Un monello viziato che cade in mare da un piroscafo negli anni '20 viene prelevato da un peschereccio del New England, dove si guadagna da vivere unendosi all'equipaggio nel loro lavoro.Un monello viziato che cade in mare da un piroscafo negli anni '20 viene prelevato da un peschereccio del New England, dove si guadagna da vivere unendosi all'equipaggio nel loro lavoro.Un monello viziato che cade in mare da un piroscafo negli anni '20 viene prelevato da un peschereccio del New England, dove si guadagna da vivere unendosi all'equipaggio nel loro lavoro.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 8 vittorie e 6 candidature totali
- Priest
- (as Jack LaRue)
- 'Doc'
- (as Sam McDaniels)
- Charles
- (as Billy Burrud)
- Robbins
- (non citato nei titoli originali)
- Boy
- (non citato nei titoli originali)
- Bit Role
- (non citato nei titoli originali)
- Fisherman
- (non citato nei titoli originali)
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
Spencer Tracy as Manuel the Portugese fisherman was absolutely fantastic. Just looking at the sparkle in his eyes when mentoring Harvey (Freddie Bartholomew) was beautiful. I have shown this film to my senior class in Strategic Management and they all loved it. And what a supporting cast, Lionel Barrymore, Melvin Douglas, Mickey Rooney, John Caradine. It was also one of the first Hollywood movies to treat a black character with dignity and respect. The ship's cook was even bilingual, speaking both English and Portugese, and was a respected member of the crew, not just an Uncle Tom.
They don't make them any better than this--and not a single word of profanity, no sex or sexual episodes, must a wonderful story, well acted, sad but uplifting.
Ridley Scott's "White squall" (1996) was an updated veiled remake of "captain courageous "but innocence and emotion had disappeared,and hints at the Vietnam War at the end of the movie were obnoxious.
Rudyard Kipling's classic novel of maturation & responsibility has been expanded & updated and turned into a wonderful film by MGM. The production values, especially those dealing with the fishing boat sequences, are exceptional.
After the first half hour, where we are introduced to the boy's bad behavior at home, school, father's office & aboard the luxury liner, the film arrives at the heart of the matter with the introduction of the fisherman and their rough, dangerous way of life.
Freddie Bartholomew, luminous face & shining eyes aglow, is the very picture of boyish innocence. The fact that MGM gave him top billing over the powerhouse cast shows the kind of confidence they had in their child star. Although his proper English accent is a bit out of place and his sweetness makes his initial bratty behavior a bit of a stretch, once he's firmly ensconced on the trawler and his life lessons are being learned, it is difficult to think of any other young actor of his era in the role.
His lessons come mainly from Spencer Tracy, who is beyond praise as Manuel, the stalwart Portuguese fisherman. Noble, earthy, lighthearted, honest, these were attributes Tracy could sink his teeth into & he delivers a performance of heroic proportions. Good-natured & loyal, singing joyously to his hurdy-gurdy, his Manuel is still fiercely protective of his `liddle fish,' seeing at once the qualities the boy has to offer, once he shapes up. Audiences surrender to Tracy completely (fake accent and all) and his scenes with young Bartholomew are especially tender. The subsequent Best Actor Oscar for his performance here was very well deserved.
Lionel Barrymore, as the crusty, wise old captain of the fishing boat, is a delight. In one of the last roles in which he had the use of his legs, he is completely believable as a Massachusetts seaman. Like Tracy, he inhabits his part, giving an over-the-top performance that is completely appropriate. He embodies the kind of man anyone would feel confident to have at the helm during a sea storm.
The excellence of the cast is evidenced by having Charley Grapewin, John Carradine & Mickey Rooney all on board as crew members; each is given a chance to display their talents, as is Melvyn Douglas as Bartholomew's preoccupied father.
Movie mavens will recognize Billy Gilbert as a soda fountain jerk, as well as Christian Rub & Jimmy Conlin as fisherman, all uncredited.
Frank S. Nugent of The New York Times called the film "another of those grand jobs of movie-making we have come to expect of Hollywood's most prodigal studio. With its rich production, magnificent marine photography, admirable direction and performances, the film brings vividly to life every page of Kipling's novel and even adds an exciting chapter or two of its own." This really is a great film. I went in knowing nothing about it, and came out really impressed. For the first quarter or so of the film, I was increasingly annoyed with the spoiled boy, and did not now where things were going to go. But once it shifted gears, that build-up of annoyance paid off. In fact, it would not have been nearly as effective if they didn't convince me of how awful this boy was. Perfect execution.
Lo sapevi?
- QuizWhen production finally wrapped in late February 1937, Spencer Tracy was relieved. "Well, I got away with it," he said later. "Want to know why? Because of Freddie, because of that kid's performance, because he sold it 98 per cent. The kid had to believe in Manuel, or Manuel wasn't worth a quarter. The way he would look at me, believe every word I said, made me believe in it myself. I've never said this before, and I'll never say it again. Freddie Bartholomew's acting is so fine and so simple and so true that it's way over people's heads. It'll only be by thinking back two or three years from now that they'll realize how great it was."
- BlooperWhen planning the Atlantic crossing, Mr. Cheyne is told that the trip would happen on the Queen Anne. A lifeboat on the ship is shown with a name that is partially obscured, but appears to say QUEEN MARY. "QUEEN" is shown in its entirety, and the letters "AR" are shown in the second word.
- Citazioni
Harvey: I bet I know a lot of things you don't know. I know that's not French you're singing.
Manuel Fidello: That's right. About ten million people know it Portuguese.
Harvey: I bet you can't speak French.
Manuel Fidello: Right now, I sorry I speak *English*.
- Curiosità sui creditiThe opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood.
- ConnessioniEdited into Spisok korabley (2008)
- Colonne sonoreOoh What a Terrible Man
(1937) (uncredited)
Lyrics by Gus Kahn
Music by Franz Waxman
Sung by John C arradine, Spencer Tracy, Freddie Bartholomew, and other seaman
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Dettagli
Botteghino
- Budget
- 1.645.000 USD (previsto)
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Proporzioni
- 1.37 : 1