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La sposa vestiva di rosa

Titolo originale: The Bride Wore Red
  • 1937
  • Approved
  • 1h 43min
VALUTAZIONE IMDb
6,3/10
1326
LA TUA VALUTAZIONE
La sposa vestiva di rosa (1937)
The Bride Wore Red Clip
Riproduci clip2:33
Guarda The Bride Wore Red Clip
1 video
46 foto
CommediaDrammaRomanticismo

Aggiungi una trama nella tua linguaA lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.

  • Regia
    • Dorothy Arzner
  • Sceneggiatura
    • Tess Slesinger
    • Bradbury Foote
    • Ferenc Molnár
  • Star
    • Joan Crawford
    • Franchot Tone
    • Robert Young
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    1326
    LA TUA VALUTAZIONE
    • Regia
      • Dorothy Arzner
    • Sceneggiatura
      • Tess Slesinger
      • Bradbury Foote
      • Ferenc Molnár
    • Star
      • Joan Crawford
      • Franchot Tone
      • Robert Young
    • 33Recensioni degli utenti
    • 17Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Bride Wore Red Clip
    Clip 2:33
    The Bride Wore Red Clip

    Foto46

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    + 39
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    Interpreti principali31

    Modifica
    Joan Crawford
    Joan Crawford
    • Anni
    Franchot Tone
    Franchot Tone
    • Giulio
    Robert Young
    Robert Young
    • Rudi Pal
    Billie Burke
    Billie Burke
    • Contessa di Meina
    Reginald Owen
    Reginald Owen
    • Admiral Monti
    Lynne Carver
    Lynne Carver
    • Maddelena Monti
    George Zucco
    George Zucco
    • Count Armalia
    Mary Philips
    Mary Philips
    • Maria
    • (as Mary Phillips)
    Paul Porcasi
    Paul Porcasi
    • Nobili
    Dickie Moore
    Dickie Moore
    • Pietro
    Frank Puglia
    Frank Puglia
    • Alberto
    Rafael Alcayde
    Rafael Alcayde
    • Hotel Clerk
    • (non citato nei titoli originali)
    Nino Bellini
    • Cosmos Club Waiter
    • (non citato nei titoli originali)
    Agostino Borgato
    Agostino Borgato
    • Cordellera Bar Waiter
    • (non citato nei titoli originali)
    Adriana Caselotti
    • First Peasant Girl
    • (non citato nei titoli originali)
    Robert Cauterio
    • Hotel Clerk
    • (non citato nei titoli originali)
    Irene Coleman
    Irene Coleman
    • Cosmos Club Hat Check Girl
    • (non citato nei titoli originali)
    Gino Corrado
    Gino Corrado
    • Cosmos Club Croupier
    • (non citato nei titoli originali)
    • Regia
      • Dorothy Arzner
    • Sceneggiatura
      • Tess Slesinger
      • Bradbury Foote
      • Ferenc Molnár
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti33

    6,31.3K
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    Recensioni in evidenza

    jarrodmcdonald-1

    Joan goes to wore

    Dorothy Arzner is the director of this film, and though she does not make a lot of films, she usually makes rather substantial ones. This is certainly a substantial one.

    The most appealing aspect of this production is the chemistry and loveliness of the couple played on screen by Joan Crawford and Franchot Tone (married in real life). This is not the only film that MGM has costarred them in together, but in this picture, it is easy to see the magic they create.

    For his part, Robert Young is a worthy costar. And so is Joan's dazzling dress, referenced in the title. One must not forget to mention the always splendid Billie Burke, directed in several other pictures by Arzner. This time she portrays a real shrew, not her trademark scatterbrained character.
    7st-shot

    Crawford Tone pair up nicely in The Bride Wore Red

    Jaded club singer Anni Pavlovitch (Joan Crawford) runs into a count who devises a plan to give Anni an opportunity to swing with the swells for two weeks in a rustic Italian vacation spot in the mountains. Anni is totally seduced by the lifestyle and with time running out moves in on Maddelena Monti' s well heeled beau Rudi Pal ( Robert Young) to try an insinuate herself into the jet set lifestyle on a more permanent basis. The local postman Giullio (Franchot Tone) has also taken a shine to Anni offering her an unencumbered down to earth existence in contrast but cynical Anni is tired of the hardscrabble existence preferring pampered materialism instead.

    Under the rare oddity of a female studio film director (Dorothy Arzner) Crawford is allowed to stretch with more than satisfying results as she struggles with the conflict of hooking up for love or money. Arzner not only gets some impressive long takes out of Crawford but also softens her standard studio brusqueness with a touching sensitivity as her dream of easy street evaporates before her eyes.

    Arzner also gets fine performances out of upper crusts played by Young and a beautifully smug performance from Billie Burke without being condescending to such easy targets. The real surprise though is the sophisticated Franchot Tone as Giullio the country postman. Playing it neither broad or passionate Tone subversively bides his time with a dignity and patience that gives The Bride Wore Red a nice subtle edge and a more touching denouement.
    7ReganRebecca

    A wonderful trifle

    The Bride Wore Red is a ridiculous but fun film. A drunken count, slumming it for the night, runs into a cynical and hungry young woman, Anni Pavlovitch (Joan Crawford). He decides to send her on a luxury vacation to prove his drunken point that the poor and the rich aren't so different after all and buys her new clothes and arranges for her to stay in a luxury resort. Anni, who obviously thinks the whole thing is crazy, decides to go threw with it anyway. Arriving in the alps she meets Giulio (Crawford's real life husband, Franchot Tone) a very pert mail employee who immediately takes a shine to her. The two have sparks aplenty, but when she arrives at the hotel Anni quickly realizes that she would rather always have food on her table than the love of a good man, and quickly sets about seducing Rudi, a flighty engaged man who is very taken with her.

