Aggiungi una trama nella tua linguaModeling furs has given our heroine Cookie a taste for them, so she's determined to marry a rich man. Scheduled to meet a male model aboard a yacht, she meets the yacht's rich owner Dick Smi... Leggi tuttoModeling furs has given our heroine Cookie a taste for them, so she's determined to marry a rich man. Scheduled to meet a male model aboard a yacht, she meets the yacht's rich owner Dick Smith instead; he welcomes the confusion of identity and sets out to win her by force of pers... Leggi tuttoModeling furs has given our heroine Cookie a taste for them, so she's determined to marry a rich man. Scheduled to meet a male model aboard a yacht, she meets the yacht's rich owner Dick Smith instead; he welcomes the confusion of identity and sets out to win her by force of personality alone. It's an uphill battle. Lots of wry repartee.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Hotel Porter
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- Wedding Witness
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- Man in Room 216
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- Photographer
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- Male Model Who Escorts Cookie
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- Wedding Guest
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- Party Guest
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- Policeman
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- The Minister
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- Mr. Murphy - Photographer
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- Phoebe - the Maid
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- Second Call Boy
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Recensioni in evidenza
Besides Raymond and Sothern, three other familiar actors in the supporting cast contribute to the humor. Helen Broderick plays Mrs. Gwen Mayen, the sister of Sothern's Frances "Cookie" Cooke. Gwen has an itinerant ex-husband who shows up periodically to mooch off of her. That's Terry, played by Harry Jans. Eric Blore - I think the best comedy actor of all time in butler or valet roles, plays Lucius Philbean here. He is - you guessed it, the valet to Raymond's Dick Smith. That's the somewhat alias that Richard Stuyvesant Smith goes by as he makes a play for Cookie. She calls him m"Smtty." Erik Rhodes is Baron Enrico Torene, who's out to woo Frances with his rare egg collection.
Well, I said this is borderline screwball. The first half is rather straightforward comedy with one of those common wealthy people disguised or acting as a common non-wealthy person, trying to win the other without his (or her) money. It all starts out as a mistaken identity when the wealthy Smith returns early to his yacht. Trusty Philbean has rented it for a couple of hours for use by a photo publicity firm. The shoot has been delayed some because the male model hasn't shown up, so when Dick figures out what's going on, he plays along as the model. All of this to win the girl he's just fallen for.
Philbean, in the meantime, is glad not to have been caught for his indiscreet way of making some money on the side. But, he's also the watchdog of his boss, to keep him from again going overboard and having a young thing taking his boss for some big dough. Well, Cookie has her heart set on marrying for money - nothing new there. Sister Gwen wants her to go for the baron who's loaded with money. She puts off Dick's moves, so he makes up an advertising company with Philbean at the head and he hires Cookie. This is all to film commercials for the make-believe company. But, in reality, it's so Smitty can get close to Cookie and win her over.
Before this is over with, lots of mayhem, silliness and just plain screwball activity happens, bringing the whole thing to a happy conclusion at the end. One scene that may be unique in all of filmdom has Cookie giving Smitty a hair treatment and shampoo. It's funny and quite intense and messy, so it's probably a scene that was shot in just one take. This film has lots of laughs and many smiles. It's for those who enjoy real comedy and like to laugh. I think most people would still enjoy it well into the 21st century. The last scene in the Belvedere Hotel is riotously funny and had me laughing out loud.
Here are some favorite lines.
Mrs. Gwen Mayen, "What's wrong with him?" Frances "Cookie" Cooke, "Oh, there's noting wrong with him, and there's nothing right with him. He's a foreigner. I don't understand him, and he's a bore."
Gwen Mayen, "Oh, what difference does it make what he collects, so long as he has the habit? You can get him to collect furs, emeralds, diamonds just as easy."
Photographer, "Hey, what's your name - I told you to hold here there." Dick Smith, "The name's Smith." Frances Cooke, "You sure it isn't locksmith?"
Lucious Philbean, fumbling with the office phone, as Smith tries to get him to use the switch on his desk, "Hello... switch, which switch, hello, are you there? Oh, of course you're there. Yeah, we're all here... yeah, were al..." He continues mumbling.
Lucious Philbean, "Oh, but sir, I thought...." Dick Smith, "What with?"
Frances Cooke, "My father used to say, A smart man knows that money can buy anything, so he doesn't have to prove it.'" Dick Smith, "Well, mine used to say, 'Money makes a man go for it.'"
Dick Smith, "Wait a minute! That's not right. She can't be in love with that fellow. She must be in love with me." Lucius Philbean, "Isn't that rather carrying the wish to the well, sir?"
Cookie Cooke, "This stuff'll nail your hair right into your scalp."
Dick Smith, "You mean you'd really go to bat for me?" Cookie, "Well, you were nice to get me my job. Anyway, you're such a nitwit that you need a manager."
Dick Smith, "Say, I'm no cripple." Gwen, "Well, you stand an awfully good chance of making it if you don't scram."
However, Raymond nevertheless falls head over heels in love with her upon their first meeting. While he knows that she is purely after money, it comes across as very naive.
Gradually she becomes more sympathetic and the sharp edges in her character are smoothed away.
The scene in the bathroom is crucial but actually a bit too little to make it really believable.
All in all, somewhat amusing, but the romance is ultimately not very believable.
Ann Sothern plays a model who has decided that she needs to get married--and not for love but money. It just happens that a rich guy is instantly smitten with her (you're never sure why) and after ignoring him for much of the film, Ann decides she can allow herself to marry a poor guy--and they marry. Sounds romantic, no? NO! But the film has Helen Broderick and Eric Blore and a lot of the plot you'd expect in such a thing. But my problem is that Raymond's character seemed a bit daffy falling for her so quickly and she just seemed like a scheming gold-digger--not exactly an endearing quality.
The actors are all good - Helen Broderick always had great line delivery, and Eric Blore is in his usual role. Ann Sothern is beautiful and Gene Raymond is charming. It just doesn't add up to much with its very thin plot. I assume this was a B film since it only ran an hour. It's cute, but nothing special.
Lo sapevi?
- QuizQuartieri di lusso (1936) is one of five movies of the mid-1930s in which Ann Sothern and Gene Raymond are romantic partners; the others are Hooray for Love (1935), L'incontentabile (1936), There Goes My Girl (1937) and Una ragazza fortunata (1937). Three decades later, both were cast in the political drama L'amaro sapore del potere (1964). According to film historian David Shipman, the pair didn't get along at all and actively disliked working together. Raymond wrote the song "Will You?" for The Smartest Girl in Town and sings it in the film to Sothern whose answer, by the way, is "No." In another tart dialogue exchange, Raymond asks if he may smoke and Sothern snaps, "Go ahead, if you think you're so hot."
- BlooperThe cord on Lucius Philbean's pince-nez glasses flips back and forth several times during the scene in the Philbean Advertising Company office.
- Citazioni
Young model: What's the matter with her? She's too ritzy for chili?
Gwen: I don't know, maybe it's too chilly for the Ritz.
- Colonne sonoreWill You?
(1936)
Written by Gene Raymond
Played during the opening credits and as background music often
Played on a ukulele and sung by Gene Raymond (uncredited)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Smartest Girl in Town
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 58min
- Colore
- Proporzioni
- 1.37 : 1