VALUTAZIONE IMDb
6,8/10
878
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn his first film, young Dr. Kildare helps a female ex-con find her child.In his first film, young Dr. Kildare helps a female ex-con find her child.In his first film, young Dr. Kildare helps a female ex-con find her child.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Steve Pendleton
- Interne Jones
- (as Gaylord Pendleton)
James Adamson
- Porter
- (non citato nei titoli originali)
Agostino Borgato
- Popcorn Vendor
- (non citato nei titoli originali)
Helen Brown
- Nurse
- (non citato nei titoli originali)
Recensioni in evidenza
The first Dr. Kildare film, from Paramount. It has no connection to the later MGM series, of which I'm a big fan. Despite not having many of the elements I enjoy in those movies, this one is still entertaining. Joel McCrea and Barbra Stanwyck have nice chemistry. Lloyd Nolan and Stanley Ridges are great as gangsters, one rotten and one not so much. The best parts of the film are the hospital scenes that give us lots of "window into the past" bits that show us how life was at the time. Particularly how the medical profession was different. The visual style is more enhanced in these scenes, too. The hospital set is also pretty cool. Probably the one thing this film has over the MGM series. Worth a look whether you are a fan of Kildare or not.
The first appearance of young James Kildare, MD was in this Paramount feature that starred Joel McCrea as the young Intern at Blair General Hospital. Come to think of it, I don't recall if the name of the hospital is given in the film.
Nor will you find any of the other regulars from the Kildare/Gillespie series from MGM. When Paramount saw no possibilities in a series of films, they didn't do film series with the exception of Hopalong Cassidy, MGM picked it up.
Lew Ayres who was Kildare over at MGM was a bright idealistic getting his minting over at Blair General Hospital under the tutelage of gruff but kindly Lionel Barrymore. McCrea is a more stern type of Kildare, the most straight arrow of straight arrows. In fact Joel McCrea was quoted as saying he never felt comfortable being anything other than the straight arrow hero. But he was good in those parts.
His patients include Barbara Stanwyck, a woman from the wrong side of the tracks who will do anything to get back the child she lost custody of and Lloyd Nolan who he patches up after a brawl in the bar they both frequent. Both of their stories intertwine and you see the film to learn how.
In what was essentially a B programmer Paramount gave a lot of good production values to this film. I guess it was befitting the stars McCrea and Stanwyck who were definitely on their way up.
I do sort of miss the Blair General Hospital regulars, but McCrea does right by the character of James Kildare, MD.
Nor will you find any of the other regulars from the Kildare/Gillespie series from MGM. When Paramount saw no possibilities in a series of films, they didn't do film series with the exception of Hopalong Cassidy, MGM picked it up.
Lew Ayres who was Kildare over at MGM was a bright idealistic getting his minting over at Blair General Hospital under the tutelage of gruff but kindly Lionel Barrymore. McCrea is a more stern type of Kildare, the most straight arrow of straight arrows. In fact Joel McCrea was quoted as saying he never felt comfortable being anything other than the straight arrow hero. But he was good in those parts.
His patients include Barbara Stanwyck, a woman from the wrong side of the tracks who will do anything to get back the child she lost custody of and Lloyd Nolan who he patches up after a brawl in the bar they both frequent. Both of their stories intertwine and you see the film to learn how.
In what was essentially a B programmer Paramount gave a lot of good production values to this film. I guess it was befitting the stars McCrea and Stanwyck who were definitely on their way up.
I do sort of miss the Blair General Hospital regulars, but McCrea does right by the character of James Kildare, MD.
A wildly improbable drama, the misspelled "Internes Can't Take Money" was the first in the "Dr.Kildare" movie series, which was subsequently recast with Lew Ayres in the title role and continued at the MGM studio, following this initial Paramount effort. Concocted by writer Max Brand, the story involves an honest young intern at a large hospital, who crosses paths with a widowed ex-con seeking to locate her three-year-old daughter, who was abducted by her deceased bank-robber husband. The recipe is an old one; toss in a couple of shady characters and a gangster with a heart of gold, who is embroiled in illegal betting, add a tolerant landlady and a kindly bartender, sprinkle with nuns, mix with unexpected twists, and bake until overdone.
Despite an uninspired title and a routine script, director Alfred Santell maintains a steady pace that will distract viewers from the at-times laughable plot turns that lead to a teary fade-out, provoked either by laughter or sentiment. Beyond the script, the film's technical aspects are quite good, especially the black and white cinematography by Theodor Sparkuhl, who often dramatically captures Stanwyck garbed in deep black, contrasting with McCrea, dressed in his intern's whites.
Barbara Stanwyck plays the widow, Janet Haley, and the actress, at her sudsy distraught-mother best, is convincing in an unconvincing role. Joel McCrea is the original Dr. Kildare, a straight-arrow intern, poorly paid and burdened by work and rules, who seeks solace at a nearby bar, where his life takes a sudden turn. Stanwyck and McCrea, in their third co-starring film, work well together, and Stanwyck seems genuinely taken with McCrea during their first scene together. Attesting to what makes a film star a star, Stanwyck and McCrea add dimension and interest to otherwise cardboard characters in credibility-stretching situations. In addition to the two stars, the capable cast also includes Lloyd Nolan, Stanley Ridges, and Charles Lane. However, if not for the professionalism and charisma of the leads and supporting players, "Internes Can't Take Money" would be 80 minutes of laughable coincidences and plot turns, memorable only as the first in the Dr. Kildare movie series.
