Carnet di ballo

Marie Bell is "Christine". She is recently widowed and going through her possessions when she discovers a dance card from her past. On it are the names of various men she knew - to varying degrees - back when she was a debutante attending a ball. She decides to track these men down and the film follows her as she tries to evaluate whether or not she married the right man, encountering each and considering where her (and their) future may have led had events played out differently. It also becomes apparent that these men, too, have found their lives impacted on by their relationship at the time with her. Some of their stories are tragic, some satisfying, some entertaining: we have a hen-pecked local mayor, a recluse, a priest, an hairdresser - who might not have proved to be her cup of tea, anyway. What "Christine" gradually comes to realise is that regret and wishful thinking are a two way street, and the poignancy of her journey is well encapsulated at the end when she meets a young man, much the same age as she was when her card was being filled. Bell is really effective here, she plays the role with nuance and an endearing charisma especially as she begins to realise the reciprocal effects of the characters' behaviour when they were all around sixteen years old. The dialogue is also quite well written with a degree of humour, frankness and realism that helped ensure director Julien Duvivier could sustain what might otherwise have been rather a long, and episodic, 2½ hours. This is an engaging lifetime retrospective that takes it's time and, I suspect, will leave us all with our own choice of whom she ought to have married (if anyone of them).

One of the great classics of 1930's French cinema and one of cinema's great ;memory' pictures, "Un Carnet de Bal" has, sadly, fallen out of fashion in these more cynical times despite its being a surprisingly hard-nosed and often bleak movie. The plot revolves around recently widowed Christine as she tracks down the men she danced with from an old dance programme of twenty years before, (when she was sweet sixteen). Of course, each of them has changed drastically, almost to the point where they are no longer recognizable; in fact two are already dead and as Christine explores her past some harsh truths emerge.

Marie Bell is a luminous Christine, the great Francoise Rosay is magnificent as the mother of a boy who may have killed himself for love and a whole host of great French actors of the period play the survivors and potential suitors. There are flawless performances from Harry Baur, Pierre Blanchar, Fernandel, Louis Jouvet, Raimu and Pierre Richard-Willm. It also represents the high point in Julien Duvivier's career and was at one time considered among the greatest films ever made. It cries out for rediscovery.

Newly widowed Marie Bell (Christine) is clearing out her house when she chances upon her dance-card from her first ball which she attended when she was 16. She is feeling nostalgic and determines to track down each name on the card to see how they are doing in life. Who knows, maybe a love will rekindle?

The film is a series of set pieces as Marie sets about her mission and each name on the card is given a short section. This made the film tolerable to watch as beforehand I was thinking to myself "Oh my goodness, this film is almost 2 and a half hours long!" Well, it doesn't seem like it and that is a credit to the director and the actors and actresses involved. In fact, the film is constantly entertaining even if it does focus on some downbeat situations. You can definitely relate to these people. My favourite story is the one that concerns the priest as it shows how life can move on from sadness in a positive way. I do have 1 question, though - what is that ending about!!? Is that a blossoming romance!!?

In real life, sentimental reflections just make me sad so I don't see the point but this film is worth a watch even if the topic is somewhat asking for trouble. I googled a friend when I was reminiscing of past times and found out that he had become a Hollywood stuntman and had jumped from a plane but his parachute failed to open. Miraculously, he survived as some tree branches broke his fall. He broke every bone in his body and his memory has been affected. I wish I hadn't looked him up! This film is a bit like that but more fun.

'Carnet du Bal' is a beautifully realised piece by one of the truly great directors and comes from the 'Golden Age' of French cinema. A film of elegance and grace but also of ineffable sadness and regret that deals with failure and the ravages of time. A rich widow comes across a dance card of a ball she attended at the age of sixteen. She decides to seek out the men with whom she danced to see how Life has treated them. None of them alas has realised his dreams or fulfilled his potential which will no doubt strike a chord with most viewers. The film at least ends on an upbeat as she adopts the son of the first man on the card who had committed suicide for love of her.The success of this film resulted in Julien Duvivier being invited to direct'The Great Waltz' in Hollywood. He would return to the multi-story format on more than than one occasion but not as effectively. The cast is pure gold and represents France's finest, the likes of whom are gone forever.

i saw this film for the first time 1946, and was completely spellbound. last time i saw this film beginning of March 2003. the magic was still there. i understood the film much better,enjoed it more. Who can ever forget the haunting melody of the walz or the final episode with Fernandel.