La città dalle mille luci

I have to say that I have always been interested in the period this film is set in: Hollywood 1928. Hollywood's transition to sound (1927-1932) has been a source of fascination with me. I have done a lot of research on the period and seen a pretty good number of films from that time.

I say this because from my research this film is done very accurately and gives you a real feel for what it must have been like while American films where having a nervous breakdown adjusting to sound movies.

It Happened In Hollywood is just chocked full of inside jokes, authentic early sound technical objects, and realistic dialog. It really does not have the look and feel of any other film made in the 1937 time period. One clue might be that a young Sam Fuller is one of the writers.

It is reasonable to assume that many of the folks who were around in the late 20's and early 30's remembered that period and were able to imbue the production with a realism that would not be possible years later.

If you watch closely you will see the original early sound microphones that were about the size of an artillery shell. We also see the famous "iceboxes" that enclosed the early sound cameras and their operators to keep the camera noise from being recorded. Later on we see one of the early home-made blimps that were hastily designed for the same purpose for shooting outdoors. Early sound films were clunky to say the least.

Franklin Pangborn is very funny as the elocution expert imported from the New York stage to teach actors how to "speak" for the movies. This actually happened all over Hollywood during that time.

RIchard Dix's career was beginning to wane at the time this was made. And he played a cowboy a number of times. He managed to make the transition from silents to sound and had some popularity during the thirties, but his parts had begun to get smaller and smaller. Today hardly anyone knows the name. Talk about life imitating art! Very interesting and worth your time, even if you are not a student of early sound films.

Keeping in mind that this, of course, is my own, personal opinion - I think that (unless someone has the blackest heart) It Happened In Hollywood (IHIH, for short) is one of those rare, old films that (even though its story is a tad corny and clichéd) is literally impossible to dislike.

Mind you, I'd say that this 1937 picture is probably best suited for an audience much younger than myself. But still, its good-heartedness and overall appeal makes it a solid 67 minutes of first-rate entertainment, regardless of one's age.

IHIH stars Richard Dix, as Tim Bart, and Fay Wray, as Gloria Gay. Both very competent and attractive-looking Hollywood actors, these 2 were very convincing in their subsequent roles.

The year is 1928 and Tim Bart is a vastly popular, silent-era Cowboy-hero who is completely adored by the youngsters who faithfully flock to his movies. Gloria Gay is forever the damsel-in-distress who is always being rescued from the evil clutches of the story's villain by Bart.

With the coming of sound pictures, Bart's studio, Perfect Pictures, take away Bart's horse and badge and try to re-mold him into a suave leading man in romantic dramas.

But Bart just can't seem to make the transition and so he is dropped by Perfect Pictures and, at this point, he becomes a down-on-his-luck has-been.

Of course, what's in store for Tim Bart turns out to be a very delightful surprise for one and all.

This picture is actually quite an intriguing study of the Tim Bart character.

One of this film's highlights is a huge, outdoor, Hollywood party that is merrily attended by numerous celebrity lookalikes.

Directed by Harry Lachman, I certainly have no qualms about recommending this movie to anyone who can appreciate early, sound pictures.

I never liked Richard Dix, but after seeing It Happened in Hollywood from 1937, I have changed my mind.

The movie also stars Fay Wray. The film concerns a very important part of film history, the arrival of the talkies. Western silent screen star Tim Bart (based probably on Tom Mix) is a huge attraction for young kids everywhere. They belong to his special club, he visits them in hospitals - he is a great hero.

Tim's frequent costar is the beautiful Gloria Gay (Wray). She and Tim are in love, but neither one acknowledges it - it's possible Tim thinks she's too classy for him. Obviously she doesn't feel that way.

When talkies come in, westerns go that-away. Tim is now in formal attire, filming on a set - he's uncomfortable, he can't remember his lines - so the studio gets rid of him and keeps Gloria.

Tim gets into a bar fight at his favorite haunt and is spotted by a director who thinks he would be great as a gangster. He would be - but that would be letting down his kids. When push comes to shove, he won't do it.

One of his fans who was about to have surgery had promised to get well and visit Tim - and he shows up. Tim at this point is no longer a star, and he has no money. The boy falls off of Tim's horse and is put on bedrest - meaning that Tim can't send him back home (which I think is an orphanage or a special hospital).

Tim decides to call in a few favors, and it turns out, everybody is willing to help. He wants to throw a big party for the boy. He borrows his old ranch for the day. His friends provide food and music.

And the guests - the guests are movie star stand-ins and doubles, and some of them are remarkably like the originals: Joan Crawford, Irene Dunne, Loretta Young, W. C. Fields, Charlie Chaplin, Harold Lloyd, John Barrymore, Greta Garbo, and Mae West, to name a few.

I won't spoil the end, but this is a fun, sweet, feel-good film. Dix is very likeable and natural, and Wray is her usual glamorous and gorgeous self. Enjoy the film, and enjoy those doubles and stand-ins!

It Happened in Hollywood (1938)

** 1/2 (out of 4)

Richard Dix plays a silent screen cowboy who gets kicked out of Hollywood once sound pictures come into play. He loses all his money, which causes him to lose his ranch, which he was hoping to make a boy's home. He gets a chance at a comeback playing a gangster but can't stand letting down his fans by playing a bad guy. Since this was nearly twenty-years before Singin in the Rain it's rather interesting seeing a film take on the transition from silent to sound. This Columbia movie has been pretty much forgotten today but I think film buffs will find the story interesting and there's some more unique things here. There's a big subplot with Dix wanting to make good to a kid he made a promise to so he decides to throw him a Hollywood party. Greta Garbo, W.C. Fields, Charles Chaplin, Loretta Young, Mae West and Bing Crosby among others show up but it's their stand-ins doing the work. The whole point is to fool the kid into thinking he's surrounded by real stars but we see them as stand-ins, which is interesting as we're seeing the actual people who worked for the stars. I had heard about Eugene DeVerdi's take on Chaplin and must admit that it's pretty good. Fay Wray plays Dix's love interest and does a pretty good job even though her role is pretty much a throw away. Dix is his usual self and fans of his will enjoy his role here. This movie could have been a lot better but it's clear it was meant to be a "B" picture and on that level it works. I think silent buffs will get a kick out of its story while movie buffs will enjoy seeing the real star's stand-ins. Future director Samuel Fuller is credited as one of the three screenwriters.

The film opens on young children watching a silent film, as it ends, and they applaud and the young boys say they want to be just like the cowboy when they grow up. One boy in particular, who is sick and laid up, takes it all to heart and hopes to meet the actor someday, who is Richard Dix. But Richard's world will be toppled, when he is asked to be a gangster in a film robbing a bank and killing innocent people. He has an image to uphold to his fans. The studio tells him it's this or nothing. He starts the film, but he can't stomach this brutality and quits. Such is his predicament, dignity but no money, and soon the boy will appear at his door. What ensues is a very thoughtful and moving experience about our idols and how they are only human and how we try to be what people expect of us. Though the ending is rather abrupt, I enjoyed this unique little film which also boasts a lot of lookalikes of celebrities of the time. Discover "Once a Hero" today and see for yourself how a hero, although human, is always a hero.