Despite an uninspired title and a routine script, director Alfred Santell maintains a steady pace that will distract viewers from the at-times laughable plot turns that lead to a teary fade-out, provoked either by laughter or sentiment. Beyond the script, the film's technical aspects are quite good, especially the black and white cinematography by Theodor Sparkuhl, who often dramatically captures Stanwyck garbed in deep black, contrasting with McCrea, dressed in his intern's whites.
Barbara Stanwyck plays the widow, Janet Haley, and the actress, at her sudsy distraught-mother best, is convincing in an unconvincing role. Joel McCrea is the original Dr. Kildare, a straight-arrow intern, poorly paid and burdened by work and rules, who seeks solace at a nearby bar, where his life takes a sudden turn. Stanwyck and McCrea, in their third co-starring film, work well together, and Stanwyck seems genuinely taken with McCrea during their first scene together. Attesting to what makes a film star a star, Stanwyck and McCrea add dimension and interest to otherwise cardboard characters in credibility-stretching situations. In addition to the two stars, the capable cast also includes Lloyd Nolan, Stanley Ridges, and Charles Lane. However, if not for the professionalism and charisma of the leads and supporting players, "Internes Can't Take Money" would be 80 minutes of laughable coincidences and plot turns, memorable only as the first in the Dr. Kildare movie series.
Probably not, but it has a certain cachet to it that is reminiscent of the genre that was yet to come. Good folk and gangsters, an unsuspecting someone caught in a web of dishonesty and murder, and all with the shadows and photographic effects normally associated with film noir. It is also an early Dr. Kildare film with Joel McCrea as the good doctor.
Nutshell: Kildare comes across Barbara Stanwyck, who is destitute and desperate. She is looking for her lost child and she is broke and just released from prison, apparently framed for aiding and abetting her husband. Kildare tries to help, with the aid of a gangster (Lloyd Nolan) on whom he has done emergency surgery (in the back of a barroom!) and who now feels he owes Kildare a favor.
The cast is excellent, headed by Stanwyck who never gives a bad performance. McCrea is his usual understated self and Stanley Ridges is very effective as a seedy, slimy villain. This is a very underrated film and was shown at Capitolfest, Rome, NY, 8/19.
******** 8/10 - Website no longer prints my star rating.
Nutshell: Kildare comes across Barbara Stanwyck, who is destitute and desperate. She is looking for her lost child and she is broke and just released from prison, apparently framed for aiding and abetting her husband. Kildare tries to help, with the aid of a gangster (Lloyd Nolan) on whom he has done emergency surgery (in the back of a barroom!) and who now feels he owes Kildare a favor.
The cast is excellent, headed by Stanwyck who never gives a bad performance. McCrea is his usual understated self and Stanley Ridges is very effective as a seedy, slimy villain. This is a very underrated film and was shown at Capitolfest, Rome, NY, 8/19.
******** 8/10 - Website no longer prints my star rating.
I wonder when they dropped the "e" from interns. Interesting.
Internes Can't Take Money stars Joel McCrea, Barbara Stanwyck, Lee Bowman, Lloyd Nolan, and Stanley Ridges.
Dr. K. falls hard for one of his patients, Janet (Stanwyck) but she is a very troubled woman. She was sent to prison for two years as she was believed to be part of a robbery, led by her husband. When he was released, he took their daughter. She is now desperate to find her child, and will stoop to just about anything, even stealing from Kildare and taking up with gangster Stanley Ridges.
When Kildare finds out her real story, he tries to help her. He saved the life of another criminal (Nolan), actually in the local bar, and calls upon him for a favor.
Joel McCrea is an adorable Kildare - so handsome, and there was always something guileless about the actor. He plays very well with Stanwyck - in fact, they made six films together.
Of interest, interns in this film made a whopping $10 a month ($180 today) and one woman mentioned she made $27.50 a week ($495.00). When Kildare operates outside of the hospital, he's given $1000, but he gives it back because - you got it - "interns can't take money."
I do love Lew Ayres as Kildare, but McCrea's more aggressive interpretation worked well.
Internes Can't Take Money stars Joel McCrea, Barbara Stanwyck, Lee Bowman, Lloyd Nolan, and Stanley Ridges.
Dr. K. falls hard for one of his patients, Janet (Stanwyck) but she is a very troubled woman. She was sent to prison for two years as she was believed to be part of a robbery, led by her husband. When he was released, he took their daughter. She is now desperate to find her child, and will stoop to just about anything, even stealing from Kildare and taking up with gangster Stanley Ridges.
When Kildare finds out her real story, he tries to help her. He saved the life of another criminal (Nolan), actually in the local bar, and calls upon him for a favor.
Joel McCrea is an adorable Kildare - so handsome, and there was always something guileless about the actor. He plays very well with Stanwyck - in fact, they made six films together.
Of interest, interns in this film made a whopping $10 a month ($180 today) and one woman mentioned she made $27.50 a week ($495.00). When Kildare operates outside of the hospital, he's given $1000, but he gives it back because - you got it - "interns can't take money."
I do love Lew Ayres as Kildare, but McCrea's more aggressive interpretation worked well.
Lo sapevi?
- QuizBarbara Stanwyck asked director Al Santell to cast Joel McCrea as her leading man, having worked with him twice before. "I want this guy," she told him. "He's going to be a good leading man."
- BlooperDuring the bar-room conversation (c.16 minutes) the coffee cup on the table disappears, re-appears and moves between shots.
- Citazioni
Bookie: Maybe it's the cops.
"Chief" Hanlon: Cops don't knock, they break in.
- ConnessioniFollowed by Il giovane dr. Kildare (1938)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Internes Can't Take Money
- Luoghi delle riprese
- Manhattan, New York, New York, Stati Uniti(Second unit opening credits)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 18min(78 min)
- Colore
- Proporzioni
- 1.37 : 1
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