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Una donna si ribella

Titolo originale: A Woman Rebels
  • 1936
  • Approved
  • 1h 28min
VALUTAZIONE IMDb
6,5/10
974
LA TUA VALUTAZIONE
Katharine Hepburn and Herbert Marshall in Una donna si ribella (1936)
Period DramaDramaHistoryRomance

Aggiungi una trama nella tua linguaPamela, a woman in late-1800s England, wishes to be her own person and has no intention to ever marry. After she has a great deal of difficulty finding a job, she finally lands a position at... Leggi tuttoPamela, a woman in late-1800s England, wishes to be her own person and has no intention to ever marry. After she has a great deal of difficulty finding a job, she finally lands a position at a "woman's" magazine that covers topics like sewing and cooking. When the editor takes si... Leggi tuttoPamela, a woman in late-1800s England, wishes to be her own person and has no intention to ever marry. After she has a great deal of difficulty finding a job, she finally lands a position at a "woman's" magazine that covers topics like sewing and cooking. When the editor takes sick, Pamela moves the magazine into discussing issues like gender equality, child labor, me... Leggi tutto

  • Regia
    • Mark Sandrich
  • Sceneggiatura
    • Anthony Veiller
    • Ernest Vajda
    • Netta Syrett
  • Star
    • Katharine Hepburn
    • Herbert Marshall
    • Elizabeth Allan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    974
    LA TUA VALUTAZIONE
    • Regia
      • Mark Sandrich
    • Sceneggiatura
      • Anthony Veiller
      • Ernest Vajda
      • Netta Syrett
    • Star
      • Katharine Hepburn
      • Herbert Marshall
      • Elizabeth Allan
    • 25Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie totali

    Foto15

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    + 7
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    Interpreti principali28

    Modifica
    Katharine Hepburn
    Katharine Hepburn
    • Pamela Thistlewaite
    Herbert Marshall
    Herbert Marshall
    • Thomas Lane
    Elizabeth Allan
    Elizabeth Allan
    • Flora Anne Thistlewaite
    Donald Crisp
    Donald Crisp
    • Judge Byron Thistlewaite
    Doris Dudley
    Doris Dudley
    • Young Flora
    David Manners
    David Manners
    • Lieutenant Alan Craig Freeland
    Lucile Watson
    Lucile Watson
    • Betty Bumble
    Van Heflin
    Van Heflin
    • Lord Gerald Waring Gaythorne
    Leonard Carey
    Leonard Carey
    • Lord Gaythorne's Butler
    • (non citato nei titoli originali)
    George Davis
    George Davis
    • French Purser
    • (non citato nei titoli originali)
    Elspeth Dudgeon
    Elspeth Dudgeon
    • Lord Gaythorne's Maid
    • (non citato nei titoli originali)
    Connie Emerald
    Connie Emerald
    • Lady Gaythorne
    • (non citato nei titoli originali)
    Marilyn French
    • Flora as an Infant
    • (non citato nei titoli originali)
    Sam Harris
    Sam Harris
    • Man in Courtroom
    • (non citato nei titoli originali)
    Lillian Kemble-Cooper
    Lillian Kemble-Cooper
    • Lady Rinlake
    • (non citato nei titoli originali)
    Marilyn Knowlden
    Marilyn Knowlden
    • Flora at Age 9
    • (non citato nei titoli originali)
    Molly Lamont
    Molly Lamont
    • Young Girl with Sick Baby
    • (non citato nei titoli originali)
    Doris Lloyd
    Doris Lloyd
    • Mrs. Seaton - at Party
    • (non citato nei titoli originali)
    • Regia
      • Mark Sandrich
    • Sceneggiatura
      • Anthony Veiller
      • Ernest Vajda
      • Netta Syrett
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti25

    6,5974
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    Recensioni in evidenza

    9Cleydael

    GREAT historical costuming for a 1930s film

    Apart from a wonderful plot, superb acting from Katherine Hepburn, Herbert Marshall as a charming leading man, as a historical film costumer, this one goes on my A-list.

    I've only seen about 3/4 of the film -- caught it on Turner classic movies channel and got hooked. Don't know what the costuming in the early part of the flick was like, but from the time I tuned in, which covered the mid to late 1860s through the 1890s, I was VERY impressed.

    The 1930s and 40's "golden age of Hollywood" was not a particularly good era for accurate costuming in film -- the artistic/visual impact generally seemed to trump any concerns about authenticity. And the 50s, 60's and 70's got broadly worse.

    This film stands out from the 1930's crop BIG time.

    The 1865-1870 period is difficult to get right and is seldom portrayed -- elliptical hoops, small bonnets, tailored details -- all presaging the "first bustle era" of the early 70's but not yet at the bustle stage. Costume Designer Walter Plunkett gets it right and designed some lovely, authentic gowns. The film seems to flash forward pretty rapidly to the late 1870's to early 1880s "natural form" era and then the 1890s, so both bustle eras are missed out, but the periods he covers, he does RIGHT.

    Ironically, this is the same Walter Plunkett famous for his gorgeous, yet woefully inaccurate costumes for Vivian Leigh in Gone With the Wind -- however, if you look at that film, the costuming for Melanie Wilkes and the supporting & background women is actually pretty good, as are the various male civilian outfits. Alas, the stuff that's most remembered is the stuff that's wrong - Scarlett's clothes and the godawful uniforms.

    Suggests to me that the great Plunkett richly deserved his reputation, DID understand historical costuming and must have been working to some broader artistic judgement call on the part of either the director / production designer or producers on GWTW.

    With no such constraints on "A Woman Rebels", he did a phenomenal job.

