Elisabetta d'inghilterra

'Fire Over England' covers more or less the same ground as 'The Sea Hawk' did a few years later, though the younger film did it to much better effect. The issue is Philip II of Spain's (Raymond Massey) ambition to eradicate Protestantism, which requires annexing and re-catholicising countries such as England. In 'Fire Over England' Elizabeth (Flora Robson) sends young Michael Ingolby (Laurence Olivier) as an agent to Spain. His mission: discover a) when the Armada will sail, and b) who of her courtiers are secretly in league with Spain. The plot is pretty convoluted; moreover, there are several sub-plots that are not adding or helping much (for example, Elena's (Tamara Desni) only function seems to be to convince the audience of Michael Ingolby's irresistable charms). Robson as Queen Elizabeth is excellent. She reprised her role later in 'The Sea Hawk'. As a swashbuckling hero, Olivier is no match for Errol Flynn. Vivien Leigh, who plays his love interest Cynthia is charming and vivacious. The sets are great throughout. One important thing that should not be forgotten is that 'Fire Over England' had a clear message for British audiences in 1937: It is about the need to resist great powers bent on the invasion of England. I am sure many viewers saw the parallel with Nazi-Germany - but I am not sure whether this helped the film: public opinion was pacifist, and British politics dominated by appeasers. 'Fire Over England' took a courageous, if unpopular stance.

Renowned and handsomely-mounted early British spectacular with imposing credentials – producers Alexander Korda and Erich Pommer, cinematographer James Wong Howe, art director Lazare Meerson, special effects creator Ned Mann – and a cast virtually assembling the cream of the crop working in the country at that particular moment – Laurence Olivier, Flora Robson, Leslie Banks, Vivien Leigh, Raymond Massey, Robert Newton, James Mason – all of which is complemented by a suitably rousing score from Richard Addinsell.

The narrative revolves around the planned invasion of England during the reign of Queen Elizabeth I by the Spanish armada of King Philip II (with help from British traitors); the former is magnificently embodied by Robson (who would eventually return to the role in Hollywood for the Errol Flynn vehicle THE SEA HAWK [1940]), while the latter is played by Massey as a sleek but cagey monarch. With one of the dissidents among her ranks (Mason) intercepted, the English Queen appoints a young naval officer (Olivier) – who had just lost his admiral father to the Spanish Inquisition – to assume the conniver's identity and travel to Philip's court in order to obtain the names of his associates and establish the enemy's strategy for attack. Complications arise when one of the Spanish ruler's subordinates (Newton) is revealed to be married to the woman (pretty Tamara Desni – the German-born Russian actress died in France only last month at the venerable age of 97!) who had previously cared for the wounded Olivier, their respective fathers having been the best of friends. Torn between betraying his country or his wife, Newton engineers Olivier's flight home – whereupon the latter receives a knighthood, before being promptly sent by his sovereign (along with the conspirators newly-swayed to patriotic duty) on a mission to destroy the approaching enemy fleet!

The film maintains a good balance throughout between romance (thanks to Olivier's matinée idol looks, he's briefly involved with Desni apart from his love interest in England – provided by future wife Leigh, as the Queen's lady-in-waiting, in the first of three on-screen collaborations…though Robson herself is shown carrying a hesitant torch for veteran and devoted chief adviser Banks!), intrigue (in effect at both camps), action (including raids by pirate ships, a couple of chases, discreet swordplay and culminating in the final elaborate fiery offensive) and propaganda (WWII was already looming at this point). While the print I viewed turned out to be anything but pristine, I was grateful to have finally caught this altogether splendid historical epic; incidentally, I'd become acquainted with several wonderful Korda productions over the years on both Italian TV and VHS – but, oddly enough, FIRE OVER ENGLAND itself seldom turned up until now in my neck of the woods!

I saw this years ago and didn't think much of it at the time dismissing it as a third rate Errol Flynn rip-off. I'm glad I revisited it - I found it a real exciting, superbly produced intelligent swashbuckler.

