VALUTAZIONE IMDb
7,5/10
2983
LA TUA VALUTAZIONE
Topolino sta leggendo un libro ma si addormenta. Al suo risveglio, riesce ad attraversare lo specchio "magico" di casa sua, andando dall'altra parte.Topolino sta leggendo un libro ma si addormenta. Al suo risveglio, riesce ad attraversare lo specchio "magico" di casa sua, andando dall'altra parte.Topolino sta leggendo un libro ma si addormenta. Al suo risveglio, riesce ad attraversare lo specchio "magico" di casa sua, andando dall'altra parte.
- Regia
- Sceneggiatura
- Star
Pinto Colvig
- Radio Hiccup
- (voce)
Walt Disney
- Mickey Mouse
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
Fun Disney take on Lewis Carroll's "Through the Looking Glass." Here Mickey Mouse falls asleep reading that book, then his spirit leaves his body and goes through a mirror. On the other side of the mirror is a wacky version of Mickey's house where the inanimate objects have come to life. A lot of really cool trippy stuff follows that I don't want to spoil for you. Needless to say it's awesome to watch, especially for the time in which it was made. The animation is top-notch (it was Disney, after all). The characters and backgrounds are all well-drawn and the action is excitingly realized. Love the music, too. Fine voice work from Walt Disney. This is as wacky and creative as it gets for 1936 and I can't imagine anyone not having a good time with it. Just a fun cartoon from start to finish.
In full Technicolor, and with music by Frank Churchill, Leight Harline, and Paul J Smith (all uncredited), Thru the Mirror is one of the masterworks of the era when Walt Disney studios could have a lot of fun while keeping toes from the silent era. A lot of what happens in this story could have been one of the black and white silent/early sound-era Mickey Mouse movies, where Mickey finds himself in some bizarre situations with cartoon things that have come to life in ways that make him dance, fight and run in chase-mode. Only here the animation has become sophisticated, due to years of practice and trial and (minimal) error, with moments like Mickey eating the walnut (aka the mushroom) that makes him grow really big and then really small.
And of course there's everything with the cards, which at first are like dancers from a Busby Berkley musical (I'm sure the animators had influences from those movies, in full formation they do it up), and then the way that Disney and his writers bring in the Queen of Hearts and the King (the latter on both bottom and top levels with swords). It's also wonderful to see all the cards chasing after Mickey; I have to wonder if the animators (or just Disney himself) knew the potential to have mass figures overpowering the flagship character, and brought it over when doing something like Fantasia, as the cards have that unstoppable-holy-crap quality of the ravenous brooms.
The imagination here is boundless, and when there are gags (the chair and its baby, the umbrella, the radio that shouts out "Calling All Cards") they work well, but ever since I saw this as a kid - and through some repeat, partly from the first Mickey Mouse VHS and play from back when the Disney channel actually played these old-time cartoons I've seen it many times - I knew it had a special quality. The pacing is electrifying, the comic timing excellent, and the music combines Big-Band Jazz, musical and adventure/chase music. In a way this is one of the great Alice adaptations, distilled to just a few points like a song, and the notes played by some smart people. Did I mention in that bright, excellent early cartoon-Technicolor to boot?
And of course there's everything with the cards, which at first are like dancers from a Busby Berkley musical (I'm sure the animators had influences from those movies, in full formation they do it up), and then the way that Disney and his writers bring in the Queen of Hearts and the King (the latter on both bottom and top levels with swords). It's also wonderful to see all the cards chasing after Mickey; I have to wonder if the animators (or just Disney himself) knew the potential to have mass figures overpowering the flagship character, and brought it over when doing something like Fantasia, as the cards have that unstoppable-holy-crap quality of the ravenous brooms.
The imagination here is boundless, and when there are gags (the chair and its baby, the umbrella, the radio that shouts out "Calling All Cards") they work well, but ever since I saw this as a kid - and through some repeat, partly from the first Mickey Mouse VHS and play from back when the Disney channel actually played these old-time cartoons I've seen it many times - I knew it had a special quality. The pacing is electrifying, the comic timing excellent, and the music combines Big-Band Jazz, musical and adventure/chase music. In a way this is one of the great Alice adaptations, distilled to just a few points like a song, and the notes played by some smart people. Did I mention in that bright, excellent early cartoon-Technicolor to boot?
When "Thru the Mirror" begins, Mickey has just fallen asleep after reading Lewis Carroll's "Through the Looking Glass". Then, like in the story, Mickey has a dream where he, too, is able to talk through the mirror into a strange parallel world. He finds that all the furnishings in the house are alive. Next, he eats a walnut and shrinks--and has all sorts of miniature adventures. He battles against some playing cards but my favorite portion is where he tap dances--in a manner highly reminiscent o Fred Astaire. All in all, there really isn't a lot in the way of plot but the cartoon is so much fun and the animation so nice that you really don't care! Clever and fun from start to finish.
"Thru the Mirror" is a fun literary take on the Lewis Caroll classic "Through the Looking Class". While not especially faithful, it is tremendously entertaining for a number of reasons. Whether it is the lovely Technicolour animation, with the colourful backgrounds and interesting character features. Whether it is the wonderful music, it is rousing on the most part, with a little snippet of Schubert's "Marche Millitaire". Whether it is the great scene with the cards chasing Mickey. Whether it is Mickey in the role of Alice, and doing it with gusto I must say. I will say though I do think Mickey has done better cartoons namely "Sorceror's Apprentice", "The Band Concert" and "Symphony Hour". But this is great fun as a cartoon, and works on multiple viewings. 10/10 Bethany Cox
Fantastic, I remember me being younger and seeing this short, even very good. I highly recommend it.
Lo sapevi?
- QuizThis short is featured as a playable level in the video game Epic Mickey: La Leggendaria Sfida di Topolino (2010).
- BlooperThere is a series of scratches visible throughout, apparently from the platten glass used to hold the artwork under the camera.
- Citazioni
King of Hearts: [top half] Call out the cards!
King of Hearts: [bottom half] Call out the cards!
King of Hearts: [both halves] Call out the cards! Call out the cards!
Radio: [repeatedly] Calling all cards. Calling all cards.
- ConnessioniEdited into Topolino Story (1968)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Attraverso lo specchio
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione9 minuti
- Proporzioni
- 1.37 : 1
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