L'uomo che amo

This is one of my all-time favorite films, partly because it stars Jean Arthur, one of my all- time favorite actresses, has Boyer's charm, and is beautifully directed and produced. An artistic achievement of its day.

Poor Jean Arthur, trying to get loose from a really ruthless, jealous soon-to-be ex, is set up in her Paris hotel room by husband who has hired a gigolo to sneak in. Boyer, on the balcony, gets wind of it and spoils it and steals her away. They wind up at his place of work, a elegant Paris restaurant, and they dance, dine, laugh, and begin to fall in love. But when she returns to the hotel, it seems the hired gigolo is dead, and her husband coerces her back, threatening scandal, making her give up the divorce final.

Broken-hearted, Boyer and his chef friend go to America to try to find the lady, but cannot, so decide to go to work at an upscale café where Boyer hopes she may patronize. She does and they reunite and the cruel almost-ex-husband, who is a very wealthy shipower and builder, fixes it so Boyer is about to get arrested for the Paris murder. Jean and Boyer try to return to Paris on board a new ship of her husband's and he orders the captain to go full speed into a dense fog...and, well, it is suspenseful and frightening and wonderful. It plays up the speed competitions of the great Ocean Liners, the luxuries and yet dangers of this mode of travel. I learned all I know of Ocean Liners of the time thru movies like this, Love Affair, and Now Voyager, etc, because I would never have the opportunity to sail on one myself. Movies were always a great source of learning to me! But this film is especially entertaining, even though Jean Arthur is playing a straight romantic drama this time. Boyer never disappoints. I count this as another of the late 1930's golden crop of finest all-time films...

Colin Clive is one obsessed man. Insanely jealous of wife Jean Arthur's imaginary lovers, he still won't let her go in divorce. Before Arthur's got a real one in head waiter Charles Boyer.

History Is Made At Night is another one of Frank Borzage's romantic films with tender lovers and lots of soft focus cinematography. A common thread that seems to run in Borzage's films is forces that threaten to keep intended folks apart. This is true in Three Comrades and The Mortal Storm where it is the political situation in Germany of the twenties and thirties respectively. In History Is Made At Night, what keeps them apart is Boyer's conscience.

Colin Clive as the husband is a multimillion dollar owner of transoceanic ship line who sets a trap trying to catch Arthur in a compromising position. When total stranger Boyer walks in and breaks up the trap and hits Clive's chauffeur a few times, Clive being the obsessed fellow he is, kills the chauffeur and says a burglar did it.

Of course Boyer thinks he did it and when he finds out the Paris police are looking for him, he and Arthur go back to Paris from New York where they have run away to. They have the bad luck to be on one of Clive's ships where from a distance he controls the fate of all.

Boyer and Arthur make a beautiful couple in love. However a biography of Jean Arthur assures us there was nothing to anything about that.

This was also Colin Clive's farewell film. Sadly he died a few months after this film was out. Known primarily for being Baron Frankenstein, creator of the undead, he was so much more than that as this film aptly demonstrates.

We also can't forget Leo Carrillo who plays chef Caesar who aids and abets Boyer and Arthur's romance. Carrillo was a guy who always added something to any film he was in.

If tender romance and ship board excitement are your thing than History Is Made At Night is your film indeed.

The obsessive and jealous shipowner Bruce Vail (Colin Clive) does not accept the divorce his wife Irene Vail (Jean Arthur) achieved in London, and he hires his driver Michael Browsky (Ivan Lebedeff) to forge adultery with Irene in Paris to make the decree null. However, she is rescued by the headwaiter Paul Dumond (Charles Boyer), who punches Michael and locks Bruce and his private eyes in a locker, and they spend a wonderful night together in the restaurant Château Bleu, where Paul and his best friend Chef Cesare (Leo Carrillo) work, and they fall in love for each other. Meanwhile, Bruce kills Michael and blackmails Irene, blaming Paul and forcing her to return with him to New York. But Paul does not give up on Irene, and moves to New York with Cesare trying to find her love. They meet each other, but things get complicated when an innocent is arrested accused of murdering the driver.

"History is Made at Night" is a dated melodrama, but extremely romantic. Jean Arthur and Charles Boyer show an amazing chemistry in this delightful romance. The friendship of Cesare and Paul is quite unbelievable in the present days, but gives the funniest moments in this film. Colin Clive performs an obsessive and totally insane villain, with his sick jealousy. But in the end, love wins for the pleasure of the romantic viewers. My vote is eight.

Title (Brazil): "A História Começou A Noite" ("The History Has Begun at Night")

Note: On 05 March 2012 I saw this film again.

I saw this on a VHS release here in the 1980's and was one of those films years later I could not forget. How could one forget this memorable title with a equally interesting and unusual combination of love, comedy, drama and disaster that in many other circumstances would simply not work! Boyer and Arthur's romantic moments...pure magic as is Boyer and Leo Carillo's comedic turns. Produced to the tune of over a million dollars (a very generous budget for 1937) independently by Walter Wagner the look of this "A" production certainly reflects this. The deft hand of Borzage could only keep the goings on fluent with the seemingly challenging narrative in a film that easily keeps the viewers attention. To my mind one of the highlights of 30's cinema. I urge anyone interested in this era - see this film!! Available on DVD (mine is a South American copy and OK print quality).

When I wash up on that proverbial desert island with little more than a generator, a VCR (or DVD player) and a TV, I want "History is Made at Night" among the 10 films in my possession.

Someone -- film critic Myron Meisel, I think -- once described this as the most romantic film ever shot in the English language, and I completely agree.

The plot turns on some of the creakiest story points ever conceived. But no matter, because the leads are so appealing, the look of the film so overwhelmingly romantic (Borzage at his best) and the score is so warm and appropriate, that "HIMAN" is just irresistible.