La foresta pietrificata

Robert Sherwood's The Petrified Forest had a run in 1935 on Broadway for the first half of that year. Warner Brothers bought the film rights and shot it the following year. Leslie Howard and at his insistence, Humphrey Bogart, came west to repeat their stage roles.

For Bogart it was a return to bigger acclaim than he had gotten in his first trip to Hollywood in the early Thirties. He hadn't made much of an impression then, but he was in Tinseltown to stay after The Petrified Forest and his frightening characterization of criminal on the run, Duke Mantee.

The Petrified Forest takes place in a filling station/greasy spoon truck stop on the edge of the Arizona desert. About as desolate a place as you'll find. Three generations of the Maple family own and operate the place. Grandpa Charley Grapewin, Father Porter Hall, and daughter Bette Davis who dreams about the fact there's more to life than this nowhere place. Bette also has to contend with former college football star Dick Foran and his clumsy efforts at courtship.

Along comes Alan Squier played by Leslie Howard who's a blase world weary vagabond who's seen better days. He and Davis hit it off and she comes to realize that there is a great big world out there.

The first third of the movie involves the two of them and I have to say that in the mouths of players less skilled than these two, Robert Sherwood's dialog would have sounded like so much romantic drivel.

For Davis, Gabrielle Maple is a unique part and not one she'd play later on as her features hardened. An intelligent and romantic young girl is not a typical Bette Davis part, but she does bring it off.

As for Howard, Alan Squier is a typical part for him. Not too much different than Ashley Wilkes or Philip Scott from The 49th Parallel.

The remainder of the film is when Duke Mantee and his gang take refuge at the filling station and hold captive anyone who's there or wanders in. A lot of souls are bared under Mantee's guns and the climax is spectacular.

Two other actors who repeated their Broadway roles are Joseph Alexander who's the chauffeur of a rich couple who stop at the filling station and Slim Thompson a member of Mantee's gang. Both of these players are black.

Joseph Alexander is a menial and Slim Thompson really rubs it in to him, telling him the day of liberation has come for some time now. In 1936 that was practically revolutionary.

Alexander had a substantial career, but I have no idea what happened to Thompson. He had no other film credits and only one other stage appearance on Broadway in the original production of Anna Lucasta.

Moviegoers of all generations should thank Leslie Howard for insisting on Humphrey Bogart being in this film and helping to create a screen legend.

I may have seen this film many, many years ago but I have no such recollection. I rented it last night and was amazed at the issues handled by a fine cast in a pre-World War II gangster film. A black chauffeur for a rich couple is not typically stereotyped but has a say as to how he does his job. A second black character is an equal member of the gang of fleeing desperadoes with no reference to his race and he engages in conduct no different than his cronies. A quick interchange between the two black characters is fascinating. The Rich Wife spills out her anger and frustration about a loveless marriage in terms as realistic for many today as it was when the film was made.

The love story is dramatic; it is also unreal. Leslie Howard, who was to die in World War II when the plane on which he was a passenger was shot down by the Luftwaffe (there's a strange story about THAT interception), relates his failed marital history with a genteel but real frankness not usually found in pre-war cinema.

Bette Davis and Humphrey Bogart shine in their roles. Bogart was starting off on his long career as a bad guy and does his promise come across. Davis is appealing with a naivete absent from most of her later films.

This is definitely a film with an agenda. Comments on patriotism seem suspended between caricature and seriousness. A sign, "Tipping Isn't American-Keep Your Change," hangs prominently in the desert cafe. Tipping isn't American? During the Depression? Methinks not.

One of the best films from a long-ago Hollywood that had its too often underappreciated cohort of serious thinkers.

"Petrified Forest" is both a fine film and a reminder of a Hollywood that occasionally showed its ability to address sensitive issues when even discussion of some of them was largely infra dig for most cinema moguls and their claques.

Based on the stunningly emotion play of the same title Petrified Forest is the tale that Acting great Leslie Howard will always be remembered for.He is at the heart of this film as a disillusioned intellectual whose personality never survived the war. Bette Davis is also strong as the waitress who Howard shares his secrets with. Humphrey Bogart made an impressive screen debut repeating the role of Duke Mantee at Howard's insistence. Howard and Bogart played the roles on stage and it is a treasure to see these two actors performances preserved for posterity. Those on this page who have questioned Howard's portrayal of his role are obviously missing the entire emotional through line of his role. Howard was far ahead of his time, an extremely naturalistic actor in a Hollywood obsessed by type casting. Watch this film and be moved by the story. you won't regret it.

Even without the dramatic events in the last part of the movie, it would be hard to forget this movie because of the memorable acting performances that make the characters so believable and interesting. Leslie Howard, Bette Davis, and Humphrey Bogart are all excellent, and the rest of the cast is very good, too.

The first part of the film introduces the audience carefully to each character, mostly through their conversations. Howard, as a drifter in search of a purpose, comes into the roadside diner where Davis, the idealistic dreamer, works as a waitress. They are the center of attention, but the other characters also are part of the ongoing theme about finding meaning and value in life. Meanwhile, the gangster-on-the-loose Mantee (Bogart) is not seen, but we find out plenty about him. This first part is often somewhat stagebound, but the fine acting keeps it on track, and it is essential in setting up the more dramatic second half of the film, when Mantee and his gang take over the diner. All of the characters are part of a tense and interesting scene as they are all - including the gangsters - confronted with situations they cannot control.

At times it gets rather melodramatic, at other times (early on) a bit talky, but always worth watching - "Petrified Forest" is a film to see if you appreciate good acting.

A glorious movie based on a very wise and compassionate play. It is a savage indictment of a lifeless civilization. Confronted by death in a hostage situation, one elderly wife bitterly reproaches her husband of having stifled her personality: "You took my soul, you stenciled it on a card and filed it". Leslie Howard gives up his quest for bliss, and seeks to die in style for his beloved. Bogart represents nature lashing out against man. Alas, few movies from the thirties achieve this height of artistry. Hollywood makes a mistake when drawing plots from novels rather than plays. The concentrated compactness and intimacy of a play cannot be had from a sprawling novel.