Un bacio al buio

When you see a cast that contains such folks as Roland Young, Hugh Herbert, Mischa Auer, Donald Meek, Erik Rhodes, Eily Malyon, and Richard Carle in the cast it's almost an obligation to watch the film. All these are in the cast filling out roles you would expect of them supporting leads Francis Lederer and Ida Lupino.

This could only happen in France where they are a bit more permissive. And it could only work for a charming guy like Francis Lederer. Don't try this here unless you're Brad Pitt or Tom Cruise. One afternoon Lederer who is opening in a revue shortly decides to spend an afternoon at the cinema with a woman he's dating and do the things couples do at the movies. Only Lederer gets the wrong row and when he reaches over and plants a big wet on Ida Lupino she's started and screams. when she's startled.

When the lights go on and everybody in the theater jumps into their business Lupino is willing to just let it all drop. But Eily Malyon best remembered as the parish housekeeper in Going My Way is there and happens to be the head of the Purity League. She insists on bringing a complaint against Lederer and the gendarmes haul him off to the pokey.

The court scene is pretty funny too as Judge Donald Meek looking for a few jollies has Lederer, Lupino, and Malyon who wants Lederer boiled in oil give their accounts of this incident.. Theater manager Roland Young fires Lederer from his revue, but his popularity among the French public skyrockets.

As was said by another reviewer this is a film that Maurice Chevalier should have done. But as Chevalier went back to France and was unavailable, Lederer is a good substitute.

Does all this lead to romance? Watch this charming comedy and find out.

In Paris, "Incorrigible Philippe Martin, a rakish actor, has arrived at a darkened movie theater for a tryst with his married girlfriend Yvonne. Everything changes when he accidentally sits in the wrong seat and kisses a beautiful publisher's daughter named Monique. To protect Yvonne in the ensuing scandal, he claims that Monique's beauty was irresistible. Now Monique is intrigued, but her fiancé is anything but happy," according to the fine folks at Mill Creek Entertainment.

This is a mostly unsuccessful romantic comedy from the intriguing production team of Mary Pickford and Jesse L. Lasky. She was, of course, THE film sweetheart last appearing in "Secrets" (1933) and he was the likewise legendary former Paramount Studios boss. "One Rainy Afternoon" was the first of two films from Pickford and Lasky, both starring Ida Lupino. The second was better, but they stopped there. Interestingly, you can see traces of Ms. Pickford in Ms. Lupino's character - these parts look like they might have appealed to Pickford herself. Leading man Francis Lederer receives star-billing, but is lesser remembered today; he was a versatile and convincing actor. Everyone delivers competent, albeit uninspired, work.

Interesting, too, is that two of filmdom's very first popular players appear as uncredited extras. They are Florence Turner and Florence Lawrence, two of the movies' first genuine "STAR" actresses. Popular for several years, they were still big enough to appear in the first annual "Motion Picture Story Magazine" players poll, for 1912; Ms. Lawrence was #8, Ms. Turner was #11, and an up-and-coming Pickford appeared at #12. Pickford passed them in the next year's poll.

**** One Rainy Afternoon (5/13/36) Rowland V. Lee ~ Francis Lederer, Ida Lupino, Hugh Herbert, Roland Young

When a European setting was considered necessary for a "sophisticated" romantic comedy and a "prestige" production, "One Rainy Night" delivered not only the setting, but also the European screenwriters and even the European lead -- Francis Lederer doing a passable Maurice Chevalier-like singing turn. The main plot is a trifle, as is appropriate for romantic comedy. Lederer plays a stage actor who accidentally kisses a stranger (Ida Lupino) in a darkened movie theater, when he thought he was kissing his married lover (billed as Countess Liev de Maigret). Lederer is prosecuted as a masher at the insistence of a public morality committee. At trial, he can't tell the true reason he kissed Lupino, so he says he was overcome by her beauty; the trial makes him a popular celebrity and his stage play a hit, and it starts a romance between Lederer and Lupino.

Lederer is a charming romantic lead and Lupino is radiant in an uncharacteristic early role as a sweet, innocent girl. Unfortunately, they have little chemistry between them, which is the weak point of the movie. But the supporting cast, including the always reliable Roland Young, Hugh Herbert, Donald Meek, Eric Rhodes, and Mischa Auer playing their usual characters, are all given either extended scenes or bits of business that keep the movie light, sparkling, and enjoyable. And Rowland Lee's direction is up to his usual high standard.

Middle thirties studio fodder that would be completely forgotten if it didn't have Ida Lupino in one of the star parts. She's very young although starting to move away from the English Jean Harlow mold the studio tried forcing her into when she first arrived. Her voice is still high and light not having yet acquired the smoky whiskey tinge that was to come within a few years. Some fun is provided by two members of the supporting cast, the always reliable Roland Young and the buffoonish Hugh Herbert plus Ida and the forgotten Francis Lederer make an attractive couple but this is a minor romantic comedy nothing more.

This was wonderfully enjoyable! Men probably disagree since it is most definitely Woman's Movie!! The leading man is almost too handsome and then he smiles!! Wow! Plus, Ida Lupino is so young & gorgeous! I doubt the film maker was hoping for an Oscar but an offering of romance and comedy!! Why not!! It's perfect in that category!!