La fuga di Tarzan

My second Tarzan double-feature slot and the cracks are beginning to show! That said, TARZAN ESCAPES (1936; ***) is much better than online reviews would have you believe: true, there is ample stock footage on display here but it also boasts a strong plot line and cast (featuring Benita Hume, future wife of Ronald Colman and later George Sanders, as well as MGM staple Herbert Mundin and James Whale favorite E.E. Clive, not to mention the villainous John Buckler who comes to a particularly sticky end in this one) to even things out. By now, Weissmuller and O' Sullivan have grown considerably in their respective parts but the influence of the Hays' Office (established while the film was in production, resulting in extensive re-shoots before it could be classified for exhibition!) is also very much in evidence: Tarzan and Jane's behavior (to say nothing of the latter's 'wardrobe') is rather chaste this time around, and even the violence is there mainly by virtue of recycled scenes from the two previous entries in the series!!

TARZAN FINDS A SON! (1939; **1/2), though certainly briskly-paced and fairly enjoyable in itself, is where things really start to degenerate and a sense of deja'-vu hangs over the proceedings like a cloud; not that this factor is an isolated case in franchises of this period – consider, for instance, the noticeable leap in quality from the ornate SON OF FRANKENSTEIN (1939) to a strictly programmer-level THE GHOST OF FRANKENSTEIN (1942)… To make matters worse (though, I guess, this can be pinned down to personal opinion), we have here the addition of another jungle 'initiate' in the figure of Boy who emulates Tarzan in his every move, down to that grating yodel! Besides, his getting into endless predictable scrapes throughout, forcing Tarzan's nick-of-time intervention and queuing in further stock footage from the earlier films (now looking pretty rough-hewn alongside the lavish budgets MGM could afford by the end of the decade!), does the picture no favors at all in the story department!! Logic, too, is casually thrown out the window: the film opens with a plane crash-landing (i.e. before reaching its intended destination), yet when a search party is set in motion (5 years after the fact, conveniently allowing Boy to grow up and become attached to the Tarzans!), its members (invariably harboring an agenda of their own) go directly to the supposedly forbidden/secret part of the jungle where the Lord Of The Apes has set up residence…sheesh!! Once again, the familiar cast-list adds to the fun, though it has to be said that Ian Hunter (usually playing the reliable type) makes for an unconvincing villain in this one.

Third film in the Johnny Weissmuller--Maureen O'Sullivan Tarzan series. Two of Jane's cousins come to the jungle to persuade her to return to civilization. With them is safari hunter Captain Fry (John Buckler) who secretly has plans to capture Tarzan and bring him back to civilization as a sideshow attraction. And then there is the vicious native tribe near by...

Not as good as the first two (which were great) but still very enjoyable. This film was a disaster--it took 2 years to make and went through multiple rewrites, reshoots, cutting, editing and was overhauled completely when a test audience hated it. The film is pretty violent (for 1936) but the original was even more so with a vampire bat sequence that got completely cut out! The sex has been toned down too--Jane is dressed VERY modestly this time around and she's fully clothed during the underwater swimming sequence (she was totally nude in "Tarzan and his Mate". Still, this film isn't really for kids. The violence IS pretty strong. Also Tarzan and Jane's tree house is quite elaborate this time around. And there are shots of Cheetah laughing that are hysterical.

The acting varies--Weissmuller is very good as Tarzan--his emotions show clearly through his face (but he does look a little old in a few sequences); O'Hara is still bad as Jane and everybody else is TERRIBLE--especially Buckler and Herbert Munder (stuck with the thankless "comic" relief role).

Still this is fast-moving with plenty of action. Worth catching.

Tarzan Escapes was released on VHS in the UK by Warner Brothers as part of a box set which also includes Tarzan Finds a Son and Tarzan and His Mate. I enjoyed this one.

Janes cousins, Eric and Rita arrive in the jungle to look for Jane to tell her she has inherited a lot of money. They arrive with Captain Fry, who plans to kidnap Tarzan and have him as part of his freak show. He does manage to get him into a cage but with the help of some of his elephant friends and Cheetah, he escapes and towards the end, gets his revenge when he makes Fry go back into a cave they just went through where there are hungry lizards and Fry is killed.

As always, Johnny Weissmuller and Maureen O'Sullivan are excellent as Tarzan and Jane.

Tarzan Escapes is a must for any Tarzan fan. Great fun.

Rating: 3 and a half stars out of 5.

Nasty hunter Captain Fry (John Buckler) leads an expedition to Tarzan's stomping ground with the aim of capturing the ape-man and exhibiting him in England. Unaware of Fry's nefarious intentions, Jane's cousins, Eric and Rita (William Henry and Benita Hume), tag along for the journey hoping to convince their relative to return to England in order to help them claim the fortune that has been left to them in a will.

It's back to the Mutia escarpment for more jungle action in the third of the Weissmuller Tarzan films; unfortunately, this time around, much of what made the first two films so much fun—the gloriously un-PC violence and steamy sexuality—is missing thanks to the introduction of the Hays code, Hollywood's moral guidelines.

So instead of Maureen O'Sullivan giving us an eyeful in her animal skin bikini, we have her wearing a much more demure dress, and when the film gets down to the dispatching of native bearers, much of the nastiness happens off-screen; the film also suffers due to a troubled production which saw much of the original film being re-shot and re-edited. It all amounts to a rather tame offering that lacks the thrills and spills of Weissmuller's earlier outings as the affable ape-man (even the nasty execution via tree that horrified me as a child was less gruesome than I remembered).

Still, the film remains fairly watchable thanks to the chemistry between Weissmuller and O'Sullivan, some funny antics from Cheetah the Chimp (she teases lion cubs, attempts to ride a zebra, and laughs as comedy relief Rawlins tries to master swinging on a vine), the impressive sight of Tarzan's 'town-house' (complete with elephant powered elevator!), and one particularly bizarre scene featuring a weird dodo-like bird (which I presume must have been performed by a man with no legs, walking on his hands in a feathered suit!!!).

6.5 out of 10, rounded up to 7 for IMDb.

Tarzan Escapes is OK, though not a patch on its predecessors, Tarzan the Ape Man (1932) and Tarzan and His Mate (1934). Most interestingly, it was originally shot as Tarzan Returns in 1935, but this film was completely remade, largely because it 'lacked a central plot menace'. Paradoxically, what was cut from Tarzan Returns was its biggest 'plot menace' - a Giant Vampire Bat sequence, set in a swamp, which would have been great! Tarzan Escapes retains the swamp sequence but with giant lizards only and no bats. I've seen stills and production drawings of the prop bats and they were wonderful creations (as ridiculously large as the crocs were in these movies), with flashing red eyes... What a shame that we'll never get to see this version!