The Rogues' Tavern

Dancing around the code a couple of Store detectives shop up at a tavern on a dark and stormy night looking for a justice of the peace to marry them. Unfortunately for them the Justice hasn't arrived but a hotel full of people have, as has a murderer.

This is a good is a tiny bit slow (Due more to lack of music than plotting)thriller. This is a movie that for a while operates like Ten Little Indians as several of the guests are killed by a wolf dog, or so we are to believe.

The mystery is thick and its not entirely fair however the dialog is snappy and a joy to listen to. There are sliding panels and weird happenings and everything you could want from an old dark house mystery.

No its not perfect but it is fun.

If you get the chance watch it, preferably on a dark and stormy night....when the wolves are howling outside....

The Rogues Tavern starts out promisingly: an opening scene features a nearly silent, deliberately-paced panning shot of the hotel commons area and its various guests, all sitting quietly. The camera pauses on each face or silent group, finally closing in on Joan Woodbury reading cards and delivering a fortune to a fellow guest—a reading that ends suddenly when she turns up the ace of spades, the card of death! It's a wonderfully atmospheric setup that promises a spooky tale of hidden motives and secretive characters, possibly with a touch of the supernatural mixed in.

Alas, along come Wallace Ford and Barbara Pepper as a pair of runaway department store detectives who have apparently eloped with no better plan than to run off into the night hoping vaguely to find a justice of the peace and a hotel room (or, as Ford's character notes, if the justice doesn't show up, then they'll need two rooms).

The rest of the show isn't bad; it just doesn't move fast enough or create enough suspense to keep me from noticing that...well, for example, that Joan Woodbury is wasted for the rest of the movie. Instead of developing her character as a sort of mystic (real or phony), she is given nothing to do but just wring her hands a lot and say thing like, "We're all doomed!" Or from noticing that Wallace Ford is too confident by half in his detecting skills, and heroine Barbara Pepper is too polite to him by more than half. (Why doesn't she smack him when she's got an important clue and he tells her to leave him alone and won't listen?)

Still, there is some atmosphere to be enjoyed here. And it's not every mystery criminal who frames a friendly dog for murder. The murderer also gets in some fun evil cackles in the climactic scene when preparing to finish off the remaining guests in one fell swoop. Yes—fans of evil cackles should not miss this one.

A honeymooning couple arrive at a tavern only to become embroiled in a series of murders involving a group of very suspicious guests. It seems as if the killings are being committed by a vicious dog.

Rogue's Tavern is yet another in the cycle of Poverty Row whodunits. There were an awful lot of these in the 30's. Like most of these films, this one involves events set exclusively in an old dark house. To be fair, this is one of the slightly better one's I have seen. Its mystery is reasonable enough; while it's climatic reveal scene was actually pretty good. For such a limited movie sub-genre you really have to make the most of any plus points. And at the very least this one more-or-less works and doesn't bog things down with much lame humour, which others seemed to do. All-in-all, not bad for this kind of thing.

The Rogues' Tavern (1936)

** 1/2 (out of 4)

Another film in the long line of "old dark house" or "murder-mysteries" as Jimmy (Wallace Ford) and his fiancé Marjorie (Barbara Pepper) show up at an old hotel to get married but there's no Justice of the Peace. Instead they find a dead body and a bunch of suspects and soon the threat of more deaths is hanging over everyone so Jimmy must try to solve the case.

THE ROGUES' TAVERN isn't the greatest movie ever made but it's certainly interesting enough to keep you entertained throughout its 69 minute running time. If you're familiar with these types of films then you already know that it seems there were at least a hundred of them released throughout the 1930s. Everything from killer gorillas to killer madmen to wack job women were suspects and each one always featured various objects that kept them all familiar. It could be trapped doors, the whole thunder spells and usually there was a man and woman team solving them.

This film at least has a pretty good cast including Ford. He worked in a various of film genres but he makes for a good lead her as he's quite charming and manages to hold your attention. Pepper, Joan Woodbury and Clara Kimball Young are also good in their roles. The direction here isn't anything overly special but at the film moves at a nice pace and there aren't any major issues. The ending is quite nice, although I must admit that the shot of the possible victims faces before and after the killer is identified was quite funny.

As the other writer said, this is a "borderline Old House" film, but I feel that he under-rated it. The business about a "mad dog" doing all the killing is very unusual. Despite what he says, the "closeups of Joan Woodbury" are only done ONCE or TWICE. She is the "mystic" who is constantly predicting death to all present, and the closeups of her eyes are supposed to lend to the eeriness of the film. A VERY intersting film, if a bit melodramatic in parts! Check it out!

Norm