Laurence Olivier shows that he wasn't just a great dramatic actor - he could also be a fabulous dashing romantic action hero as well. It seems a stupid thing to say but he sure could act. Good old reliable Leslie Banks and Vivien - the most beautiful woman in the world, ever - Leigh provide good believable support. As for Flora Robson, she is Queen Elizabeth.

Historical films are usually guaranteed to get those of us with some historical knowledge shaking their fists at the slightest inaccuracy. Unlike Korda's earlier SIX WIVES OF HENRY VIII however, this film isn't too bad on that score. (SIX WIVES was a clever comedy anyway so doesn't really count). Apart from the timing of the famous Tilbury speech, it's surprisingly how historically accurate this film actually is. Although we can't really know exactly how these people thought, that sense of impetuousness and that sense of certainty that their beliefs were the absolute truth is reflected well in this.

The contrast of England's freedom of thought with the repressive totalitarianism of Philip's Spain is an obvious analogy with what was happening in Germany. Whilst American films in theory had to be politically neutral, no such undertaking existed in England so this no doubt helped to stir us up to stand up against that chap over in Berlin. It's very stirring stuff and still after all these years manages to engage emotionally.

This enjoyable historical drama is particularly notable for the fine cast headed by Laurence Olivier, Vivien Leigh, and Raymond Massey. The period atmosphere works well, and the setting, against the background of the 16th century struggles between England and Spain, is an interesting one.

The story does a solid job of working the historical setting into a romance between Olivier's and Leigh's characters, setting up some interesting possibilities. Those two work well together - Leigh is a natural in her role, and it's an interesting change of pace for Olivier, from his Shakespeare roles and the like. Massey adds considerable interest and energy as the kind of heavy that he played so well – his very voice seems appropriate. Flora Robson is very well suited to the role of Queen Elizabeth. Tamara Desni and Leslie Banks also do well in their roles.

The plot creates good moments of drama, romance, and action, along with some good cat- and-mouse games between the characters. It builds to a good climax and, if it occasionally stretches plausibility, it easily holds your interest all the way through. Overall, it's pretty good and well worth seeing.

This is a dramatic B/W film made just before WWII was begun by Adolf Hitler. The British Empire-based filmmakers draw a distinction between the theocratic Spanish Empire of Philip II, ably played by Raymond Massey, and the somewhat parliamentary government of England's island under the Protestant governance of Tudor Queen Elizabeth I, portrayed by Flora Robson with yet-unmatched power and skill. The distinction is important; although the misuse of their powers by neo-imperial-U.S. and post-Empire British governments have lessened our perception of the difference between the two regimes, that difference is in fact real and cleverly presented. The vehicle for the storyline was a novel by A.E. W. Mason. Clemence Dane's screenplay follows the adventure of young Michael, agent of the Queen, as he tries to uncover the nature and extent of a Spanish spy-ring operating in England. This requires him to pretend to be one of them and present himself to Philip; but his pretense fails for lack of a missing password. He is imprisoned in Spain, falls half in love with a lovely Spanish girl, daughter of his jailer, although he really loves one of Elizabeth's ladies-in-waiting; but she allows him to escape when she sees what Philip's evil is doing to her country's people, and he hastes back to the court in time to uncover the plot and save Elizabeth. Elizabeth then give her famous speech that rallies the English to defeat the Spanish Armada and save England, to become another empire and finally in our century a country again. The plot is fairly well-done, but the beauty of the film lies in its characters and dialogue and the way these are brought to life by an excellent cast. Laurence Olivier is Michael, Vivien Leigh is the girl he loves, Leslie Banks is the Earl of Leicester, Morton Selten is Lord Burleigh ;and Robert Newton heads the villains with Tamara Desni as the Spanish girl, plus many other fine British stage actors. The music was composed by Richard Addinsell, William K. Howard directed, cinematography was by the legendary James Wong Howe and camera-work by Wilkie Cooper. This is not a great film, but the restored B/W version is beautiful; the characters memorable, the villains intelligently unethical and some of the actors, especially Robson, superb. This is also a very good film about the era of Elizabeth and the meaning of tyranny--and what honorable men need to risk to avoid having its shadow fall over their lives; and what one group of men in the late 1580s dared to do.