    -- Kathryn Coombs Historical Wardrobe, Ltd Historical Entertainment, LLC
    6bkoganbing

    Parlor Talk

    In the pantheon of feminist films that Katherine Hepburn did in her career, A Woman Rebels definitely belongs. Even though this Victorian costume drama failed at the box office, seen today it's manifesto for the feminist cause and altogether proper for the daughter of a suffragette to have brought to the screen.

    Kate and her sister Elizabeth Allan are being raised as proper Victorian ladies by their widowed father Donald Crisp which means no rights at all. Liz dutifully accepts her lot, but not Kate. Liz accepts David Manners a young naval lieutenant as a husband picked out by Crisp, but Kate has a fling with Van Heflin that's left her pregnant. And Heflin's engaged to another proper Victorian lady to boot.

    Kate goes off to Italy to live with her sister while Manners is on duty. Allan is also expecting, but after Manners is killed in action, Allan dies of a broken heart. On Allan's deathbed she and Hepburn decide to raise Hepburn's expected as her niece rather than her daughter.

    Back in the United Kingdom, Hepburn goes to work for a woman's magazine and under her direction the publication becomes a feminist manifesto for its time. Still old sins have a way of coming back to haunt one and they do Kate in a most peculiar way.

    Herbert Marshall is in A Woman Rebels as Kate's faithful suitor and British nineteenth century diplomat. He looks earnest and faithful much like a pet collie, but in fairness the role isn't all that much.

    One can certainly see what attracted Hepburn to A Woman Rebels. It's very message was parlor talk in the Hepburn household when she was growing up. Still the film does have a lot of unresolved situations, mostly due to the Code being firmly in place now and flexing its censoring muscles.

    Kate's co-star Van Heflin was pretty unknown at this time and she would pick him to co-star with her as well as Joseph Cotten in The Philadelphia Story when Hollywood pronounced her box office poison. Though she didn't pick him for the screen version, she was the one who got him an MGM contract when she went there and from there Heflin became a star.

    A Woman Rebels is a story which probably would have been better told now than back in the day. Perhaps someone like Gwyneth Paltrow will take up where Kate the Great left off.
    7planktonrules

    Amazingly modern--even for 1936!

    "A Woman Rebels" was a big money loser when it debuted. I think much of it was because it was a very strongly feminist film...even by 1936's standards...and most folks weren't ready to see a movie with such modern sensibilities...especially the notion of a single woman having a baby.

    The movie is set during the mid-late Victorian era. Pamela (Katharine Hepburn) and her sister Flora have a father (Donald Crisp) who is extremely cold, detached and loveless. He also is angry because Pamela wants more out of life than was typical of a woman of the day. She wants to read, educate herself and be something other than just a dutiful wife...and he is determined to marry her off like her sister. However, Pamela falls for a rogue and soon finds herself pregnant. To hide this, she goes to stay with Flora...and when Flora's husband dies as does Flora, Pamela pretends that her new baby is her sister's. She also does the unthinkable...she gets a job and eventually becomes a very modern and emancipated lady.

    This is a very well made film but as I said the notion of a single mother must have not sat well with folks. Worth seeing and among the actress's better early films.
    sdave7596

    Hepburn in her RKO days...

    Katharine Hepburn did "A Woman Rebels" in 1936, when she was under contract to RKO Studios. She had a string of not so successful films prior to this, although made a sensational debut in "Bill of Divorcement" in 1932 and the wonderful "Alice Adams" in 1935. Hepburn basically plays herself here, all theatrical mannerisms and that light, slightly shrill voice. We are not so sure how to take the character of Pamela, although we guess from the title she will make some sort of stance for women's rights, circa mid-1800's; and indeed she does. Donald Crisp has a nice turn as her cold dominating father, and a young Van Heflin as one of Pamela's suitors is barely recognizable. Herbert Marshall is good as the man who loves Pamela through many decades. The soap suds are laid on pretty thick, and the film is not one of Hepburn's more memorable films. Still, for true Hepburn fans, it is always good to watch her in the earlier days. Fortunately for Hepburn, better roles were ahead in the decades to come. Hepburn leaving RKO was the best thing she did for her career.
    6SnoopyStyle

    fine melodrama

    Pamela (Katharine Hepburn) and Flora are the Thistlewaite sisters living under their controlling unloving father in the patriarchal system of Victorian England. They are both excited to be set up with husbands. Pamela's man Gerald cannot marry her due to his situation. Tragedy strikes Flora. Pamela struggles alone with a love child in a man's world.

    Katharine Hepburn became box office poison with this as her third flop in a row. I do wonder if her righteous feminism has anything to do with the bad press. The story is one of melodramatic tragic romance. More could have been done with the romantic storyline but that would detract from the independent woman angle. There is a bit of rushed feel to some of the plotting. It's adapted from a novel and that can sometimes rush a story. After all, the movie spans a lifetime. It has one really fun scene with a donkey. Otherwise, this is a fine melodrama.

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    Trama

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    Lo sapevi?

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    • Quiz
      Film debut of Van Heflin.
    • Citazioni

      Miss Piper, the Governess: As women, the first thing of importance is to be content to be inferior to men, inferior in mental power in the same proportion that she is in physical strength. A really sensible woman feels her dependence. She's conscious of her inferiority and, therefore, grateful for her thought.

    • Curiosità sui crediti
      Opening credits are shown as pages of a book, or album, being turned, one by one.
    • Connessioni
      Featured in America at the Movies (1976)
    • Colonne sonore
      The Wedding March
      (1843) (uncredited)

      from "A Midsummer Night's Dream, Op.61"

      Written by Felix Mendelssohn

      Played at Flora's and Alan's wedding

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    Dettagli

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    • Data di uscita
      • 6 novembre 1936 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
      • Francese
    • Celebre anche come
      • Una mujer se rebela
    • Luoghi delle riprese
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 574.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 28 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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