Aggiungi una trama nella tua linguaJim Larrabie and Bob Gordon, two reporters, are sent to prison on bogus charges after exposing the corrupt practices of J.W. Moett and Dudley. The two suffer extreme cruelty due to the sadis... Leggi tuttoJim Larrabie and Bob Gordon, two reporters, are sent to prison on bogus charges after exposing the corrupt practices of J.W. Moett and Dudley. The two suffer extreme cruelty due to the sadistic behavior of the warden and guards.Jim Larrabie and Bob Gordon, two reporters, are sent to prison on bogus charges after exposing the corrupt practices of J.W. Moett and Dudley. The two suffer extreme cruelty due to the sadistic behavior of the warden and guards.
- Regia
- Sceneggiatura
- Star
- J.W. Moett (changed from Metcalfe)
- (as Joseph King)
- Doctor
- (as Olin Howlin)
- Atty. Gen. Marsden
- (as William Davidson)
- Mr. Dudley
- (as Ed Van Sloan)
- Jake
- (as Ben Hendricks)
- Jeff - Convict with Bad Leg
- (non citato nei titoli originali)
- Convict
- (non citato nei titoli originali)
Recensioni in evidenza
Donald Woods plays James Larrabie, whose first expose on Moett's ties to political corruption has Moett trying to corrupt Larrabie himself by offering him a job in return for dropping this series of exposes. Larrabie refuses. Then he does a rather dumb thing - he tells Moett where he is going (Chicago) and how he is getting there. While Larrabie and his assistant Bob Gordon are on the road they are intercepted by the state police for suspicion of a robbery. So far, it is assumed this delay is set up by Moett, but what happens next is not. A criminal kills the local sheriff as he is putting Larrabie and Gordon in jail, and now Moett can't believe his luck, he now has the journalists up for murder. He conspires with a corrupt attorney to get them to plead guilty. The actual jail breaker is dead, so nobody can say they were not part of it. The corrupt attorney therefore tells them to plead guilty to the jail break and they'll get a suspended sentence. He knows the judge, although not corrupt, is a "hanging judge", and instead they get five years hard labor.
This is where the brutal prison scenes begin, with there even being a mine where prisoners who are sent there are destined to die a slow death of black lung disease due to a lack of any protective gear. What does Larrabie have going for him? His editor as well as his girlfriend are working on the outside to get him freed by appealing to the Attorney General. What is not going for him? His girlfriend's stepfather is one of Moett's henchmen. How will this all work out? Watch and find out.
Warner Brothers doesn't have quite the courage of their convictions here, since the corrupt state and prison system is unnamed. How did the prison system get to be so bad, presumably in the south? Originally, the big prison farms were a product of Reconstruction and a substitute for slavery. Largely, at first, blacks were sent to these prison farms, maybe or maybe not guilty of what they were convicted. But the state got free labor out of them, often renting them out to planters who no longer had access to true slaves. The brutality came from what had been done in the past to keep field slaves in line on the big plantations. Eventually, over decades, this just became the prison system for the entire south and for all races.
Well, enough of the history lesson. But I really highly recommend this fast paced little film as probably the best thing I ever saw Donald Woods in, helped by a tight script and good direction.
Here is a fine example of the type of crime film which Warner Bros. produced so well. Although there are no big stars in the film, the acting is generally good, the stifling atmosphere is well maintained and the production values - especially in the prison camp/mine sequences - are of a high standard.
Donald Woods makes a sturdy, stalwart hero; made to endure various humiliations & punishments, he never wavers in his fight for justice. This is quite typical of the fine performances Woods gave during his career. Kay Linaker is enjoyable as his courageous fiancée.
The film is sparked by a handful of noteworthy performances among the large cast: Carlyle Moore Jr. as Woods faithful, tragic buddy; Henry O'Neill as a slick, utterly corrupt politician; Edward Van Sloan as a shyster lawyer; Olin Howlin as the lethargic prison doctor; and Charles Middleton as the Blackfoot Mine's vile warden.
ROAD GANG was a partial re-make of Warner's' hit film from four years earlier, I AM A FUGITIVE FROM A CHAIN GANG (1932), starring Paul Muni. In the days of the studio factory system, when churning out one picture after another in an almost endless supply was vitally important, it was not at all unusual to recycle the plots of successful A movies. The B pictures department would change elements here & there (ROAD GANG has a much happier ending than the Muni film), and release an entirely new picture, hoping for another winner. This was the first film scripted by the young Dalton Trumbo, destined to be famous for more than just his celebrated screenwriting abilities.
MGM may have gussied up the Depression era with glamorous escapism, but not so Warner Bros. WB liked to say their stories were ripped from the headlines of the day. Their writers operated from street level and not the penthouse top, as this programmer clearly shows. Prison conditions could be abominable at a time when tax monies had dried up along with businesses. Thus prison movies like the best known one, I Am a Fugitive From a Chain Gang (932), were popular with straitened audiences of the day.
There are many good touches in Road Gang—the pin-pricked message, the tumbling coal stope, the artful safe-cracker. Note too, how the scheme reporter Larrabee (Woods) uncovers goes all the way to the top. I'm sure audiences of the day enjoyed indicting the rich and powerful. Nonetheless, the movie lacks the fire needed to lift it from the merely routine. Woods is sturdy and likable, but lacks the intensity needed to drive the plot in a memorable way. Also, that superb villain Charles Middleton (mine boss) curiously underplays his key role, such that no sparks are lit there, either. My guess is that director King was not much engaged with the material. His story direction is competent, but nothing more. Thus the narrative unfolds in interesting but not gripping fashion, which I suspect is why it's omitted from Maltin's film guide. Too bad WB didn't get Cagney for the lead role or Mike Curtiz to direct it.
** 1/2 (out of 4)
"B" picture from Warner about a reporter (Donald Woods) trying to bring down a dirty politician but before he can he along with a friend and set-up and thrown into a corrupt prison system. Once there the reporter sees the abuse that prisoners are receiving so he sets out to do something about it. This here is obviously just a low-budget rip on I AM A FUGITIVE FROM A CHAIN GANG and while it's nowhere nearly as great as that film, on its own this here remains mildly entertaining. The best thing is that it barely clocks in at a hour, which means were just given a bunch of fast-paced action. The film really doesn't have too much to say as it just goes through the motions and delivers the action. A lot of credit has to go to Woods who manages to keep the viewer interested in his character and this here helps keeps us entertained in the film. The supporting cast also features Kay Linaker as the girlfriend, Carlyle Moore, Jr. as the best friend and small roles from Henry O'Neill, Joe King and Edward Van Sloan. At just over a hour there's really not too much "story" here but that's pretty much what you'd expect from a film like this. It's main purpose was to entertain and it does a good job at that. One strange thing is that there's some editing to the soundtrack because one character is being addressed by a certain name (Moett) and this character is listen in the credits under this name. However, it's clear that the other characters are calling him by a different name (Metcalf) so why the edited soundtrack appears to be a mystery.
Lo sapevi?
- QuizThe character played by Joe King is shown in the opening credits as Moett. On the TCM print every time this character is mentioned it's clear the actors are saying Metcalf even though the sound drops out as if being censored.
- BlooperAlthough his name is spelled throughout as "Larrabie," he signs a hand-written letter as "Larabee."
- Citazioni
Robert 'Bob' Gordon: It's funny... darkies can always find something to sing about.
- ConnessioniReferenced in Le belve della città (1936)
- Colonne sonoreLullaby of Broadway
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Hummed by Donald Woods and Carlyle Moore Jr.
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- Prison Farm
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 1 minuto
- Colore
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- Proporzioni
- 1.37 : 1