    As with most romcoms the real test is if the chemistry works and here it does perfectly. Crawford and Tone have excellent chemistry here and he is very sweet and naive, persistently wearing down the jaded and bitter singer.

    It's a lovely sweet film.
    medwardb1976

    What Joan Did

    In about 1980 I saw this film at the UCLA Film Archives in a series presenting Dorothy Arzner directed films. There was a guest speaker at the event who was a personal friend of Arzner's. I don't remember her name, but she was introduced as, among other things, the writer for the script of "Craig's Wife" (1936; starring Rosalind Russell).

    She said she was on the set for some of the shooting of "Bride Wore Red," and described how Joan Crawford was completely uncooperative with the director. Originally it was written for Luise Rainer but for some reason she was unavailable. "So they got Joan Crawford who wasn't anything like her," and was not suited for the film in this woman's opinion. While she was on the set she witnessed how Dorothy Arzner would gently make suggestions as to how to play a scene, "...and Joan would scream, 'You'll destroy me! You'll destroy me!' and she would run up to L.B. Mayer and he would say, 'There, there Joan, play it your way." So she did, "...and frankly, the film bombed. But when you have a star that is entirely uncooperative, you can't blame the director." I hope I have quoted this woman accurately. That is what has stuck in my memory. I am a big Crawford fan, but her flaws were apparently spectacular. I just thought it would be interesting to record this bit of info.
    wrk6539

    Underrated and deserves better than it got...

    Well, you can't blame Joan for trying. Always wanting to go beyond that glamorous clothes-horse/shopgirl-makes-good mold in which MGM so successfully cast her throughout the 1930's, she was always attempting to outreach her grasp. When Metro's Austrian star Luise Rainer backed out of making a film of Molnar's THE GIRL FROM TRIESTE, a dark photoplay about a prostitute sent on a masquerade in the Tyrolean Alps, Crawford grabbed it, hoping to get her teeth into a meaty role. Imagine her chagrin when Metro executives "improved" the piece to be more suitable for Crawford's image, taking the meat and guts with it. What emerged was an uncomfortable picture built on compromises in an attempt to graft a typical Crawford/Cinderella plot onto what is basically a nasty, mean little story. Registering far below the Crawford usual at the paybox, THE BRIDE WORE RED started her career to skid.

    A closer look, however, reveals that not all of the edge has been softened from the piece. I wholeheartedly agree with the reviewer who calls this Joan's most underrated performance, and there is a reason we do not sympathize with this Cinderella. Crawford's Anni is cold and snappish, and has the potential to do real harm to some nice, decent folk. The film plays like the dark side of all of those rags-to-Adrian gown stories Crawford played in the Metro phase of her career, and CRAWFORD IS FULLY AWARE OF THIS. Although seemingly played straight, there is an irony underneath that tells us Crawford herself isn't crazy about Anni either. It's understandable that 1937 audiences did not warm to a Joan they couldn't root for (even her hair is cut into a severe, but stunning, pageboy), but it deserves real recognition now that we are removed from the era and have seen ALL the phases of Crawford's career. In many ways, it's a harbinger of the darker, icier roles she was to play at Warner Bros. and throughout the 1950's.

    The performances are uniformly good, with George Zucco strong as the decadent, evil Machiavelli who sends Anni on her masquerade, but Crawford, for the most part, is the standout. Only in the early scenes of the film, when she attempts to portray Anni as a world-weary honky tonk singer (in what must have been the cleanest, most glamorous "dive" in all of Trieste!!) does she fail to convince.

    (Ironically, Crawford's next film, MANNEQUIN, released early in 1938 and co-starring Spencer Tracy, was a strictly paint by the numbers Rags-to-Adrian tale, inferior to this, that found great favor with the movie-going public.)

    Trama

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    Lo sapevi?

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    • Quiz
      During filming, an electrician fell from the catwalk high above the set, narrowly missing the film's star, Joan Crawford. Shooting was temporarily halted while the man was rushed to hospital. Crawford refused to resume production until she was assured that the man would be fully cared for, that he would remain on salary, and that his family would be provided for. Crawford also called the hospital each day afterwards for reports on his condition.
    • Citazioni

      Rudolph 'Rudi' Pal: In my opinion, most people prefer sardines to caviar because most people haven't tried caviar.

    • Curiosità sui crediti
      During the opening credits, a music box is shown playing a tune in the background.
    • Connessioni
      Featured in The Romance of Celluloid (1937)
    • Colonne sonore
      Who Wants Love?
      (1937)

      Music by Franz Waxman

      Lyrics by Gus Kahn

      Sung by Joan Crawford (uncredited) at the Cordellera Bar

      Played throughout as part of the score

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    Dettagli

    Modifica
    • Data di uscita
      • 8 ottobre 1937 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Bride Wore Red
    • Luoghi delle riprese
      • Austria(Alpine exteriors)
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 960.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 43min(103 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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