Doctor Syn

Due to a tight script, fine direction, a rapid pace, and Arliss' final performance as Dr. Syn, this is a winner in every direction.

Light comedy, action, suspense, drama, all coalesce in this initial adaptation of Russell Thorndike's action novel.

I just came from watching the excruciatingly dull three part Disney adaptation of a number of the novels under the title THE SCARECROW OF ROMNEY MARSH.

Arliss' film is superior to the Disney in every way.

Highly recommended. That's all I have to say, but the review guidelines require ten lines, so I am filling them up.

The final film of the actor George Arliss was this version of the story of Dr Syn, who was a pastor by day and a smuggler by night. Later versions would star Peter Cushing for Hammer and Patrick McGoohan for Disney, this is the weakest version of the story.

The movie is okay melodrama, but isn't anything to write home about. Certainly had it not been an a multi-feature DVD I would never have picked it up, but now that I've seen it I can't say it was a complete waste of time.

Part of the problem is that Arliss was well past his prime when he played the lead. While the fact that he was pushing 70 should not be held against him; the fact that he looked very close to dead, or at least embalmed and was playing a man of action should. The role should have been played by Tod Slaughter and you would have had a classic film.In his day Arliss was hailed as a great actor of the stage, unfortunately sound came too late to allow him to be anything but okay.

If you want an okay time killer or to see a once great actors last gasp then see this version of Doctor Syn, otherwise stay away.

This version of the old legend of "Dr. Syn" is good entertainment, with some effective old-fashioned atmosphere and a story that includes plenty of action. Most of the acting is pretty good, with George Arliss giving a good performance in the lead, a young-looking Margaret Lockwood providing the charm, and Roy Emerton in an energetic if somewhat exaggerated role. Not all of the characters come across as well as theirs do, but more than enough of it is good to make the movie worth watching.

The story starts with a government ship coming to a seacoast town where there have been rumors of smuggling, and where secrets abound. It soon leads to an entertaining cat-and-mouse game that takes some interesting, if sometimes implausible, turns. It's a little uneven at times, but it holds your attention, and the way it all comes out still works. Overall, it's a good adventure story that deserves a look.

There are some black and white films which as they grow older become more and more evergreen. (The obvious example is Casablanca). This is one such, although it may not appeal to the young and non-british. Some of its fascination lies in the attitudes, acting styles and techniques which are so neatly frozen in time. If the plot seems a little contrived here and there, or the dialogue rather stilted especially in the romantic scenes, it all adds to the feel of the period in which the film was made (rather than that in which it was set).

The plot centres on the coastal hamlet of Dymchurch, where a detachment of the Royal Navy is about to make a search for smuggled goods. The inhabitants of the village are outwardly honest and simple folk, but many of them have nefarious secrets to conceal.

The original novel "Dr. Syn", derived from Kentish local legend, was very much darker and bloodier than this film. Likewise, George Arliss's performance as the mild and unctuous parson bears little outward resemblance to the eponymous reprobate of the novel. However, Arliss's character becomes much more believable and deserving of the viewer's wholehearted sympathy towards the end of the film.

There are some other acting highlights, notably Wilson Coleman's tipsy country doctor and Graham Moffat's Dickensian fat boy. This was one of Margaret Lockwood's early starring appearances and she smiles, bursts into tears and pouts beautifully throughout.

The action sequences all start suddenly without any preceding build-up of tension, and end even more quickly. The comic aspects of the film are given greater emphasis than the action and this adds to the general lightness of atmosphere. The only menacing undertones are provided by the constant references to dark goings-on on the surrounding marshes, and Meinhard Maur's performance as the mutilated mulatto seaman, intent on revenge.

All in all, the film is delightful nonsense which deserves more attention than it has received.

It's an ok film a little dull perhaps and not much more to be said I'm afraid. The hammer version called Captain Clegg is a far superior film and we'll worth a look.