Stolen Holiday

Plot-- Clever con-man Orloff uses fashion model Picot to gain entrée into French high society. Once situated among the rich, his financial swindle proceeds. In return, he rewards Picot with her own fashion house, which soon prospers. But what will happen to their bonded relationship if Picot's con game is discovered.

That opening of elegant models parading down the runway is a grabber. As one of the models, Picot (Francis) commands with regal stature and a compelling gaze. On the other hand, Orloff (Rains) commands with voice and smooth demeanor, despite his short stature. Together, they're an interesting, though hardly romantic, pair.

It's really the two charismatic leads that carry the film. The con game thread is not emphasized, rather the odd relationship between the two amounts to the main thread. It's ultimately a bond of friendship and gratitude that endures, despite Picot's romance with the rather callow Wayne (Hunter). I'm not sure how convincing the relationship is since the narrative is more intent on using it rather than explaining its steadfastness. I wish that key part were more strongly written. And though talk dominates, the film's well-mounted, while Curtiz directs with a smooth tempo that never drags. Also, a rotund, aging Allison Skipworth as Picot's assistant adds a colorful touch of lemony spice.

In passing-- Catch that biplane the twosome travels to France in. It may be the ugliest example of flight engineering I've seen. Note also presence of commanding Frank Conroy as a police inspector. His fearsomely dominating Maj. Tetley in the classic Ox- Bow Incident (1943) certainly deserved Oscar recognition. Here he gets a few moments of that.

Overall, the movie's mainly a showcase for the two leads, without being anything special.

Actually the stolen holiday of the title is only a small part of the film and is, quite frankly, a little boring and holds up the action. I found myself longing for it to finish and get back to the main plot! Fine performances from Kay, Claude Rains and Alison Skipworth, and Ian Hunter is his usual debonair self. Also, in a small part, Alexander D'Arcy (he of "The Awful Truth" fame).

Some of the strongest scenes are in the early parts of the movie, especially when Kay Francis almost arrogantly descends the staircase at a grand reception she is giving, and, seemingly ignoring everybody, manages to turn every head in the place with the new creation she is wearing! Marvellous!! To the best of my knowledge this movie has never been shown on British TV.

So, over here at least, a forgotten film worth investigating.

Fans of Claude Rains and Kay Francis shouldn't miss this one. It has its weaknesses--the romantic lead (Ian Hunter) is simply not as interesting as the devilish Rains--but it's tremendous fun nonetheless. The opening sequences may be the strongest: independent model Kay Francis meets the dashing but underhanded Claude Rains under strange circumstances, and the two form an unlikely partnership. The scenes between these two are the highlight of the film.

In a great supporting role as Francis's best friend and Rains's severest critic, acid-tongued Alison Skipworth is hysterical. And I love the elegant and often eccentric fashions spotlighted by the movie in the fashion show sequences. For me, the interest only flags during the "stolen holiday" of the title--a forced romantic idyll between Francis and Hunter. When Rains starts scheming and Francis starts suffering, that's when the movie really cooks. You'll have your work cut out for you finding this movie, but it's worth seeking out.

Fashion model Kay Francis (Nicole) is selected to accompany swindler Claude Rains (Stefan) on an important business function. In return, he will set her up with her own fashion business in return. This is her dream, and, as she doesn't suspect him of shady business practices, she accepts. She is basically an escort under the guise of 'fashion model' and she gets her business as promised. They forge a friendship but Rains cannot keep up his crooked front and asks her for another favour - marriage.

The film looks good and it has great sets and fashion elements thrown in that are interesting to look at. Francis and Rains are usually worth watching but this is sub-par material and neither character gets to really pull off any hard-hitting scenes because the storyline takes a bland path. It never really explores any true criminality, there is no suspense and Ian Hunter (Anthony) is introduced as a love rival for Rains and he is completely miscast.

So, we have an unconvincing love affair between Francis and Rains and another unconvincing love affair between Francis and Hunter and Rains as the despicable manipulator, whilst slimy, is never a threat in any way. The film, unfortunately, falls flat and drags.

Kay Francis is in more mediocre to crappy films than any good actor I know. This is yet another whose only reason for existence is so director Michael Curtiz can make visual love to her while she wanders around studio backlot Paris, modeling gowns. (Actually, I can think of worse reasons to make a movie. Better ones, too). Give it a C. PS...Claude Rains did not get the memo re the inadvisability of having one's leading man at least 6 inches shorter than his leading lady.