The Mandarin Mystery

The literary work on which this film was based--THE Chinese ORANGE MYSTERY--is a locked-room murder mystery that is light on characterization but heavy on the puzzle aspect of the murder, where no one knows who the victim is, the victim's clothes have all been turned inside out, and everything in the murder room has been turned backward. To do a faithful film adaptation of the book would probably be difficult, especially for a 55-minute b-movie which needs to be fast-moving and witty. In the Ellery Queen film made the year before, THE Spanish CAPE MYSTERY, which was an OK film, the filmmakers basically streamlined the plot, but were unable to give much depth or interest to any of the characters (other than Ellery and Inspector Queen). THE MANDARIN MYSTERY takes elements of the book THE Chinese ORANGE MYSTERY--a rare stamp, a murder in a locked room, some of the character names--and basically creates a new story around them. I had just re-read the novel before seeing this film, but they have little in common. If you can forget the book and just treat the film as an entity of its own, it's not that bad. Eddie Quillan is a charming screen presence, and he tries to restrain his comic mugging somewhat, but the script does not allow him to show much analytical prowess, and he spends far more effort romantically chasing the girl who is the main suspect than he does working on the crime. Wade Boteler plays Inspector Queen well--professional, but with a warm heart--and he and Ellery do show glimpses of the rapport they have in the books (and in the Jim Hutton/David Wayne TV series). On the whole, though, this film is an average 30s murder mystery, played with a light touch by a charming comic actor, but it has little to do with either the novel on which it was supposedly based or with the Ellery Queen series in general.

Using the Ellery Queen characters, this little yarn spins a tale of a stolen stamp of great value. A murder is committed and the victim doesn't seem to fit the situation. It has that thirties silliness where all the police are a bunch of snarly knuckleheads. They couldn't find their way out of a shoebox. Anyway the young Queen, who is irreverent and extremely amorous, condescends to enter the case because he has designs on the leading lady, a feisty thing who doesn't seem to be affected by much of anything, including a corpse. There is a little crime solving of the CSI variety built in. There's lots of comedy, including a fainting hotel manager (who actually detracts from the affairs at hand. Still the plot is entertaining and fast moving and isn't as stilted and sappy than many of its genre. Queen is a bit too much for my tastes, but, then, this was another time and another place. It shows why the Thin Man series worked so well. It was the charm of their characters and they way they played off one another. Give this one a look if you can.

If one can simply forget the literary Ellery Queen, this is an OK murder mystery (locked room murder, etc. etc. ). the problem, for Ellery Queen fans is that the whole thing, on that basis, is WAY off the mark. Queen is an analytical detective, and his father and the Police are not dolts. The books are written with more twists and turns and excellence that most others on the mystery shelf (with the possible exceptions of S.S. Van Dyne (Philo Vance) and, of course, Agatha Christie.)Dropping the comparison, one must note the ridiculousness of some of the plot e.g. the whole world knows the value of the stamp - it even appears on the Times Square news bulletin - yet the girl carries the stamp in an envelope in her open pocketbook. Despite all of this, Quillan is a fun actor, definitely not Ellery but giving the film the spunk it desperately needs. Charlotte Henry does not have a 'clue' and thus cannot handle the idiocy of what her character says and does. Still, on a chilly night, with the rain on the window, and curled up on a comfortable chair, this passes the time quickly.

This adaptation of an Ellery Queen mystery concerns the theft of a rare Chinese stamp (the Mandarin of the title), which takes place in a hotel with several shifty characters and an hysterical manager (the priceless Franklin Pangborn). The mystery, such as it is, concerns both the stamp theft and two murders, and shows Ellery and his father the Inspector as a team rubbing together just enough to solve the case.

As Ellery Queen, Eddie Quillan is all wrong - he was more at home in light comedy and musicals, and this is the way he plays the character. As the heroine/chief suspect, Charlotte Henry (only remembered nowadays as 'Alice in Wonderland') isn't too bad, while others who have some impact in the cast include Rita Le Roy and Kay Hughes as sisters, and Wade Boteler as Queen senior.

Eddie Quillan was an odd choice to play the lead in this detective film because he was essentially a small smart-allecky little pip-squeak--not the brilliant or studly hero you'd expect to see in this type of film. Because of this, the film certainly IS unusual. The problem is that even with this novel portrayal, the film isn't all that interesting or well-done. At best it's a mediocre time-passer and not the equal of other series detective B-films from the period. For my time, I would much rather watch a Charlie Chan, Saint or Sherlock Holmes film--they seemed to have better production values and writing as well as a leading man that was more likable. Sorry,...I just didn't particularly care for this film.

Oh, and by the way, there is no such thing as the Chinese Mandarin stamp that is worth a fortune--this was made up for the film.