Un affare di famiglia

Just watched this, the first film in the Hardy Family series. Lionel Barrymore, who I'll always first think of as Mr. Potter in It's a Wonderful Life-my favorite movie, is the Judge Hardy character who's in it with threats of no renomination because of something he's against resulting in his offspring not liking him as well. Mickay Rooney is here as Andy Hardy. He was 16 at the time. Spring Byington is the mother. Both she and Barrymore would reunite for You Can't Take It With You a year later. Nice mix of drama and comedy throughout. Mickey is especially funny but there's also a turn by screen drunk Arthur Housman who I usually associate with Laurel & Hardy. So on that note, I highly recommend A Family Affair.

Family Affair, A (1937)

** 1/2 (out of 4)

The first film in the Andy Hardy series is actually a lot more different in tone, subject matter as well as cast members than the later films. Here we have Lionel Barrymore playing Judge Hardy who must fight off some higher ranked members of the city who want to blackmail him into approving a plant coming to town. They plan on using a scandal involving his daughter (Julie Haydon) while his other daughter (Cecilia Parker) strikes up a relationship with a new man. It's nearly impossible to watch this film without comparing it to future entries. Not only does Barrymore get the main role but we have Spring Byington playing Emily Hardy and of course in future films we only have one daughter. I think Barrymore is pretty good in the role, although I will add that I prefer Lewis Stone. I think Stone did a better job at making a character as Barrymore is pretty much just playing his usual, tough self here. I was a little surprised at the subject matter as we get a lot of talk about scandal and even a brief mention of suicide. What's really surprising, and in a way kills the film, is that the small town flavor just doesn't ring through because the city is full of some mean people who will scoop pretty low in terms of blackmail and various other ugly things. This ugly nature pretty much kills what the series was trying to be like and in many ways I think it's safe to call this a standalone film and pretend that the real Andy Hardy series started with the next entry. As I said, Barrymore isn't too bad but the rest of the cast are clearly trying to find what they want to do with the characters. I wasn't overly thrilled with Haydon who is a bit too wooden for me. Mickey Rooney makes his first appearance here as Andy but really doesn't have much to do. Sara Haden is also here as Aunt Milly but she too is pretty much in the background. This certainly isn't a bad film but in the end it's not that all memorable and in the end I think the series was much better off with the changes it would eventually make.

This is the first of the Hardy Family series of movies. The formula for that series is well known and a part of film lore. This film helps establish some of the values that made America fall in love with The Hardy's, but there are differences in this film that set it apart.

The actors who portray the Hardy's are not all the same. Mickey Rooney, who later became the focus of the family by dint of his energetic and lovable performances, is here. But Judge Hardy and his wife are played by Lionel Barrymore and Spring Byington. It would be easy to prefer the actors who carried on these roles in the later episodes, but Barrymore plays the judge with an energy that is suited for this story (see the scene where he physically throws a man out of his chambers) and Byington, in a subordinate role, really displays the love of a mother and wife (note her reaction when her eldest daughter reveals the path her marriage has taken).

It is true that the Andy Hardy movies are anchored in the values that middle America sees as sacrosanct: good citizenship, democracy, the primacy of the family, a religious outlook. This film establishes those values, but if one looks closer, it is easy to see (in this film) how flimsy those values may be. In even a more dramatic way than Inge's Picnic demonstrates, A Family Affair reveals how shallow people and society may be.

Good citizenship may be an established basis for societies and their governments, but the political process is depicted in this film as run by a corrupt political machine designed to profit ruthless men who care only about their own wealth. Judge Hardy is an exception--an educated man who is willing to suffer scorn in the name of duty and the concept of justice.

Religious values may be advertised as charitable and forgiving, but this film shows that the measure of a town's morals is not how many churches dot the landscape or how many Bible verses are read. In a small town where a man's reputation is his measure and agreements are made on the basis of handshakes, we see that many delight in ruining reputations and that the mob mentality prevails when times get tough.

Democracy might be touted as the cornerstone of American governmental process, but the rule of the majority is nothing more than mob rule. Government's true rule is to protect the rights of those in the minority also.

In the end, it is strength of the Hardy family unit--personified by Judge Hardy--that pulls the family through the crises of its individuals and its external stresses. When Judge Hardy strides into the convention and Andy yells "Give it to them with both barrels, Dad," he has no inkling what his father intends. He displays a fundamental faith in his father and the principles he stands for. His father beams in response, because it is that trust he most cherishes, knowing it binds the family and protects them against any threats.

The primacy of the family is a theme that runs through all of the Hardy Family films and it is one of the reasons this series was so popular.

A Family Affair is well worth seeing, both because it is the first in a series and because it stands apart from the others. There is even a great chase scene. Such action was not used in the later Hardy Family films, which focused entirely on personal interactions.

... as the cast is quite different in this installment versus all of the others. Lewis Stone takes the place of Lionel Barrymore as Judge James Hardy, Fay Holden is Mrs. Hardy versus Spring Byington, Polly Benedict is played by Ann Rutherford, and oldest daughter Joan is erased from existence. With her being married, maybe MGM thought that keeping her in the cast for further installments would be just too busy and crowded.

