VALUTAZIONE IMDb
7,3/10
11.557
LA TUA VALUTAZIONE
Una giovane donna arriva a Hollywood con sogni di celebrità, ma li raggiunge solo con l'aiuto di un noto attore, ora alcolizzato, il cui periodo di maggior fama è ormai alle sue spalle.Una giovane donna arriva a Hollywood con sogni di celebrità, ma li raggiunge solo con l'aiuto di un noto attore, ora alcolizzato, il cui periodo di maggior fama è ormai alle sue spalle.Una giovane donna arriva a Hollywood con sogni di celebrità, ma li raggiunge solo con l'aiuto di un noto attore, ora alcolizzato, il cui periodo di maggior fama è ormai alle sue spalle.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 7 vittorie e 7 candidature totali
Guinn 'Big Boy' Williams
- Posture Coach
- (as Guinn Williams)
Jean Acker
- Woman at Preview
- (non citato nei titoli originali)
Eric Alden
- Niles' Assistant
- (non citato nei titoli originali)
Irving Bacon
- Station Agent
- (non citato nei titoli originali)
Jane Barnes
- Waitress #1
- (non citato nei titoli originali)
Vince Barnett
- Otto
- (non citato nei titoli originali)
Clara Blandick
- Aunt Mattie
- (non citato nei titoli originali)
Recensioni in evidenza
A young country girl named Ester Blodgett (Janet Gaynor) arrives in Hollywood filled with dreams of becoming a famous movie starlet. However, she gets nowhere until she's noticed by famous movie star Norman Maine (Fredric March), a performer on his way down in terms of popular appeal. The two fall in love but just as Ester's star, under the stage name Vicki Lester begins to rise, Maine's begins to fade.
The best thing about this film is the performance given by Fredric March as actor Norman Maine. He nails the inner emotional turmoil going on inside his character and makes him always sympathetic to the viewer even as Maine falls in and out of sobriety. It's Maine's character that proves most interesting to the viewer here as March completely steals the film away from star Janet Gaynor.
Gaynor doesn't prove quite as appealing or convincing in her lead role as Ester Blodgett/Vicki Lester and honestly it's hard to see why the public should favor her so. Maybe this was to symbolize the fickleness of the public in that they should prefer a pretty new face over a talented older one. Who knows? Nevertheless Gaynor just doesn't ever prove as appealing here in her role as she should.
The best thing about this film is the performance given by Fredric March as actor Norman Maine. He nails the inner emotional turmoil going on inside his character and makes him always sympathetic to the viewer even as Maine falls in and out of sobriety. It's Maine's character that proves most interesting to the viewer here as March completely steals the film away from star Janet Gaynor.
Gaynor doesn't prove quite as appealing or convincing in her lead role as Ester Blodgett/Vicki Lester and honestly it's hard to see why the public should favor her so. Maybe this was to symbolize the fickleness of the public in that they should prefer a pretty new face over a talented older one. Who knows? Nevertheless Gaynor just doesn't ever prove as appealing here in her role as she should.
Janet Gaynor plays Esther Blodgett beautifully, a girl who leaves for Hollywood with dreams of film magazines and the blessing of her granny. Once there she finds it tough-going until meeting Norman Maine (Fredric March) at a party. We've already seen Norman drunk at a theatre but here he charms Esther and actually gets her into the movies before marrying her and watching his own career crumble. March is excellent in this, and the look of the film is surprisingly modern with its lovely technicolor and gadgets (I particularly like the shower in the motor home Esther and Norman take on honeymoon). Esther's move to become star Vicki Lester, Oscar-winning actress, is unbelievable but as her real-life tragedy unfolds, compelling. And who can stay dry-eyed at the end? Remade with music and Judy Garland in 1954 (very well) but this first version is a jewel amongst other 30s classics.
this is the first version of this movie made,and the only version i have seen so far.i liked it.i thought it was touching and ironic,and also tragic.it basically tells what the movie business can do to you,and the sacrifices that are made.it also shows how disposable the industry and the people in it are.as long as you are the flavour of the week,everything seems fine.but when you're no longer useful,reality hits and things can come crashing down.that's what basically happens in this story.it's an indictment(ironically)of the movie industry,however subtle.regardless,i thought it was well done.the acting by the tow leads,Janet Gaynor,and Frederic March,as well as the supporting performances,are terrific.i also thought the writing was very good,and the movie flows very well.for me,A Star is Born gets an 8/10
I had not watched this movie until today, passing up each opportunity over the years to view it, as I feared it would not live up to the 1954 blockbuster starring Judy Garland and James Mason.
