henry Fonda (well-31 but only into his 3rd. Year of movies) is almost unrecognisable apart from his distinctive voice and hints of those pale blue eyes that became more piercing as he aged.

The print that UK's Talking Pictures channel showed (August 2022) is almost beyond criticism, maybe a little faded in places, but what a joy to view!

In the late 19th century a Spanish gypsy princess (Annabella) falls in love and marries a nobleman (Leslie Banks) but he dies shortly after in a riding accident. She returns to Spain, but 40 years later descendents of the couple (Henry Fonda and Annabella in a dual role) meet and fall in love with their relationship also revolved around horses and horse racing.

This Irish set romancer is best known for being the first British three strip Technicolor feature film and one of only 9 made by Britain in the 1930s. It was also the film in which Hollywood star Henry Fonda met Frances Ford Seymour, the woman who would become his wife and the mother of Peter and Jane while they were filming on the set at Denham Studios where the film was in part shot. The film also benefits from a cameo by opera singer and tenor John McCormack, a cross dressing heroine and some good looking location work.

The story is pleasant, though artificial and inconsequential. The scene where the heroine was obliged to go swimming and thus reveal her true identity is almost identical to one in the earlier Girls Will Be Boys with Dolly Haas. The print I saw was from the Cohen Collection, looking superb, and what I really enjoyed was seeing Ireland and pre-war London and its people in colour, together with character actors like Mark Daly and D.J. Williams, previously confined to faded monochrome footage. And not least the legendary Irish tenor, John McCormack, whom I've long heard recordings of, but never seen. Annabella and Henry Fonda make an attractive leading couple.

Wings of the Morning is both the title of the film and the name of a gypsy horse who rides in the English Derby at Epsom Downs. It was the first modern technicolor film to be shot in the British Isles. To insure quality cinematographer Ray Rennahan who was THE color guy in Hollywood was brought over and he did a first rate job. I guess for good luck Henry Fonda who appeared in the first outdoor technicolor film in the USA came over to appear in this one. In the tradition of Americans appearing in British productions, Fonda plays a Canadian horse trainer with the Irish name of Kerry Gilfallen replete with his Nebraska twang.

In fact most of this British production is shot in Ireland and I hope that Wings of the Morning is available to folks in Ireland in any format. Their country is really nicely captured in some really lush greens. And there is some nice color footage of London and the Epsom Derby in the middle Thirties.

There are two stories, a brief prologue involving gypsy princess Annabella and the Irish Lord Clontarf played by Leslie Banks. They wed against all convention and soon after, Banks is killed in a riding accident. Of course most of the family snubs the widow and she returns to the gypsies.

Fast forward some forty years and Annabella is now playing her own great granddaughter and she's back in Ireland having fled Spain from the revolution going on there. She flees like Katharine Hepburn did in Sylvia Scarlett, in the guise of a boy and fools everybody including horse trainer Henry Fonda.

Of course the romance develops and a pair of horses get trained and primed for the Epsom Derby. Horse stories are no different in the UK then they are the USA and if you've seen enough of them on the silver screen you have an idea how the rest of the film goes.

Champion jockey Steve Donoghue makes an appearance in Wings of the Morning and lucky indeed we are to have a technicolor filmed appearance of the great John McCormack who favors us with four songs sung at a party scene at Clontarf castle. McCormack was an icon in many an Irish and Irish American household. A great concert singer, he and an Italian tenor named Caruso share equal credit in developing the record industry as they both signed with Edison's fledgling RCA Victor label back in the day. You couldn't find too many Italian households without a Caruso record back in the day nor many Irish households without a gramophone and McCormack records to play on them.

During his sequence McCormack sings and reads material, lyrics I'm sure he must have sang a gazillion times. My guess is that he was 53 when Wings of the Morning was made and may have been sustaining memory problems. McCormack died in 1945 and had not sung for several years at that point.

Wings of the Morning were it not for McCormack and technicolor would be a rather ordinary race track story. Still it's good entertainment and for folks in Ireland, a must.

Although there had been earlier British colour films in other processes, this was the first in technicolour.Obviously Fox spent the money on the cast and colour,as the story is second rate. Lots of lovely country views and John Mccornick singing away.Curiously he keeps on looking at a small book for the lyrics.A very experienced cast many who had been in films since early silent films.