Here, Judge Hardy has issued a temporary restraining order on the building of a new aqueduct for the town of Carvel, in response to a petition by a citizen. But the town businessmen object to Hardy's action and threaten to oppose to his renomination at an upcoming political convention if he won't withdraw the restraining order. When the townspeople hear about it, they are up in arms, because they see it as needlessly impeding progress. Andy Hardy is mad at his dad because his new girlfriend, Polly Benedict, can't see him because her father is mad the judge over the restraining order. Middle daughter Marion is mad at her dad because the guy she has gotten serious with doesn't have a job if the aqueduct isn't being built. And finally, the judge's oldest daughter Joan is on the verge of divorce because her husband - incorrectly - suspects her of infidelity and has left her. So the judge has his hands full both at home AND at the office.

Don't expect a big dose of Andy Hardy in this one - at this point he's just an energetic supporting player as this is Lionel Barrymore's film all of the way. But other than that, everybody is pretty much in character right out of the gate. Later in the same year that this film came out, Lionel Barrymore would become wheelchair bound due to a combination of arthritis and a broken hip. Thus it would have been impossible for him to continue to play Judge Hardy. Instead he was made Dr. Gillespie in the Dr. Kildare series of movies, also at MGM.

I'd recommend this series of films. They are very well done to be a B series, but then MGM had the money and star power to stock their Bs with good production values and good actors. And they are a window into the world of small-town America in the years running up to WWII - a world that would pretty much vanish with the young men all going to war, then to college on the GI bill, and then on to office jobs and homes in the suburbs of the big cities.

A FAMILY AFFAIR (Metro-Goldwyn-Mayer, 1937), directed by George B. Seitz, may not be an early screen adaptation to what developed into a five season television series of "Family Affair" (1966-1971) featuring the likes of Uncle Bill (Brian Keith), Mr. French (Sebastian Cabot), and the three orphans, Cissy, Buffy and Jodie. This family affair in this case happens to be the screen introduction to an entire different family altogether, that of The Hardys from the small town of Carvel, population 25,000. Initially a Broadway play by Aurania Rouveral , it developed into this movie based on similarities and castings of Eugene O'Neill's screen adaptation to AH WILDERNESS (MGM, 1935) featuring Lionel Barrymore, Spring Byington, Eric Linden, Cecilia Parker and Mickey Rooney, who all were reunited into this little 69 minute programmer which proved popular enough to develop into a family film series. Before becoming relatively known as "The Andy Hardy Series," with some recasting and revisions, the central character for this introduction was not on Andy Hardy but that of Judge James K. Hardy.

Judge James K. Hardy (Lionel Barrymore) is a respected judge in a small town of Carvel, with a family consisting of wife, Emily (Spring Byington), daughters, Joan (Julie Hayden), Marion (Cecilia Parker); son or "kid brother" Andy (Mickey Rooney), along with their live-in Aunt Millie (Sara Haden). The story opens with reporters leaving the Carvel Daily Star for the courtroom where Judge Hardy adjourns a case and later signs a restraining order regarding the prevention of the construction of an aqueduct, causing Hardy to lose his popularity with the neighboring townspeople who oppose the judge with his old-fasshioned ideas. Joan, the eldest daughter, is having marital problems with her husband, William Boothe Martin (Allen Vincent). Marion returns home from college after being away a year, later introducing the family to Wayne Trent III (Eric Linden), a young architect she met while on the train bound for home. Then there's girl-shy Andy, about to attend a party, being asked to chaperone Polly Benedict (Margaret Marquis), a girl he has known since kindergarten. Further situations arise when political enemies try to ruin Judge Hardy's good name through scandals placed in the local newspaper to get him impeached out of office.

A FAMILY AFFAIR is more drama than comedy. The only moment of humor involves Marion and Wayne in a car stranded on the road without gasoline in the middle of nowhere, being pulled down by rope by another car on a curvy country road in high speed by a couple of drunks (Arthur Housman and Don Barclay). This scene is more suspensful than humorous, but lightens up the proceedings to follow. Mickey Rooney's Andy Hardy is here, but there's little of him or his antics to go around. Though the Hardy's have two daughters, only the Joan character is never seen nor seen nor mentioned in future installments. Cecilia Parker, with darker hair here as opposed to blonde, would resume her character in the series under the recast players of Lewis Stone (Judge Hardy), Emily Hardy (Fay Holden), Ann Rutherford (Polly Benedict), and sometimes Betty Ross Clark (Aunt Millie) before Sara Haden became a permanent fixture for the duration of the series. Others seen in A FAMILY AFFAIR are: Charley Grapewin (Frank Redman); Selmer Jackson (Hoyt Wells); Harlan Briggs (Oscar Stubbins); Sam McDaniel ("Whitey"), and Erville Alderson (Dave, the Bailiff).

While not a memorable as AH! WILDERNESS nor the Hardy movie series that followed, notably LOVE FINDS ANDY HARDY (1938) featuring Mickey with Judy Garland, A FAMILY AFFAIR comes as a sheer reminder to television dramady programs following the same stature as "Father Knows Best," starring Robert Young and Jane Wyatt, where Father is always around to help with family problems. Quite agreeable viewing, with sole interest in seeing Lionel Barrymore's take as Judge Hardy, minus any father-and-son, "man-to-man" talks with Andy as Lewis Stone did that would later make the series so famous . This wholesome Hardy series in fact did more for Mickey Rooney than any other performers. This is where it all began. This was the Hardy's family affair.

Never distributed on video cassette, A FAMILY AFFAIR, and other "Andy Hardy" episodes (1937-1958), can be seen and enjoyed on Turner Classic Movies cable channel. (***)