Un istruttore dell'esercito diventa capitano del cortile della prigione e, col tempo, si innamora della sorella di un detenuto incallito.Un istruttore dell'esercito diventa capitano del cortile della prigione e, col tempo, si innamora della sorella di un detenuto incallito.Un istruttore dell'esercito diventa capitano del cortile della prigione e, col tempo, si innamora della sorella di un detenuto incallito.
- Regia
- Sceneggiatura
- Star
- 'Sailor Boy' Hansen
- (as Joseph Sawyer)
- Mickey Callahan
- (as James Robbins)
- Warden Taylor
- (as Joseph King)
- Cop on Phone
- (scene tagliate)
Recensioni in evidenza
The story was about a new guy in charge of the San Quentin prison yard who was going to be humane and make things work. Pat O'Brien plays that guy, "Capt. Steve Jameson." The previous man in charge is a nasty, corrupt bird named "Lt. Druggin," who Barton MacLane plays effectively well.
In the meantime we have the featured crook, "Red Kennedy," played by Humphrey Bogart, who almost always played villains in his 1930 films, and we have his sister "May" played by Ann Sheridan. O'Brien has the hots for her and promises to be fair to her brother. "Red," however, is too paranoid and stupid to appreciate what's done for him and that's when we get to the interesting finale to the film.
Overall, not bad but not worth watching a second time. At 70 minutes, at least it didn't overstay its welcome.
Humphrey Bogart portrays Joe "Red" Kennedy a small time crook that gets arrested & lands in the Big House & comes face to face with Captain Jameson who thinks Kennedy can be rehabilitated. Bogart is in his element as the tough convict Red Kennedy but also has some depth & dimension predating Roy Earle in High Sierra. Not just another one dimensional type gangster Bogart so often played in the 30's.
San Quentin doesn't bring anything new to the genre in 1937, the early 30's already introduced audiences to prison life in The Big House, 20,000 Years in Sing Sing & I Am A Fugitive From A Chain Gang. San Quentin is a very watchable prison movie with a winning formula that works if you like the genre. I love prison movies & if it was good enough for Spencer Tracy, Paul Muni, George Raft & James Cagney then it was good enough for Humphrey Bogart.
All these actors were part of the Rogues Gallery of Thugs that excelled in gangster films & did time in the Big House. This is a very fast paced story that packs a lot of elements in just 70 minutes. We see a singing Ann Sheridan, a prison strike, a rifle carrying bible thumping nut ball & of course the inevitable prison escape climaxed by an exciting high speed chase that involves cars, motorcycles, a freight train, spectacular crashes & dare devil stunts.
I have this & several other early Bogart & Spencer Tracy movies on VHS & I'm quite pleased to find San Quentin out on commercial DVD, of course I had to buy it & there's even a commentary for this. Which tells me that San Quentin is a fairly significant movie worthy of some attention & praise. Bogart gets 2nd billing to Pat O'Brien, Bogie was previously in Marked Woman 2nd billed to Bette Davis as a crusader of justice. But in 1936 Bogart had the lead role as a factory auto worker in Black Legion, released in 1937. 1937 was a good year for Bogart. His next film was Dead End.
When Bogart is maliciously informed, through the efforts of the bad Barton MacLane, that O'Brien has less than honorable intentions toward his sister, Ann Sheridan, he breaks out and shoots O'Brien, though not seriously
When he finds that he has made a mistake, he decides to give himself up, but
"San Quentin," though far from one of Bogart's best roles, is almost always included in his film retrospectives as a favorite choice of his fans
A couple of new prisoners are arriving as well. Joe Sawyer as a hardened criminal and Humphrey Bogart who O'Brien believes is salvageable. O'Brien also meets up with Bogey's sister, Ann Sheridan and they get to kanoodling.
Each for their own motives, Sawyer and MacLane play Iago to Bogey's inner Othello and Bogey and Sawyer crash out of San Quentin.
Back in the day Warner Brothers was the great working class studio, with many a film of social significance. San Quentin is one of these, but it's hardly the best one. I'm at a loss to see why O'Brien thinks Bogart is so salvageable other than his involvement with his sister.
Joe Sawyer has one of his best film parts in San Quentin. He's a hardened criminal and that's all there is to it. He played a similar role vis a vis Bogart in Black Legion which is a much better film.
Also Garry Owen has a nice turn as a stir crazy convict who O'Brien has to face down and disarm.
Dedicated fans of Humphrey Bogart will like this film, others can take it or leave it.
Lo sapevi?
- QuizWhen Druggin was looking at the index cards of the prisoners, a close-up shot on Hansen's card shows an entry for Bertillion (sic) Measurements. The Bertillon System was created in the late 1800s by Alphonse Bertillon, a French police officer and biometrics researcher, who applied the anthropological technique of anthropometry to create a human identification system based on physical measurements. Anthropometry was the first scientific system used by law enforcement to identify criminals. Before that time, criminals could only be identified by name or photograph. The Bertillon System consisted of five measurements: head length, head breadth, length of middle finger, length of the left foot, and length of the cubit. Along with these measurements, Bertillon set a standard for facial photography, now known as the mugshot, to complete this system. Although the system was based on scientific measurements, it was known to have its problems. For example, it did not work accurately with women or children because it was based on the data of men who had reached full physical maturity and had short hair. The Bertillon System was eventually replaced by fingerprinting.
- BlooperBefore going onto the yard, Bogart's hair is dark. When on the yard, suddenly he becomes a blonde.
- Citazioni
Captain Stephen Jameson: Hi, Beautiful.
May Kennedy aka May De Villiers: Hello, Sergeant, where's the war?
May Kennedy aka May De Villiers: Haven't you read the papers? We're fighting the Indians 'cause they won't take the country back.
May Kennedy aka May De Villiers: Really, Sergeant?
Captain Stephen Jameson: And don't call me Sergeant!
May Kennedy aka May De Villiers: Well, I won't if you promised to tell me what you are.
Captain Stephen Jameson: D'ya know what two bars mean?
May Kennedy aka May De Villiers: Sure, twice as many drunks as one bar.
- ConnessioniEdited into La fuga (1947)
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Dettagli
Botteghino
- Budget
- 365.000 USD (previsto)
- Tempo di esecuzione
- 1h 10min(70 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1