I was right, it does not; it far surpasses the 1954 remake. Judy Garland is my favorite all-round entertainer, favorite singer, and the songs in the 1954 movie are classic treasures, and James Mason never disappoints in any film. However, in the 1937 version the story is told more sensitively, with more shading. Janet Gaynor is perfect as the home-grown farm girl seeking to make her mark in Hollywood, and Fredric March is very convincing as the has-been who cannot cope with his declining value in Hollywood, especially since he caused much of it himself.
I had thought that I might miss the music in this earlier version, but I found after having watched it that I didn't miss it at all. The movie was engrossing from beginning to end and stood on its own merits. I was moved by this film in a way that I never had been by the later remake.
SEE this film if you love a good story; don't put it off for years the way I did. Simply, simply wonderful...
I was right, it does not; it far surpasses the 1954 remake. Judy Garland is my favorite all-round entertainer, favorite singer, and the songs in the 1954 movie are classic treasures, and James Mason never disappoints in any film. However, in the 1937 version the story is told more sensitively, with more shading. Janet Gaynor is perfect as the home-grown farm girl seeking to make her mark in Hollywood, and Fredric March is very convincing as the has-been who cannot cope with his declining value in Hollywood, especially since he caused much of it himself.
I had thought that I might miss the music in this earlier version, but I found after having watched it that I didn't miss it at all. The movie was engrossing from beginning to end and stood on its own merits. I was moved by this film in a way that I never had been by the later remake.
SEE this film if you love a good story; don't put it off for years the way I did. Simply, simply wonderful...
This early version of "A Star is Born" is well-performed by a good cast, and an interesting story. The basic idea is fairly simple, but filled with potential, and it is done skillfully.
Janet Gaynor and Frederic March work very well as a Hollywood couple whose careers are headed in different directions, with March's performance being especially good. The rest of the cast rounds out the picture nicely with good performances of their own. While the inside look at Hollywood is interesting in its own right, the heart of the story is the way that the couple's marriage and relationships are affected by her career taking off at the same time that his is crashing. It's the kind of story that only works with believable characters, careful writing, and convincing acting, and all of those are present here.
While overshadowed by the lavish 50's remake, this earlier version is still quite worthwhile in its own right.
Janet Gaynor and Frederic March work very well as a Hollywood couple whose careers are headed in different directions, with March's performance being especially good. The rest of the cast rounds out the picture nicely with good performances of their own. While the inside look at Hollywood is interesting in its own right, the heart of the story is the way that the couple's marriage and relationships are affected by her career taking off at the same time that his is crashing. It's the kind of story that only works with believable characters, careful writing, and convincing acting, and all of those are present here.
While overshadowed by the lavish 50's remake, this earlier version is still quite worthwhile in its own right.
Lo sapevi?
- QuizThe first all-color film nominated for an Academy Award for Best Picture.
- BlooperThe Night Court Judge refers to the "commonwealth" of California, but California isn't one of the states with commonwealth status. The judge should have referred to the "state" instead.
- Citazioni
Grandmother Lettie: If you've got one drop of my blood in your veins, you won't let Mattie or any of her kind break your heart, you'll go right out there and break it yourself.
- Versioni alternativeAlso available in black and white
- ConnessioniEdited into What's Cookin' Doc? (1944)
- Colonne sonoreCalifornia, Here I Come
(1924) (uncredited)
Music by Joseph Meyer
(variations in the score as Esther arrives in Hollywood)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Nace una estrella
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.173.639 USD (previsto)
- Tempo di esecuzione1 ora 51 minuti
- Proporzioni
- 1.37 : 1
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By what name was È nata una stella (1937) officially released in India in Hindi?
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