La lucciola

The reviews here that say the movie is too long (or "too long for a 1930s musical") must be written by people from fleet street. The movie is as long as it needs to be for a nicely complex storyline, nicely told with lots and lots of beautiful music to entertain, and Jeanette even gets a lot of dancing and wonderful non-dance choreography through crowds of men that she tantalizes with her charm.

The love scenes between MacDonald and Jones are funny, sweet, captivating, and the necessary betrayals are handled well and understandably from both sides.

I loved every minute of this film and would not have wanted it shortened. All the songs are hummable and lively/romantic. MacDonald's intelligence and sense of humor underlie everything she does, as when she says to Jones after his beautifully sung love song, "Well, perhaps I shouldn't tell you this, but you know that part where you sing, 'My heart's your throne dear, my heart's your throne dear, There you shall rule alone...' with the music building just before the high note?"

"Yes?"

"I was wondering... but, no, perhaps I shouldn't tell you."

"Tell me."

"Well, I was wondering ... if you were going to make it."

Or when Jones complains to her, "You're always saying goodbye," and she replies, "All right then, I won't say goodbye. I'll just ... go."

Her comic timing is lovely.

In fact, she has never been lovelier than in this movie, and the two of them together are just a lot of doggone fun and romance.

Spy-thrilla where Jeannette MacDonald must get napoleonic soldiers to reveal their secrets. Warren Williams (The Lone Wolf!) is the Major; Billy Gilbert who sneezed his way through films is the innkeeper. Douglass Dumbrille always played the bad guy, and here is the Marquis. Dance numbers, singing. It's Jeanette MacDonald, who always does operatic arias. Yawn. Pretty dated stuff. Intrigue. suspense. love triangles. It's a pretty dry period piece, which is never my first choice. Kind of a mata hari. Showing on Turner Classics. It's pretty well done, but moves pretty slowly. the songs keep bringing it to a screeching halt. I'd skip this one unless you're a fan of J. MacDonald. Directed by Robert Leonard... nominated twice, but never got the Oscar.

If it wasn't for "Donkey Serenade", this would have been a total loss as a piece of gaudy MGM entertainment for the masses in the 1930s. JEANETTE MacDONALD gives her all as a sexy spy who tries getting potentially harmful information from French officers, but it's all pretty preposterous and finally much too long for sustained interest.

The only sequence that comes off as completely charming is the "Donkey Serenade" episode with ALLAN JONES singing his heart out as he rides a dusty trail following her carriage. Jones is a fine match for MacDonald but probably left MGM when he realized it was Nelson Eddy's territory.

The score is kind of lackluster, the sets are opulent in typical MGM grand style manner, but the plot is never lively enough to keep one's attention riveted on the plodding story of spies and counter-spies in ye olde Spain. Everyone tries hard, but it just seems to stall somewhere near the middle and never recovers.

Trivia: Did Jeanette MacDonald ever show her real hair in a costume film? She must wear at least 25 wigs and hairdos in this film alone, changing her far from simple hairstyles from scene to scene more often than Lana Turner ever changed her costumes in glamorous roles. There must have been a special Jeanette wig department at Metro just for the occasion.

I am told that the original plot of The Firefly has seen on Broadway back in 1912 had absolutely nothing to do with the Peninsular Campaign of the Napoleonic Wars. Hard to believe because the plot here seems so right.

The core of the plot is duty to one's country. Though Allan Jones and Jeanette MacDonald are on opposite sides and love each other, at some point each betrays the other at some point in the movie to gain a tactical advantage for France or Spain.

The Rudolf Friml-Otto Harbach-Oscar Hammerstein II, is mostly retained for the movie. One new song, based on a Friml instrumental composition called Chanson, is given a lyric by Bob Wright and Chet Forrest and arranged by MGM's house composer Herbert Stothart. Their combined efforts yielded The Donkey Serenade and provided Allan Jones a signature song for the rest of his career.

Jeanette was taking a rest from her usual singing partner, Nelson Eddy, and her teaming with Jones was felicitous. They are a pair of winning songbirds. Maybe had Jones stayed with MGM, he and MacDonald might have made some more films together. Maybe he might have played some of the parts that Nelson Eddy did opposite her. But he probably was right in thinking he'd always be number 2 at MGM, so he moved to Universal.

Beautiful singing and a decent plot in this one. Go see it.

is exceptional in this OK Napoleonic War film. Anyone who ever thought MacDoanld was just a bland operatic singer needs to see this film. She plays a spy posing as a camp follower. MacDonald has a sexy dance number that is just a knockout. She is as sultry and sexy as any star of her era. MacDonald was a great singer who was also a great actress and comic. She is superb. Starring here with Allan Jones and Warren William, the film is a tad long, but still eminently watchable. Jones and MacDonald introduced the big hit "Donkey Serenade" in this film. Good support from Billy Gilbert, Henry Daniell, Douglas Dumbrille, and George Zucco. Not as snappy as some of her films with Nelson Eddy, but this is Jones' best film aside from the 1936 Show Boat with Irene Dunne. Give this one a watch and marvel at Jeanette MacDonald!