Un monello viziato che cade in mare da un piroscafo negli anni '20 viene prelevato da un peschereccio del New England, dove si guadagna da vivere unendosi all'equipaggio nel loro lavoro.Un monello viziato che cade in mare da un piroscafo negli anni '20 viene prelevato da un peschereccio del New England, dove si guadagna da vivere unendosi all'equipaggio nel loro lavoro.Un monello viziato che cade in mare da un piroscafo negli anni '20 viene prelevato da un peschereccio del New England, dove si guadagna da vivere unendosi all'equipaggio nel loro lavoro.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 8 vittorie e 6 candidature totali
- Priest
- (as Jack LaRue)
- 'Doc'
- (as Sam McDaniels)
- Charles
- (as Billy Burrud)
- Robbins
- (non citato nei titoli originali)
- Boy
- (non citato nei titoli originali)
- Bit Role
- (non citato nei titoli originali)
- Fisherman
- (non citato nei titoli originali)
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
Spencer Tracy as Manuel the Portugese fisherman was absolutely fantastic. Just looking at the sparkle in his eyes when mentoring Harvey (Freddie Bartholomew) was beautiful. I have shown this film to my senior class in Strategic Management and they all loved it. And what a supporting cast, Lionel Barrymore, Melvin Douglas, Mickey Rooney, John Caradine. It was also one of the first Hollywood movies to treat a black character with dignity and respect. The ship's cook was even bilingual, speaking both English and Portugese, and was a respected member of the crew, not just an Uncle Tom.
They don't make them any better than this--and not a single word of profanity, no sex or sexual episodes, must a wonderful story, well acted, sad but uplifting.
You might think this movie will come off as old-fashioned and stale, a old Kipling yarn filmed in the 1930s in black and white. Well don't pre-judge this! It's really good. Fast, energetic, touching, and filled with good acting and great filming. It even has a moral tale that doesn't smack you as sentimental, but is a good reminder of what counts in life.
The main character is a rich boy who obviously needs to learn some lessons in humility and honor. And he's played with real perfection by the young English actor Freddie Bartholomew who had a five year heyday of great roles and great performances with classic adventure stories told on film. And there are parallels here of bigger tales like "Kidnapped" (1938) and "David Copperfield" (1935), with a child intersecting the world of adults and its perils.
His adult friend is the bigger star, Spencer Tracy, who does a good job though I've never quite loved his style of acting. Here he plays a Portuguese sailor with a half an accent and it's the one problem in the film. Next to him in a big role is Lionel Barrymore, who recognizably makes for a quirky captain of the fishing boat. He's great. And so are the other side characters, including a whole slew of big names from the time (John Carradine and Mickey Rooney are probably most famous now).
Much of the film is a low key adventure film. It's aimed at kids the way "The Wizard of Oz" is aimed at kids—meaning it's great for adults, too, and there are a few things snuck in to keep older viewers attuned. Director Victor Fleming went on to direct "Oz" and much of "Gone with the Wind" in two years, and you can feel his Hollywood expertise in every scene here. This is not a stiff 1930s movie if your head is in that mode. Fleming (with photographer great Harold Rosson, who shot "Oz" and a hundred others) makes it vivid and wondrous. The mix of studio shots and authentic sea footage (made with a second film crew in the North Atlantic) is brilliantly handled—no back projection goofs here.
I really liked this movie. It's straight up filmic storytelling. No distractions, no bumbling. Give it a go and be surprised.
Ridley Scott's "White squall" (1996) was an updated veiled remake of "captain courageous "but innocence and emotion had disappeared,and hints at the Vietnam War at the end of the movie were obnoxious.
Frank S. Nugent of The New York Times called the film "another of those grand jobs of movie-making we have come to expect of Hollywood's most prodigal studio. With its rich production, magnificent marine photography, admirable direction and performances, the film brings vividly to life every page of Kipling's novel and even adds an exciting chapter or two of its own." This really is a great film. I went in knowing nothing about it, and came out really impressed. For the first quarter or so of the film, I was increasingly annoyed with the spoiled boy, and did not now where things were going to go. But once it shifted gears, that build-up of annoyance paid off. In fact, it would not have been nearly as effective if they didn't convince me of how awful this boy was. Perfect execution.
Lo sapevi?
- QuizWhen production finally wrapped in late February 1937, Spencer Tracy was relieved. "Well, I got away with it," he said later. "Want to know why? Because of Freddie, because of that kid's performance, because he sold it 98 per cent. The kid had to believe in Manuel, or Manuel wasn't worth a quarter. The way he would look at me, believe every word I said, made me believe in it myself. I've never said this before, and I'll never say it again. Freddie Bartholomew's acting is so fine and so simple and so true that it's way over people's heads. It'll only be by thinking back two or three years from now that they'll realize how great it was."
- BlooperWhen planning the Atlantic crossing, Mr. Cheyne is told that the trip would happen on the Queen Anne. A lifeboat on the ship is shown with a name that is partially obscured, but appears to say QUEEN MARY. "QUEEN" is shown in its entirety, and the letters "AR" are shown in the second word.
- Citazioni
Harvey: I bet I know a lot of things you don't know. I know that's not French you're singing.
Manuel Fidello: That's right. About ten million people know it Portuguese.
Harvey: I bet you can't speak French.
Manuel Fidello: Right now, I sorry I speak *English*.
- Curiosità sui creditiThe opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood.
- ConnessioniEdited into Spisok korabley (2008)
- Colonne sonoreOoh What a Terrible Man
(1937) (uncredited)
Lyrics by Gus Kahn
Music by Franz Waxman
Sung by John C arradine, Spencer Tracy, Freddie Bartholomew, and other seaman
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Dettagli
Botteghino
- Budget
- 1.645.000 USD (previsto)
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Proporzioni
- 1.37 : 1