Speed

Jimmy Stewart may be only an automobile tester right now, but he's got plans: "I'm not always gonna be a mug with cylinder oil in my hair," he vows.

While he spends his working days racing, flipping and crashing test cars, he is also working on a new carburetor design that he is sure will make his mark. Unfortunately, he's having trouble perfecting the carburetor…will the company bigwigs force him to take on help from the snooty engineering department?

Stewart's ambitions and frustrations make up one part of the plot; the other half of the story is a romantic drama involving publicity agent Wendy Barrie, newly promoted auto executive Una Merkel, and bland auto engineer Weldon Heyburn, whom Stewart considers a rival both professionally and romantically but who is really not a bad guy after all.

The first fifteen minutes of the picture offer a great tour of the automobile factory where these characters all work. It's basically a commercial for the auto industry, and a pretty neat look at the inside of a production plant, circa 1936.

With this cast, you would expect some good laughs or at least plenty of snappy dialog delivery; unfortunately, the tone is fairly grim and the screenplay pretty dry. We do get a bit of comic relief from Ted Healy as Stewart's friend and sidekick; but it sure seems a shame to have both Barrie and Merkel—two really excellent comic talents—go practically a whole movie with no wisecracks!

The production is slick and includes some impressive footage from testing grounds and racetracks. And Stewart definitely shows some charisma, even though his character is so stubborn and self-pitying that it's hard to root for him completely.

Overall, it's easy to watch but probably should have been better.

If one is asked to name the top 10 actors of the classic era, certain names always show up: Cary Grant, Humphrey Bogart, and James Stewart. Before Stewart became a megastar, though, he acted his way through small roles in big films - Rose-Marie, Born to Dance, Small Town Girl, Wife vs. Secretary, and a big role in a B film, Speed (1936). At 70 minutes, one wouldn't think it would be too long, but it is.

Speed is the story of a young man, Terry Martin (Stewart) who is the chief car tester for an automobile company. He has invented a carburetor which has not been refined or tested yet, but he has high hopes for it.

A young woman, Jane Mitchell (Wendie Barrie), arrives there to work in publicity, and both Terry and an engineer in the company, Frank (Weldon Heyburn) are interested in her. When Frank is assigned to work on the carburetor with Terry, Terry isn't happy about it.

And when he asks Jane to a dance and she refuses, saying she has too much work to do, and shows up with Frank (she's doing him a favor), then Terry is really unhappy and resentful.

Ultimately the company decides to enter the finished carburetor in the Indianapolis 500 race, even though Terry isn't satisfied that it's ready.

Lots and lots of racetrack footage, with Stewart playing a guy with a chip on his shoulder about his background.

Una Merkel has the role of a secretary who has become an executive and is in love with Frank. "I wonder," she says with a sigh, "if a woman should rise too high." Yeah, it's the '30s all right.

I love James Stewart and I really believed I could watch him in anything. This film is certainly of interest to see how he was brought along in his career, but that's about it.

Terry Martin (James Stewart) test drives prototype cars for Emery Motors in Detroit. Jane Mitchell (Wendy Barrie) is the new hire at the publicity department. Frank Lawson (Weldon Heyburn) is the head engineer and designer. Josephine Sanderson (Una Merkel) is the office manager. There is friction between mechanic Terry and the engineering department. Terry has made a new carburetor. With Frank's alterations, they test it in the Indianapolis 500.

This starts with a nice car stunt and then it turns into a ten minute industrial educational film. They need to show off the machinery. I like my heavy metal and this is fascinating for me. For other people, it's probably rather boring. There is a nice little love triangle and then a quadrangle. For sure, Jimmy Stewart is the cat's meow and the audience knows it. It's an early lead role for him. He is certain to get a girl. The car action has some good stock-footage crashes. This seems to be a movie written by the auto industry. I like Jimmy and I like cars. The movie is ok.

That honor goes to Next Time We Love with Margaret Sullavan. Indeed, she specifically chose Stewart to play opposite her. What stands out here is how even in his early raw period, his naturalness before the camera stands out.

Most everyone's style of acting is rather dated, but not Stewart's. This is so even in the musical he did with Eleanor Powell, Born to Dance. Not even in those early roles where he was honing his skills. He even stands out against Powell and Loy and Company in After the Thin Man, where he shows an early surprising edge. Speed demonstrates that Stewart did drunk well--see The Philadelphia Story for later confirmation of this.

He's also quite sexy in some of that early stuff.

After some minor, but impressive roles James Stewart was handed the lead in SPEED (1936). A typical 'B' programmer that the Major Studios used for actors to work the 'kinks' out before they were moved on to major projects. In this one Stewart plays TERRY MARTIN a talented test driver and inventor from the wrong side of the tracks. That means he is loaded down with all sorts of class warfare hang-ups that was supposed to endear him to the mid 1930s audiences. Actually in the 21st Century he just comes off as a ASS!

MARTIN is working on a new SUPER CARBERATOR with his side-kick 'Gadget' Haggerty (Ted Healy). He duels for creative control with Frank Lawson (Weldon Heyburn) educated engineer and top intellect of the company and also for the romantic interest of Jane Mitchell/Emery (Wendy Barrie). 'Jo' Henderson (Una Merkel) wants Lawson, but just does not know how to go about it. Fear not, true love will conquer in the end and automotive innovation, money and success will follow, with a happy ending.

The idea of a engineering miracle invention like the SUPER CARBERATOR was a typical one in the 1930s. Whether for Automobiles or Aero-Planes it promised a revolution in performance. Either by stretching a gallon of gas to a 100 miles or promising speeds (in the air) in excess of 500mph. The movies though were on the wrong track. In Germany and Sweden, fuel injection was shown as the way to go, not carburetors. Don't think so, just look under the hood of your Car!