Ed ora... sposiamoci!

Atterbury Dodd is opposed to his New York banker bosses selling off Colossal Studios for only half of what he thinks its worth. Being the first person ever to stand up to the big boss he's sent off to see whats going on with the seemingly failing studio. Once there he finds that the buyer is manipulating the latest Colossal movie into being a turkey so he can buy the studio cheap and turn a profit when he closes it down. Dodd also runs into Miss Plum who will soon becomes Dodd's guide through the madness of film making.

Much of the film is concerned with Dodd dealing with the insanity of film studios while not realizing that he's falling in love with Miss Plum. The last third of the film concerns efforts to turn save the studio and the film.

This is really a Leslie Howard movie. Howard and Joan Blondell, as Miss Plum are a wonderful screen couple and one wishes there was even more time of them together. Although Humphrey Bogart is listed third he's in maybe 20 minutes of this often funny film. He is wonderful in a the role of the previous studio head and producer of the turkey in the making.

The film is filled with funny lines and fleeting appearances, Charles Middleton is a scream; as is a stuntman who refuses to do his stunt for money. This is a funny funny movie especially if you love old movies.

The problem is that the film is at times unfocused. Is it a comedy? A Romance? The sequences with the villain seem to be from another movie. I question why some of the characters are allowed to be so annoying, Potts, the publicity man in particular, is the screen version of fingernails on a blackboard. I'm sure there were people like that in Hollywood, but I never want to meet them.

I also have a problem with the ending which ends too soon for my tastes.

Still this is 90 minutes of great fun, especially if you love old films.

Worth seeking out, possibly even buying.

7 out of 10 with spikes of truly wonderful moments (Going under the table for one)

This film is enjoyable to watch mostly because of the performances of Tully Marshall and Leslie Howard. While Marshall is in a smaller role, it's hilarious seeing him playing the old and nasty guy who is the head of a mega-corporation--and the way his son and grandson react to him. Marshall has never been funnier--and the same can also be said for Howard. Howard is in his element playing a very stuffy but funny guy--one of his best.

The film begins at a meeting of the board. Marshall learns that his corporation owns a failing movie studio and he's not sure whether they should sell it or keep it--so he dispatches Howard to investigate and makes him the temporary head of the studio. Soon, however, it becomes obvious that Howard is ill-prepared for this job. Although he's great with economics and figures, he doesn't know people. Many of his employees run all over him and he barely notices that one of them (Joan Blondell) is infatuated with him. Can he somehow work all this out or will the studio be sold to the highest bidder?

The film has some nice supporting actors. In addition to Marshall and Blondell, you've also got Humphrey Bogart in a VERY unconventional role as the head of programming. All in all, the stars did a nice job. And, it didn't hurt that the script was quite witty and fun. All in all, a nice little parody of the studios--with many of their foibles roasted here in this cute film. Worth seeing.

From the moment you see an epic movie about gorillas, or performing seals in a boarding house, or horrendously untalented little kids with showbiz mommas, you know you have a marvellous Follywood spoof.

This little-mentioned or cited comedy pits snappy Joan Blondell against – of all people – versatile Leslie Howard, in a studio-set tale of corruption, change, and romance. You'll also find Humphrey Bogart in one of his climbing-up-the ladder roles as a crusty, hard-drinking backroom man.

Blondell plays the ‘stand-in' of the title, that is, the girl who burns under the lights while the leading lady gets pampered and the shot gets set up. Howard is an accountant, transported into a world he doesn't initially appreciated, to discover the reason for the studio's cash-flow problems.

Do you know how it ends yet? This was the film that persuaded me of Howard's incredible gift for getting laughs as well as his dramatic skills, and I've been a fan ever since. Blondell and Bogart are also terrific, and this is a minor, but hugely enjoyable, 30s gem.

Fast and snappy spoof of the studio system from the bottom looking up, as stand-in Joan Blondell guides a newcomer to "who's through in Hollywood". Bogart has a good supporting role as a boozing producer who has to salvage an unwatchable gorilla epic. Not a classic, but very enjoyable for its energy.

This is a satire on big business types who let a perfectly viable business (in this case, a film studio) fail for their own profit, leaving all the "little people" in the lurch. The words "capital" and "labor" even get bandied around! A few years ago modern viewers might have found this boring, but with today's economy, people may find that they can relate to it better than they expected! Besides that, it's an interesting "behind the camera" look at Hollywood, 1930s style.

Leslie Howard is great as the sheltered accountant who comes to Hollywood to see what's up with his bank's film studio, Joan Blondell is also great in her usual breezy, funny style as the former child star now working as a stand-in for a famous actress. There's also a youngish Humphrey Bogart as a film producer. I really wonder if Howard and Blondell did those ju-jitsu throws themselves, and if those outdoor scenes really were shot in downtown Los Angeles! Quite funny and definitely recommended!