L'ultimo gangster

Anyone who's a die-hard Edward G. Robinson fan will probably already have seen The Last Gangster, a drama that tugs on your heart. Eddie G plays the titular character, a mob boss kingpin who gets sent to jail for scrimping on his income tax. His frustration is understandable, since he's gotten away with everything else and gets tripped up by a minor detail. Plus, his lovely wife, Rose Stradner, has just given birth to a little boy. Rose, an immigrant without a good command on the English language, is lost without her husband. She also doesn't have an income anymore and has to struggle as a new and single mother.

James Stewart plays a young newspaper reporter. He learns of Rose's plight and writes some articles sympathizing with her situation. As he gets to know her, he can't help himself from trying to help her and the little baby. As time passes, they start to fall in love. Obviously, the good guy vs. Bad guy element is pretty strong in this film. Eddie G is a gangster who abandoned his family, and Jimmy is an upstanding reporter who believes in doing the right thing. But you just can't help loving Eddie G and feeling terribly sorry for him - or at least I can't. When he pouts and starts to cry, it just tears me up!

Last Gangster, The (1937)

*** (out of 4)

Strange but highly entertaining gangster film from MGM has Edward G. Robinson marrying a woman who doesn't know about his deadly pass. Robinson eventually has a son with her but before he meets the child he gets sent to prison for ten years. The mother then finds out about his past and decides to kidnap the kid so that he doesn't turn out like his father. She eventually marries another guy (James Stewart) but soon Robinson is out of jail and looking for revenge. This is certainly a lot tamer than the Warner gang pictures of the time but that's a good thing because there's a lot of heart and emotion in place of the violence. Robinson is very good and incredibly touching in the end and Stewart shines in his role. John Carradine has a very good part as a man picking on Robinson inside prison. The ending is predictable but the film still works very well.

Criminal kingpin Joe Krozac (Edward G. Robinson) returns from Europe with a new bride. Before long she's pregnant. But no sooner does she find out than Joe is arrested for income tax evasion. Before their son is born, Joe goes to prison. While he's in stir, his wife falls in love with a reporter (Jimmy Stewart) and divorces Joe. When Joe gets out, he plans to get his son back. But his old gang have plans of their own for Joe.

Robinson is the main attraction and shines in a role he could do in his sleep. But he's got able support from the likes of Lionel Stander, John Carradine, Edward Brophy, and Sidney Blackmer. Jimmy Stewart is fine but nothing special in an early role. This is a gangster flick with MGM polish. It was great entertainment any time Eddie G. was in a movie like this. Give it a shot and I'm sure you'll love it.

Edward G. Robinson stars in "The Last Gangster," with a cast that includes Lionel Stander, Rosa Stradler, James Stewart, John Carradine, and Sidney Blackmer.

As older men, Stander and Blackmer would be known for the TV show Hart to Hart (no mistaking that voice) and Rosemary's Baby, respectively.

Robinson is Joe Krozac, a powerful, ruthless mob boss who does not tolerate anyone moving in on his territory.

Joe takes a trip to Europe and returns with a bride, Talya (Rosa Stradner). Talya doesn't speak much English so she really doesn't know how Joe makes his living.

When she becomes pregnant, Joe is crazy with joy, absolutely obsessed with the idea of having a son, whom he dreams of taking over his crime business.

Joe, alas, taking a page out of Al Capone's book, lands in jail for ten years for tax evasion. He is determined to be a model prisoner so he can get out on time. When Talya brings the baby to see him, he only cares about the baby and not her.

When her son is called baby mobster in the newspaper, with a photo, Talya becomes disillusioned and stops bringing the baby. She also divorces Joe. Meanwhile, Joe left a lot of money somewhere and his old friends want it as soon as he's released.

This film went the typical gangster route until the end, and it's really very sweet. Robinson was such a wonderful actor - he could play a wimp or a bully, do drama and comedy - he was a real treasure.

James Stewart had an early role in this film. I thought he looked on the young side for Rosa Stradner, even though he was five years older. Toward the end of the film, I guess to show the passage of time, he has a mustache someone stuck on him, and it looks dreadful.

Rosa Stradner did a good job as an insecure woman from another country who marries the wrong man. She was married to Joseph Mankiewicz, during which time, she didn't work in the early years while he was out having affairs with Judy Garland and Linda Darnell.

But they stayed married, and she did a film, The Keys of the Kingdom, in which she was marvelous. At the age of 45, an alcoholic by now, she committed suicide. Very sad.

Supposedly the line from the Mankiewicz screenplay of All About Eve - "Fasten your seatbelts. It's going to be a bumpy night" was inspired by Rosa.

You won't have to fasten your seatbelts for this, but thanks to Robinson, it's good.

Made at MGM but starring a Warner Brothers icon, and this strange gangster pic has ample ingredients reeking of both studios. Edward G. Robinson, clanking on all cylinders, is a Capone-like capo who gets rich during Prohibition, is sent up the river for a decade, and becomes obsessed with the little boy his wife (Rose Stradner, unknown to me and quite interesting) bore. She's an immigrant and utterly, somewhat implausibly unaware of her husband's dirty business, but she gets educated by a newspaperman (James Stewart, not very compelling here, except for an uncharacteristic Cesar Romero mustache) who falls in love with and eventually marries her. The Warners influence is evident not just in Robinson's snarling and grimacing but in the stepped-up violence, quicker-than-usual editing, and hilariously overblown musical score, by Edward Ward. But the ideal home life of Stewart, Stradner, and their adorable little boy, complete with suburban trimmings and Louise Beavers doing maid things, are utterly MGM. There's some excitement, and a good supporting cast, notably Lionel Stander as Robinson's henchman, but it's all kind of predictable. And when you want it to settle down, another Edward Ward blast assaults the senses. But what's really interesting, and still timely, is how Robinson's character, Joe Krozac, is self-centered, not as smart as he thinks he is, used to getting his own way, outraged when he doesn't... he's Donald Trump!